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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country since 2023; and, since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Myanmar, Thailand, and Indonesia. (Full article...)

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  • Image 1 Lamb Madras curry Curry is a dish with a sauce or gravy seasoned with spices, mainly derived from the interchange of Indian cuisine with European taste in food, starting with the Portuguese, followed by the Dutch and British, and then thoroughly internationalised. Many dishes that would be described as curries in English are found in the native cuisines of countries in Southeast Asia and East Asia. The English word is derived indirectly from some combination of Dravidian words. A first step in the creation of curry was the arrival in India of spicy hot chili peppers, along with other ingredients such as tomatoes and potatoes, part of the Columbian exchange of plants between the Old World and the New World. During the British Raj, Anglo-Indian cuisine developed, leading to Hannah Glasse's 18th century recipe for "currey the India way" in England. Curry was then spread in the 19th century by indentured Indian sugar workers to the Caribbean, and by British traders to Japan. Further exchanges around the world made curry a fully international dish. (Full article...)
    Lamb Madras curry


    Curry is a dish with a sauce or gravy seasoned with spices, mainly derived from the interchange of Indian cuisine with European taste in food, starting with the Portuguese, followed by the Dutch and British, and then thoroughly internationalised. Many dishes that would be described as curries in English are found in the native cuisines of countries in Southeast Asia and East Asia. The English word is derived indirectly from some combination of Dravidian words.

    A first step in the creation of curry was the arrival in India of spicy hot chili peppers, along with other ingredients such as tomatoes and potatoes, part of the Columbian exchange of plants between the Old World and the New World. During the British Raj, Anglo-Indian cuisine developed, leading to Hannah Glasse's 18th century recipe for "currey the India way" in England. Curry was then spread in the 19th century by indentured Indian sugar workers to the Caribbean, and by British traders to Japan. Further exchanges around the world made curry a fully international dish. (Full article...)
  • Image 2 Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F) Enhydriodon is an extinct genus of otters known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus name means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives. Enhydriodon belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae. The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)

    Lower jaw dentitions of Enhydriodon hendeyi (A-C) and Enhydriodon africanus (D-F)

    Enhydriodon is an extinct genus of otters known from Africa, Pakistan, and India that lived from the late Miocene to the early Pleistocene. It contains nine confirmed species, two debated species, and at least a few other undescribed species from Africa. The genus name means "otter tooth" in Ancient Greek and is a reference to its dentition rather than to the Enhydra genus, which includes the modern sea otter and its two prehistoric relatives. Enhydriodon belongs to the tribe Enhydriodontini (which also contains Sivaonyx and Vishnuonyx) in the otter subfamily Lutrinae.

    The exact sizes and lengths of Enhydriodon species are unknown given the lack of complete fossils of it and most related fossil lutrines. Indian subcontinental species are estimated to be of weights similar to that of the extant sea otter, but African species are estimated to be heavier than extant lutrines. In particular, several species such as E. kamuhangirei, E. dikikae, and E. omoensis were estimated to weigh over 100 kg (220 lb). Given these weight estimates, the three species likely reached sizes comparable to extant bears or lions, making them the largest known mustelids to exist, although a lack of complete specimens makes precise estimates impossible. (Full article...)
  • Image 3 Statue of Shiva at Shivoham Shiva Temple, Bangalore, Karnataka Shiva (/ˈʃɪvə/; Sanskrit: शिव, lit. 'The Auspicious One', IAST: Śiva [ɕɪʋɐ]), also known as Mahadeva (/məˈhɑː ˈdeɪvə/; Sanskrit: महादेव:, lit. 'The Great God', IAST: Mahādevaḥ, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism. In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva is known as The Destroyer within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. (Full article...)

    Statue of Shiva at Shivoham Shiva Temple, Bangalore, Karnataka

    Shiva (/ˈʃɪvə/; Sanskrit: शिव, lit. 'The Auspicious One', IAST: Śiva [ɕɪʋɐ]), also known as Mahadeva (/məˈhɑː ˈdeɪvə/; Sanskrit: महादेव:, lit. 'The Great God', IAST: Mahādevaḥ, [mɐɦaːd̪eːʋɐh]) and Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hinduism.

    In the Shaivite tradition, Shiva is the Supreme Lord who creates, protects and transforms the universe. In the goddess-oriented Shakta tradition, the Supreme Goddess (Devi) is regarded as the energy and creative power (Shakti) and the equal complementary partner of Shiva. Shiva is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. Shiva is known as The Destroyer within the Trimurti, the Hindu trinity which also includes Brahma and Vishnu. (Full article...)
  • Image 4 Payanangal Mudivathillai (transl. Journeys never end) is a 1982 Indian Tamil-language romantic drama film written and directed by R. Sundarrajan. The film stars Mohan and Poornima Jayaram, with Rajini, S. Ve. Shekher, Poornam Viswanathan, Rajesh and Goundamani in supporting roles. Its plot revolves around a woman who falls in love with a singer whom she helped to rise to fame but struggles to declare her love for him. Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
    Payanangal Mudivathillai (transl. Journeys never end) is a 1982 Indian Tamil-language romantic drama film written and directed by R. Sundarrajan. The film stars Mohan and Poornima Jayaram, with Rajini, S. Ve. Shekher, Poornam Viswanathan, Rajesh and Goundamani in supporting roles. Its plot revolves around a woman who falls in love with a singer whom she helped to rise to fame but struggles to declare her love for him.

    Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
  • Image 5 India has two primary pieces of legislation governing nationality requirements, the Constitution of India and the Citizenship Act, 1955. All persons born in India between 26 January 1950 and 1 July 1987 automatically received citizenship by birth regardless of the nationalities of their parents. Between 1 July 1987 and 3 December 2004, citizenship by birth was granted if at least one parent was a citizen. Individuals born in the country since then receive Indian citizenship at birth only if both parents are Indian citizens, or if one parent is a citizen and the other is not considered an illegal migrant. (Full article...)

    India has two primary pieces of legislation governing nationality requirements, the Constitution of India and the Citizenship Act, 1955.

    All persons born in India between 26 January 1950 and 1 July 1987 automatically received citizenship by birth regardless of the nationalities of their parents. Between 1 July 1987 and 3 December 2004, citizenship by birth was granted if at least one parent was a citizen. Individuals born in the country since then receive Indian citizenship at birth only if both parents are Indian citizens, or if one parent is a citizen and the other is not considered an illegal migrant. (Full article...)
  • Image 6 Chanchal Kumar Majumdar (Bengali: [Cañcāla kumāra majumadāra]) (11 August 1938 – 20 June 2000) was an Indian condensed matter physicist and the founder director of S.N. Bose National Centre for Basic Sciences. Known for his research in quantum mechanics, Majumdar was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well a member of the New York Academy of Sciences and the American Physical Society. Majumdar was the mentor of Dipan Ghosh with whom he co-developed the Majumdar–Ghosh model, an extension of the Heisenberg model which improved upon the latter, and was a protege of Walter Kohn and Maria Goeppert-Mayer, both Nobel laureates. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1976. (Full article...)

    Chanchal Kumar Majumdar (Bengali: [Cañcāla kumāra majumadāra]) (11 August 1938 – 20 June 2000) was an Indian condensed matter physicist and the founder director of S.N. Bose National Centre for Basic Sciences. Known for his research in quantum mechanics, Majumdar was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well a member of the New York Academy of Sciences and the American Physical Society.

    Majumdar was the mentor of Dipan Ghosh with whom he co-developed the Majumdar–Ghosh model, an extension of the Heisenberg model which improved upon the latter, and was a protege of Walter Kohn and Maria Goeppert-Mayer, both Nobel laureates. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1976. (Full article...)
  • Image 7 "Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London. The title references their first hit song; "Love Me Do". The composition adheres to the pitches of the Indian equivalent of Dorian mode and emulates the khyal vocal tradition of Hindustani classical music. For musical inspiration, Harrison drew from the work of master sitarist Ravi Shankar, who became his sitar tutor shortly after the recording was completed. In its lyrical themes, "Love You To" is partly a love song to Harrison's wife, Pattie Boyd, while also incorporating philosophical concepts inspired by his experimentation with the hallucinogenic drug LSD. In the context of its release, the song served as one of the first examples of the Beatles expressing an ideology aligned with that of the emergent counterculture. (Full article...)
    "Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London. The title references their first hit song; "Love Me Do".

    The composition adheres to the pitches of the Indian equivalent of Dorian mode and emulates the khyal vocal tradition of Hindustani classical music. For musical inspiration, Harrison drew from the work of master sitarist Ravi Shankar, who became his sitar tutor shortly after the recording was completed. In its lyrical themes, "Love You To" is partly a love song to Harrison's wife, Pattie Boyd, while also incorporating philosophical concepts inspired by his experimentation with the hallucinogenic drug LSD. In the context of its release, the song served as one of the first examples of the Beatles expressing an ideology aligned with that of the emergent counterculture. (Full article...)
  • Image 8 NH10 is a 2015 Indian Hindi-language action thriller film directed by Navdeep Singh and written by Sudip Sharma. It stars Anushka Sharma, Neil Bhoopalam, Darshan Kumar, and Deepti Naval. NH10 was jointly produced by Clean Slate Filmz, Phantom Films, Eros International and marked the production debut of Sharma. It tells the story of a young couple whose road trip goes awry after an encounter with a group of violent criminals. The title refers to the National Highway 10 that connects Delhi to the town of Fazilka in Punjab. The film was conceived by Singh and written by Sudip Sharma, who were inspired by some real-life honour killing murder cases. The soundtrack album was composed by Sanjeev-Darshan, Bann Chakraborty, Abhiruchi Chand, Ayush Shrestha, Savera Mehta and Samira Koppikar. Arbind Kannabiran served as the film's cinematographer and Jabeen Merchant was its editor. (Full article...)
    NH10 is a 2015 Indian Hindi-language action thriller film directed by Navdeep Singh and written by Sudip Sharma. It stars Anushka Sharma, Neil Bhoopalam, Darshan Kumar, and Deepti Naval. NH10 was jointly produced by Clean Slate Filmz, Phantom Films, Eros International and marked the production debut of Sharma. It tells the story of a young couple whose road trip goes awry after an encounter with a group of violent criminals. The title refers to the National Highway 10 that connects Delhi to the town of Fazilka in Punjab.

    The film was conceived by Singh and written by Sudip Sharma, who were inspired by some real-life honour killing murder cases. The soundtrack album was composed by Sanjeev-Darshan, Bann Chakraborty, Abhiruchi Chand, Ayush Shrestha, Savera Mehta and Samira Koppikar. Arbind Kannabiran served as the film's cinematographer and Jabeen Merchant was its editor. (Full article...)
  • Image 9 Ganesha with consorts Riddhi (prosperity) and Siddhi (spiritual power), Painting titled "Riddhi Siddhi" by Raja Ravi Varma (1848–1906) The marital status of the Hindu deity Ganesha varies widely in mythological stories and the issue has been the subject of considerable scholarly review. Several patterns of associations with different consorts are identifiable. One pattern of myths identifies Ganesha as an unmarried brahmacārin with no consorts. Another mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses who are considered to be Ganesha's wives. Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati. In the Bengal region he is linked with the banana tree, Kala Bo (or Kola Bou). Usually Ganesha's consort is portrayed as his shakti, a personification of his creative energy. Some of the differences between these patterns can be understood by looking at regional variations across India, the time periods in which the patterns are found, and the traditions in which the beliefs are held. Some differences pertain to the preferred meditation form used by the devotee, with many different traditional forms ranging from Ganesha as a young boy (Sanskrit: बाल गणपति; bālagāņapati) to Ganesha as a Tantric deity. (Full article...)
    Ganesha with consorts Riddhi (prosperity) and Siddhi (spiritual power), Painting titled "Riddhi Siddhi" by Raja Ravi Varma (1848–1906)

    The marital status of the Hindu deity Ganesha varies widely in mythological stories and the issue has been the subject of considerable scholarly review. Several patterns of associations with different consorts are identifiable. One pattern of myths identifies Ganesha as an unmarried brahmacārin with no consorts. Another mainstream pattern associates him with the concepts of Buddhi (intellect), Siddhi (spiritual power), and Riddhi (prosperity); these qualities are sometimes personified as goddesses who are considered to be Ganesha's wives. Another pattern connects Ganesha with the goddess of culture and the arts, Sarasvati. In the Bengal region he is linked with the banana tree, Kala Bo (or Kola Bou). Usually Ganesha's consort is portrayed as his shakti, a personification of his creative energy.

    Some of the differences between these patterns can be understood by looking at regional variations across India, the time periods in which the patterns are found, and the traditions in which the beliefs are held. Some differences pertain to the preferred meditation form used by the devotee, with many different traditional forms ranging from Ganesha as a young boy (Sanskrit: बाल गणपति; bālagāņapati) to Ganesha as a Tantric deity. (Full article...)
  • Image 10 The Padma Vibhushan (IAST: Padma Vibhūṣaṇa pronounced [pəd̪mə ʋɪbʱuːɕəɳə], lit. "Lotus Grandeur") is the second-highest civilian award of the Republic of India, after the Bharat Ratna. Instituted on 2 January 1954, the award is given for "exceptional and distinguished service". All persons without distinction of race, occupation, position or sex are eligible for these awards. However, government servants including those working with public sector undertakings, except doctors and scientists, are not eligible for these Awards. As of 2024[update], the award has been bestowed on 336 individuals, including thirty-one posthumous and twenty-one non-citizen recipients. During 1 May and 15 September of every year, the recommendations for the award are submitted to the Padma Awards Committee, constituted by the Prime Minister of India. The recommendations are received from all the state and the union territory governments, the Ministries of the Government of India, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for the further approval. The award recipients are announced on Republic Day. (Full article...)
    The Padma Vibhushan (IAST: Padma Vibhūṣaṇa pronounced [pəd̪mə ʋɪbʱuːɕəɳə], lit. "Lotus Grandeur") is the second-highest civilian award of the Republic of India, after the Bharat Ratna. Instituted on 2 January 1954, the award is given for "exceptional and distinguished service". All persons without distinction of race, occupation, position or sex are eligible for these awards. However, government servants including those working with public sector undertakings, except doctors and scientists, are not eligible for these Awards. As of 2024, the award has been bestowed on 336 individuals, including thirty-one posthumous and twenty-one non-citizen recipients.

    During 1 May and 15 September of every year, the recommendations for the award are submitted to the Padma Awards Committee, constituted by the Prime Minister of India. The recommendations are received from all the state and the union territory governments, the Ministries of the Government of India, the Bharat Ratna and previous Padma Vibhushan award recipients, the Institutes of Excellence, the Ministers, the Chief Ministers and the Governors of State, and the Members of Parliament including private individuals. The committee later submits their recommendations to the Prime Minister and the President of India for the further approval. The award recipients are announced on Republic Day. (Full article...)
  • Image 11 Everard Richard Calthrop (3 March 1857 – 30 March 1927) was a British railway engineer and inventor. Calthrop was a notable promoter and builder of narrow-gauge railways, especially of 2 ft 6 in (762 mm) narrow gauge, and was especially prominent in India. His most notable achievement was the Barsi Light Railway, but he is best known in his home country for the Leek and Manifold Valley Light Railway. Calthrop has been described as a "railway genius". Later in life he took an interest in aviation, patenting some early designs for parachutes. (Full article...)
    Everard Richard Calthrop (3 March 1857 – 30 March 1927) was a British railway engineer and inventor. Calthrop was a notable promoter and builder of narrow-gauge railways, especially of 2 ft 6 in (762 mm) narrow gauge, and was especially prominent in India. His most notable achievement was the Barsi Light Railway, but he is best known in his home country for the Leek and Manifold Valley Light Railway. Calthrop has been described as a "railway genius". Later in life he took an interest in aviation, patenting some early designs for parachutes. (Full article...)
  • Image 12 Anamudi, the highest peak in the Western Ghats The Western Ghats, also known as the Sahyadri, is a mountain range that stretches 1,600 km (990 mi) along the western coast of the Indian peninsula. Covering an area of 160,000 km2 (62,000 sq mi), it traverses the Indian states of Gujarat, Maharashtra, Goa, Karnataka, Kerala, and Tamil Nadu. The range forms an almost continuous chain of mountains along the western edge of the Deccan Plateau, from the Tapti River to Swamithoppe in Kanyakumari district at the southern tip of the Indian peninsula. The Western Ghats meet with the Eastern Ghats at Nilgiris before continuing south. Geologic evidence indicates that the mountains were formed during the break-up of the supercontinent of Gondwana. The mountains came along the west coast of India somewhere in the late Jurassic and early Cretaceous periods when India separated from the African continent. The mountains can be roughly divided into three parts: the northern section with an elevation ranging from 900–1,500 m (3,000–4,900 ft), the middle section starting from the south of Goa with a lower elevation of less than 900 m (3,000 ft), and the southern section where the altitude rises again. The Western Ghats have several peaks that rise above 2,000 m (6,600 ft), with Anamudi (2,695 m (8,842 ft)) being the highest peak. The average elevation is around 1,200 m (3,900 ft). (Full article...)

    Anamudi, the highest peak in the Western Ghats

    The Western Ghats, also known as the Sahyadri, is a mountain range that stretches 1,600 km (990 mi) along the western coast of the Indian peninsula. Covering an area of 160,000 km2 (62,000 sq mi), it traverses the Indian states of Gujarat, Maharashtra, Goa, Karnataka, Kerala, and Tamil Nadu. The range forms an almost continuous chain of mountains along the western edge of the Deccan Plateau, from the Tapti River to Swamithoppe in Kanyakumari district at the southern tip of the Indian peninsula. The Western Ghats meet with the Eastern Ghats at Nilgiris before continuing south.

    Geologic evidence indicates that the mountains were formed during the break-up of the supercontinent of Gondwana. The mountains came along the west coast of India somewhere in the late Jurassic and early Cretaceous periods when India separated from the African continent. The mountains can be roughly divided into three parts: the northern section with an elevation ranging from 900–1,500 m (3,000–4,900 ft), the middle section starting from the south of Goa with a lower elevation of less than 900 m (3,000 ft), and the southern section where the altitude rises again. The Western Ghats have several peaks that rise above 2,000 m (6,600 ft), with Anamudi (2,695 m (8,842 ft)) being the highest peak. The average elevation is around 1,200 m (3,900 ft). (Full article...)
  • Image 13 Rakkiaiah (alternatively Rokkiah, born Rajathi Samsudeen in 1968) is an Indian Tamil writer, activist, and politician known by the pen name Salma and the nickname Rajathi, and often referred to as Rajathi Salma. Her works have received international acclaim and she is renowned as a sensation in contemporary Tamil literature. She is a Rajya Sabha member of the Dravida Munnetra Kazhagam and involved in women's and transgender rights activism. Between 2007 and 2011, she served as the chairperson of the State Social Welfare Board of Tamil Nadu. Salma is also the founder of a non-government women's rights organisation named "Your Hope is Remaining". (Full article...)

    Rakkiaiah (alternatively Rokkiah, born Rajathi Samsudeen in 1968) is an Indian Tamil writer, activist, and politician known by the pen name Salma and the nickname Rajathi, and often referred to as Rajathi Salma. Her works have received international acclaim and she is renowned as a sensation in contemporary Tamil literature.

    She is a Rajya Sabha member of the Dravida Munnetra Kazhagam and involved in women's and transgender rights activism. Between 2007 and 2011, she served as the chairperson of the State Social Welfare Board of Tamil Nadu. Salma is also the founder of a non-government women's rights organisation named "Your Hope is Remaining". (Full article...)
  • Image 14 Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain. Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
    Black Friday is a 2004 Indian Hindi-language crime film written and directed by Anurag Kashyap. Based on Black Friday: The True Story of the Bombay Bomb Blasts, a book by Hussain Zaidi about the 1993 Bombay bombings, it chronicles the events that led to the blasts and the subsequent police investigation. Produced by Arindam Mitra of Mid-Day, the film stars Pawan Malhotra, Kay Kay Menon, Aditya Srivastava, Kishor Kadam and Zakir Hussain.

    Mitra, director of operations for Mid Day, approached Kashyap with the book and wanted him to write a television series based on it for the Aaj Tak TV news channel. Kashyap wrote the script in episodes for the six-part miniseries but later felt a feature film was more appropriate for the topic. Aaj Tak backed away from the project, and it was shelved. Kashyap then suggested to the director Aditya Bhattacharya that he make it into a film. When Kashyap told him he felt there was a film to be made about the event, Bhattacharya gave it to him to direct. The film's soundtrack album and the background score were composed by the band Indian Ocean, while the lyrics were written by Piyush Mishra. Natarajan Subramaniam served as the director of photography, while Aarti Bajaj was its editor. (Full article...)
  • Image 15 The 2006 Kolkata leather factory fire was a deadly industrial fire that occurred in West Bengal, India, on 22 November 2006. The fire broke out in a leather bag factory located in the Tannix International, Topsia, in the South 24 Parganas district in Greater Kolkata area, and generated a wave of criticism of the poor safety standards in place among the various factories in the country. The industrial fire claimed the lives of at least ten people, who were unable to escape because the doors were locked shut illegally. Authorities, in response to local residents' angry criticism, admitted that the emergency response to the accident was substandard. Two separate investigations were launched. One inquiry focused on the fire itself, while the other sought to ascertain criminal responsibility for the disaster as well as the operation of the illegal factory. The results of both are either pending or have yet to be released to the general public. (Full article...)
    The 2006 Kolkata leather factory fire was a deadly industrial fire that occurred in West Bengal, India, on 22 November 2006. The fire broke out in a leather bag factory located in the Tannix International, Topsia, in the South 24 Parganas district in Greater Kolkata area, and generated a wave of criticism of the poor safety standards in place among the various factories in the country.

    The industrial fire claimed the lives of at least ten people, who were unable to escape because the doors were locked shut illegally. Authorities, in response to local residents' angry criticism, admitted that the emergency response to the accident was substandard. Two separate investigations were launched. One inquiry focused on the fire itself, while the other sought to ascertain criminal responsibility for the disaster as well as the operation of the illegal factory. The results of both are either pending or have yet to be released to the general public. (Full article...)
  • Image 16 Portrait of Zulfiqar Khan, c. 1690 Muhammad Ismail (1649/1657 – 11 February 1713), known by his title Zulfiqar Khan, was a leading noble and military general of the Mughal Empire. His father was Asad Khan, wazir (prime minister) to Mughal emperor Aurangzeb. During Aurangzeb's reign, Zulfiqar Khan led several military campaigns in pursuit of the emperor's ambitions in the Deccan and South India, notable of which is the Siege of Jinji. He held the post of mir bakhshi (paymaster general), appointed towards the later part of Aurangzeb's reign, and was made governor of the Deccan by emperor Bahadur Shah I. These positions helped make Zulfiqar Khan the most powerful noble in the empire by the early 1700s. For his role in engineering the accession of emperor Jahandar Shah, Zulfiqar Khan has been termed the first kingmaker in Mughal history. During this emperor's brief reign, Zulfiqar Khan served as wazir (prime minister) and acted as effective ruler of the empire, before being executed in 1713 by claimant to the throne Farrukhsiyar. (Full article...)

    Portrait of Zulfiqar Khan, c. 1690

    Muhammad Ismail (1649/1657 – 11 February 1713), known by his title Zulfiqar Khan, was a leading noble and military general of the Mughal Empire. His father was Asad Khan, wazir (prime minister) to Mughal emperor Aurangzeb. During Aurangzeb's reign, Zulfiqar Khan led several military campaigns in pursuit of the emperor's ambitions in the Deccan and South India, notable of which is the Siege of Jinji. He held the post of mir bakhshi (paymaster general), appointed towards the later part of Aurangzeb's reign, and was made governor of the Deccan by emperor Bahadur Shah I. These positions helped make Zulfiqar Khan the most powerful noble in the empire by the early 1700s.

    For his role in engineering the accession of emperor Jahandar Shah, Zulfiqar Khan has been termed the first kingmaker in Mughal history. During this emperor's brief reign, Zulfiqar Khan served as wazir (prime minister) and acted as effective ruler of the empire, before being executed in 1713 by claimant to the throne Farrukhsiyar. (Full article...)
  • Image 17 Sanchi stupa No 3, where the relics of Sariputta and Moggallana were first discovered The relics of Sariputta and Moggallana refers to the cremated remains of the Buddhist disciples Sariputta (Sanskrit: Śāriputra; Pali: Sāriputta; Sinhala:Seriyuth සැරියුත්); and Moggallana (Sanskrit: Maudgalyāyana; Pali: Moggallāna;Sinhala: Mugalan මුගලන්). Sariputta and Moggallana (also called Maha Moggallana) were the two chief disciples of the Buddha, often stylized as the right hand and left hand disciples of the Buddha respectively. The two disciples were childhood friends who ordained under the Buddha together and are said to have become enlightened as arahants. The Buddha declared them his two chief disciples, after which they assumed leadership roles in the Buddha's ministry. Both of the chief disciples died a few months before the Buddha near the ancient Indian city of Rājagaha in what is now Bihar, and were cremated. According to Buddhist texts, the cremated remains of the disciples were then enshrined in stupas at notable monasteries of the time, with Sariputta's remains being enshrined at Jetavana monastery and Moggallana's remains being enshrined at Veḷuvana monastery. However, as of 1999 no modern archaeological reports have confirmed this, although in 1851 discoveries were made at other sites. In 1851, British archaeologists Major Alexander Cunningham and Lieutenant Frederick Charles Maisey discovered relics attributed to the chief disciples during excavations of stupas in the Indian cities of Sanchi and Satdhara. Scholars have theorized that the relics were enshrined in stupas near Rajagaha after the disciples' deaths but were redistributed by later Indian kings such as King Asoka. Following the discovery, the Satdhara relics were sent to the Victoria and Albert Museum in London in 1866, while the Sanchi relics are said to have been lost when a ship carrying the remains sank. Following a Buddhist revival movement in South Asia in the late 19th century, Buddhist organizations including the Maha Bodhi Society began pressuring the British government to return the relics to Asia so they can be properly venerated, with the British government eventually conceding. The relics were sent to Sri Lanka in 1947, where they were on display at the Colombo Museum for nearly two years, and then were put on tour around parts of Asia starting in 1949. The relics were then divided up and permanently relocated in 1952, with portions being enshrined at the Kaba Aye Pagoda in Yangon, Burma, the Maha Bodhi Society temple in Colombo, Sri Lanka, and the Chethiyagiri Vihara in Sanchi, India. (Full article...)
    Sanchi stupa No 3, where the relics of Sariputta and Moggallana were first discovered

    The relics of Sariputta and Moggallana refers to the cremated remains of the Buddhist disciples Sariputta (Sanskrit: Śāriputra; Pali: Sāriputta; Sinhala:Seriyuth සැරියුත්); and Moggallana (Sanskrit: Maudgalyāyana; Pali: Moggallāna;Sinhala: Mugalan මුගලන්). Sariputta and Moggallana (also called Maha Moggallana) were the two chief disciples of the Buddha, often stylized as the right hand and left hand disciples of the Buddha respectively. The two disciples were childhood friends who ordained under the Buddha together and are said to have become enlightened as arahants. The Buddha declared them his two chief disciples, after which they assumed leadership roles in the Buddha's ministry. Both of the chief disciples died a few months before the Buddha near the ancient Indian city of Rājagaha in what is now Bihar, and were cremated. According to Buddhist texts, the cremated remains of the disciples were then enshrined in stupas at notable monasteries of the time, with Sariputta's remains being enshrined at Jetavana monastery and Moggallana's remains being enshrined at Veḷuvana monastery. However, as of 1999 no modern archaeological reports have confirmed this, although in 1851 discoveries were made at other sites.

    In 1851, British archaeologists Major Alexander Cunningham and Lieutenant Frederick Charles Maisey discovered relics attributed to the chief disciples during excavations of stupas in the Indian cities of Sanchi and Satdhara. Scholars have theorized that the relics were enshrined in stupas near Rajagaha after the disciples' deaths but were redistributed by later Indian kings such as King Asoka. Following the discovery, the Satdhara relics were sent to the Victoria and Albert Museum in London in 1866, while the Sanchi relics are said to have been lost when a ship carrying the remains sank. Following a Buddhist revival movement in South Asia in the late 19th century, Buddhist organizations including the Maha Bodhi Society began pressuring the British government to return the relics to Asia so they can be properly venerated, with the British government eventually conceding. The relics were sent to Sri Lanka in 1947, where they were on display at the Colombo Museum for nearly two years, and then were put on tour around parts of Asia starting in 1949. The relics were then divided up and permanently relocated in 1952, with portions being enshrined at the Kaba Aye Pagoda in Yangon, Burma, the Maha Bodhi Society temple in Colombo, Sri Lanka, and the Chethiyagiri Vihara in Sanchi, India. (Full article...)
  • Image 18 Statue of Śāriputra from 17th century Qing China Śāriputra (Sanskrit: शारिपुत्र; Tibetan: ཤཱ་རིའི་བུ་, Pali: Sāriputta, lit. "the son of Śāri", born Upatiṣya, Pali: Upatissa) was one of the top disciples of the Buddha. He is considered the first of the Buddha's two chief male disciples, together with Maudgalyāyana (Pali: Moggallāna). Śāriputra had a key leadership role in the ministry of the Buddha and is considered in many Buddhist schools to have been important in the development of the Buddhist Abhidharma. He frequently appears in Mahayana sutras, and in some sutras, is used as a counterpoint to represent the Hinayana school of Buddhism. Historians believe Śāriputra was born in the ancient Indian kingdom of Magadha around the 6th or 5th century BCE. Buddhist texts relate that Śāriputra and Maudgalyāyana were childhood friends who became spiritual wanderers in their youth. After having searched for spiritual truth with other contemporary teachers, they came into contact with the teachings of the Buddha and ordained as monks under him, after which the Buddha declared the friends his two chief disciples. Śāriputra was said to have attained enlightenment as an arhat two weeks after ordination. As chief disciple Śāriputra assumed a leadership role in the Sangha, doing tasks like looking after monks, assigning them objects of meditation, and clarifying points of doctrine. He was the first disciple the Buddha allowed to ordain other monks. Śāriputra died shortly before the Buddha in his hometown and was cremated. According to Buddhist texts, his relics were then enshrined at Jetavana Monastery. Archaeological findings from the 1800s suggest his relics may have been redistributed across the Indian subcontinent by subsequent kings. (Full article...)

    Statue of Śāriputra from 17th century Qing China

    Śāriputra (Sanskrit: शारिपुत्र; Tibetan: ཤཱ་རིའི་བུ་, Pali: Sāriputta, lit. "the son of Śāri", born Upatiṣya, Pali: Upatissa) was one of the top disciples of the Buddha. He is considered the first of the Buddha's two chief male disciples, together with Maudgalyāyana (Pali: Moggallāna). Śāriputra had a key leadership role in the ministry of the Buddha and is considered in many Buddhist schools to have been important in the development of the Buddhist Abhidharma. He frequently appears in Mahayana sutras, and in some sutras, is used as a counterpoint to represent the Hinayana school of Buddhism.

    Historians believe Śāriputra was born in the ancient Indian kingdom of Magadha around the 6th or 5th century BCE. Buddhist texts relate that Śāriputra and Maudgalyāyana were childhood friends who became spiritual wanderers in their youth. After having searched for spiritual truth with other contemporary teachers, they came into contact with the teachings of the Buddha and ordained as monks under him, after which the Buddha declared the friends his two chief disciples. Śāriputra was said to have attained enlightenment as an arhat two weeks after ordination. As chief disciple Śāriputra assumed a leadership role in the Sangha, doing tasks like looking after monks, assigning them objects of meditation, and clarifying points of doctrine. He was the first disciple the Buddha allowed to ordain other monks. Śāriputra died shortly before the Buddha in his hometown and was cremated. According to Buddhist texts, his relics were then enshrined at Jetavana Monastery. Archaeological findings from the 1800s suggest his relics may have been redistributed across the Indian subcontinent by subsequent kings. (Full article...)
  • Image 19 Hooda in 2014 Randeep Hooda (pronounced [rəɳdiːp ɦʊɖːa]; born 20 August 1976) is an Indian actor, who works predominantly in Hindi cinema. Hooda is known for his versatility and physical transformations for his roles. He made his Hindi film debut with Monsoon Wedding (2001). He had a turning point in his career with the gangster film Once Upon a Time in Mumbaai (2010), and continued to gain attention with supporting roles in films such as Saheb, Biwi Aur Gangster (2011), Jannat 2 (2012), Jism 2 (2012), Cocktail (2012), Heroine (2012) and Jaat (2025). Hooda starred in leading roles in several films, including Murder 3 (2013), John Day (2013) and Rang Rasiya (2014); for later, he was nominated for Filmfare Award for Best Actor. He received widespread critical acclaim for his performance in films such as Highway (2014), Main Aur Charles (2015) and Sarbjit (2016). Other notable films are Do Lafzon Ki Kahani (2016), his biggest hits Kick (2014) and Sultan (2016), and also the action film Baaghi 2 (2018). He has also starred in the American film Extraction (2020) and the television series CAT (2022). (Full article...)

    Hooda in 2014

    Randeep Hooda (pronounced [rəɳdiːp ɦʊɖːa]; born 20 August 1976) is an Indian actor, who works predominantly in Hindi cinema. Hooda is known for his versatility and physical transformations for his roles. He made his Hindi film debut with Monsoon Wedding (2001). He had a turning point in his career with the gangster film Once Upon a Time in Mumbaai (2010), and continued to gain attention with supporting roles in films such as Saheb, Biwi Aur Gangster (2011), Jannat 2 (2012), Jism 2 (2012), Cocktail (2012), Heroine (2012) and Jaat (2025).

    Hooda starred in leading roles in several films, including Murder 3 (2013), John Day (2013) and Rang Rasiya (2014); for later, he was nominated for Filmfare Award for Best Actor. He received widespread critical acclaim for his performance in films such as Highway (2014), Main Aur Charles (2015) and Sarbjit (2016). Other notable films are Do Lafzon Ki Kahani (2016), his biggest hits Kick (2014) and Sultan (2016), and also the action film Baaghi 2 (2018). He has also starred in the American film Extraction (2020) and the television series CAT (2022). (Full article...)
  • Image 20 The Mānasollāsa (मानसोल्लास ) also known as Abhilashitartha Chintamani (अभिलाषितार्थ चिन्तामणि ), is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka. It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India. The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. (Full article...)
    The Mānasollāsa (मानसोल्लास ) also known as Abhilashitartha Chintamani (अभिलाषितार्थ चिन्तामणि ), is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka. It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India.

    The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. (Full article...)
  • Image 21 PW Official Logo Physics Wallah is an Indian multinational educational technology company headquartered in Noida, Uttar Pradesh. The company was founded by Alakh Pandey in 2016 as a YouTube channel aimed at teaching the physics curriculum for the Joint Entrance Examination (JEE), National Eligibility cum Entrance Test (NEET) and CBSE board examinations. In 2020, Pandey along with his co-founder Prateek Maheshwari created the Physics Wallah app, which allowed students to access courses related to the National Eligibility cum Entrance Test (NEET) and Joint Entrance Exam (JEE). PW became India's first Edtech company to achieve unicorn status in 2022. As the channel began to gain more viewership, Alakh Pandey also started to post chemistry content. As of September 2024, the company is valued at around $2.8 billion. Physics Wallah confidentially filed draft papers for a $530M IPO in March 2025. (Full article...)

    PW Official Logo

    Physics Wallah is an Indian multinational educational technology company headquartered in Noida, Uttar Pradesh. The company was founded by Alakh Pandey in 2016 as a YouTube channel aimed at teaching the physics curriculum for the Joint Entrance Examination (JEE), National Eligibility cum Entrance Test (NEET) and CBSE board examinations. In 2020, Pandey along with his co-founder Prateek Maheshwari created the Physics Wallah app, which allowed students to access courses related to the National Eligibility cum Entrance Test (NEET) and Joint Entrance Exam (JEE). PW became India's first Edtech company to achieve unicorn status in 2022.

    As the channel began
    to gain more viewership, Alakh Pandey also started to post chemistry content. As of September 2024, the company is valued at around $2.8 billion. Physics Wallah confidentially filed draft papers for a $530M IPO in March 2025. (Full article...)
  • Image 22 Khandoba with his two chief wives: Mhalsa and Banai Banai (Marathi: बाणाई Bāṇāi, sometimes बानाई), also known as Banu (Bāṇu, बानू) and Banu-bai (Bāṇu-bāī, बानू-बाई), is a Hindu goddess and the second wife of the god Khandoba. Khandoba is a form of the god Shiva worshipped in the Deccan – predominantly in the Indian states of Maharashtra and Karnataka. He is portrayed as a king of Jejuri, where his chief temple stands. Some traditions do not give Banai the status of a legal wife and treat her as a concubine of Khandoba. Banai is sometimes identified with the goddess Ganga as a consort of Shiva. While scriptures related to Khandoba do not mention Banai, she is a central subject of folk songs. Banai is considered a Dhangar, a sheep herding caste, and is sometimes regarded to be of celestial origin. Oral traditions chiefly discuss the tale of her marriage to Khandoba and her conflicts with his first wife Mhalsa. Banai is an antithesis of Mhalsa; together they complete the god. Banai is generally depicted with Khandoba and often is also accompanied by Mhalsa. (Full article...)
    Khandoba with his two chief wives: Mhalsa and Banai


    Banai (Marathi: बाणाई Bāṇāi, sometimes बानाई), also known as Banu (Bāṇu, बानू) and Banu-bai (Bāṇu-bāī, बानू-बाई), is a Hindu goddess and the second wife of the god Khandoba. Khandoba is a form of the god Shiva worshipped in the Deccan – predominantly in the Indian states of Maharashtra and Karnataka. He is portrayed as a king of Jejuri, where his chief temple stands. Some traditions do not give Banai the status of a legal wife and treat her as a concubine of Khandoba. Banai is sometimes identified with the goddess Ganga as a consort of Shiva.

    While scriptures related to Khandoba do not mention Banai, she is a central subject of folk songs. Banai is considered a Dhangar, a sheep herding caste, and is sometimes regarded to be of celestial origin. Oral traditions chiefly discuss the tale of her marriage to Khandoba and her conflicts with his first wife Mhalsa. Banai is an antithesis of Mhalsa; together they complete the god. Banai is generally depicted with Khandoba and often is also accompanied by Mhalsa. (Full article...)
  • Image 23 Udaan (transl. Flight) is a 2010 Indian Hindi-language coming-of-age drama film directed by Vikramaditya Motwane in his directorial debut. It was produced by Sanjay Singh, Anurag Kashyap, and Ronnie Screwvala under their production companies Anurag Kashyap Films and UTV Spotboy, respectively. Written by Motwane and Kashyap, the film stars debutante Rajat Barmecha, Ronit Roy, Aayan Boradia, Ram Kapoor, Manjot Singh, and Anand Tiwari. It follows the story of a teen who is forced to live with his oppressive father back home after he is expelled from boarding school. Motwane wrote the script in 2003, but could not find a producer. He co-wrote Kashyap's Dev.D (2009), and Kashyap produced and co-wrote Udaan. The film was set and shot in the industrial town of Jamshedpur. Mahendra J. Shetty was its director of photography, and Dipika Kalra was the editor; Aditya Kanwar was the production designer. (Full article...)
    Udaan (transl. Flight) is a 2010 Indian Hindi-language coming-of-age drama film directed by Vikramaditya Motwane in his directorial debut. It was produced by Sanjay Singh, Anurag Kashyap, and Ronnie Screwvala under their production companies Anurag Kashyap Films and UTV Spotboy, respectively. Written by Motwane and Kashyap, the film stars debutante Rajat Barmecha, Ronit Roy, Aayan Boradia, Ram Kapoor, Manjot Singh, and Anand Tiwari. It follows the story of a teen who is forced to live with his oppressive father back home after he is expelled from boarding school.

    Motwane wrote the script in 2003, but could not find a producer. He co-wrote Kashyap's Dev.D (2009), and Kashyap produced and co-wrote Udaan. The film was set and shot in the industrial town of Jamshedpur. Mahendra J. Shetty was its director of photography, and Dipika Kalra was the editor; Aditya Kanwar was the production designer. (Full article...)
  • Image 24 S/O Satyamurthy is a 2015 Indian (Full article...)
    S/O Satyamurthy is a 2015 Indian (Full article...)
  • Image 25 16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes. The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
    16 Vayathinile (transl. At age 16; read as Pathinaaru Vayathinile) is a 1977 Indian Tamil-language romantic drama film co-written and directed by Bharathirajaa in his directorial debut. The film stars Kamal Haasan, Sridevi, and Rajinikanth, with Gandhimathi, Sathyajith and Goundamani in supporting roles. It focuses on the strengths and vulnerabilities of Mayil (Sridevi), a 16-year-old schoolgirl, and the challenges she faces and overcomes.

    The film was originally titled Mayil, and set to be funded by the National Film Development Corporation of India. When they backed out, it was picked up by S. A. Rajkannu who produced it under his banner Shri Amman Creations, and eventually retitled. 16 Vayathinile became the first Tamil film to be shot predominantly outdoors; Tamil films were primarily filmed in Madras studios. Its soundtrack album and background score were composed by Ilaiyaraaja, with cinematography by P. S. Nivas. P. Kalaimani wrote the film's dialogue. (Full article...)
More good articles

News

7 August 2025 –
Five people are killed and several are injured when a malfunctioning gas cylinder explodes in Visakhapatnam, Andhra Pradesh, India. (MSN)
6 August 2025 – India–United States relations, Tariffs in the second Trump administration
U.S. president Donald Trump issues an executive order raising the total tariff on Indian imports to the United States to 50%, with an additional 25% that will take effect 21 days after August 7 due to its purchases of Russian oil. (BBC News)
5 August 2025 – 2025 Uttarakhand flash flood
At least four people are killed and around 100 others are reported missing after a massive cloudburst triggers flash floods in Dharali village, Uttarkashi, Uttarakhand, India. (NDTV) (Hindustan Times)
4 August 2025 – India–Philippines relations, Territorial disputes in the South China Sea
The Indian and Philippine navies conduct their first joint exercise in the Philippine-designated exclusive economic zone in the South China Sea. The Indian Navy deployed guided missile destroyers, tankers, and corvettes, while the Philippines sent two frigates. (AP) (Reuters)
29 July 2025 –
At least 18 people making the Kanwar Yatra pilgrimage are killed in a bus accident in Deoghar, Jharkand, India. (DW) (NDTV)

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