The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was the decade that began on January 1, 1980, and ended on December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 40.4 million people (as of 2022[update]). Global warming theory began to spread within the scientific and political community in the 1980s.
The United Kingdom and the United States moved closer to supply-side economic policies, beginning a trend towards global instability of international trade that would pick up more steam in the following decade as the fall of the USSR made right-wing economic policy more powerful.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the bulletin board system. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners-Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
Glasnost (/ˈɡlæznɒst/GLAZ-nost; Russian: гласность, IPA:[ˈɡlasnəsʲtʲ]ⓘ) is a concept relating to openness and transparency. It has several general and specific meanings, including a policy of maximum openness in the activities of state institutions and freedom of information and the inadmissibility of hushing up problems. In Russian, the word glasnost has long been used to mean 'openness' and 'transparency'. In the mid-1980s, it was popularised by Mikhail Gorbachev as a political slogan for increased government transparency in the Soviet Union within the framework of perestroika, and the word came to be used in English in the latter meaning. (Full article...)
The following are images from various 1980s-related articles on Wikipedia.
Image 1Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 16The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 19The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Parker initially turned down an opportunity to direct, believing that the complex book could not be successfully adapted for a feature film. The project resurfaced in 1982 when A&M Films, a subsidiary of A&M Records, acquired the film rights and commissioned Sandy Kroopf and Jack Behr to write the screenplay. Upon reading the script, Parker returned as director, and the film continued development at Tri-Star Pictures. Principal photography began in May 1984 and concluded in August of that year. Filming took place on locations in Philadelphia and Santa Clara, California. The film is notable for being the first to be partially shot with the Skycam, a computer-controlled camera system created by Steadicam inventor Garrett Brown. The score was composed by Peter Gabriel. (Full article...)
It premiered on CBC Television in 1984 and was later broadcast on American Playhouse in 1985. The film received mixed reviews from critics. Overdrawn at the Memory Bank was featured in the eighth season finale episode of the comedy television series Mystery Science Theater 3000 in 1997. (Full article...)
Despite the success of Alien, its sequel took years to develop due to lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated management changes. Although relatively inexperienced, Cameron was hired to write a story for Aliens in 1983 on the strength of his scripts for The Terminator (1984) and Rambo: First Blood Part II (1985). The project stalled again until new Fox executive Lawrence Gordon pursued a sequel. On an approximately $18.5million budget, Aliens began principal photography in September 1985 and concluded in January 1986. The film's development was tumultuous and rife with conflicts between Cameron and the British crew at Pinewood Studios. The difficult shoot affected the composer, James Horner, who was given little time to record the music. (Full article...)
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Never Say Never Again is a 1983 spy film directed by Irvin Kershner. The film is based on the 1961 James Bond novel Thunderball by Ian Fleming, which in turn was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted as the 1965 film Thunderball. Never Say Never Again is the second and most recent James Bond film not to be produced by Eon Productions (the usual producer of the Bond series) but instead by Jack Schwartzman's Taliafilm, and was distributed by Warner Bros. The film was executive produced by Kevin McClory, one of the original writers of the Thunderball storyline. McClory had retained the filming rights of the novel following a long legal battle dating from the 1960s.
Sean Connery played the role of Bond for the seventh and final time, marking his return to the character twelve years after Diamonds Are Forever (1971). The film's title is a reference to Connery's reported declaration in 1971 that he would "never again" play that role. As Connery was 52 at the time of filming, the script makes frequent reference to Bond as aging and past his prime – although Connery was three years younger than his replacement, Roger Moore. The storyline features Bond being reluctantly brought back into action to investigate the theft of two nuclear weapons by SPECTRE. Filming locations included France, Spain, the Bahamas and Elstree Studios in the United Kingdom. (Full article...)
Producer David De Silva conceived the premise in 1976, partially inspired by the musical A Chorus Line. He commissioned playwright Gore to write the script, originally titled Hot Lunch, before selling it to Metro-Goldwyn-Mayer (MGM). After he was hired to direct the film, Parker rewrote the script with Gore, aiming for a darker and more dramatic tone. The script's subject matter received criticism by the New York Board of Education, which prevented the production from filming in the actual High School of Performing Arts. The film was shot on location in New York City, with principal photography beginning in July 1979 and concluding after 91 days. Parker encountered a difficult filming process, which included conflicts with U.S. labor unions over various aspects of the film's production. (Full article...)
Inchon's plot includes both military action and human drama. Characters face danger and are involved in various personal and dramatic situations. The film concludes with the American victory over North Korean forces in the Battle of Inchon, which is considered to have saved South Korea. Produced on $46 million with filming taking place in South Korea, California, Italy, Ireland and Japan, it encountered many problems during production, including a typhoon and the death of a cast member. Both the Unification movement and the United States military provided personnel as extras during the filming. (Full article...)
Meena Panchu Arunachalam produced Guru Sishyan under the production company P. A. Art Productions. The screenplay was written by her husband Panchu Arunachalam. The cinematography was handled by T. S. Vinayagam, the editing was by R. Vittal and C. Lancy, and the art direction was by B. Chalam. The film is Gautami's debut role in Tamil cinema, and the first film in which Rajinikanth and Prabhu co-starred. Filming took place primarily in Mysore and Chennai, and was completed in 25 days. (Full article...)
The film was conceived by Neumeier while working on the set of Blade Runner (1982), and he developed the idea with Miner. Their script was purchased in early 1985 by producer Jon Davison on behalf of Orion Pictures. Finding a director proved difficult; Verhoeven dismissed the script twice because he did not understand its satirical content, until he was convinced of its value by his wife. Filming took place between August and October 1986, mainly in Dallas, Texas. Rob Bottin led the special-effects team in creating practical effects, violent gore and the RoboCop costume. (Full article...)
White Dog is a 1982 American dramahorror film directed by Samuel Fuller and written by Fuller and Curtis Hanson, based on Romain Gary's 1970 novel of the same title. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to make vicious attacks upon, and to kill, any black person. Fuller uses the film as a platform to deliver a message against racism as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed for a week in the United States by Paramount Pictures out of concern over negative press after rumors began circulating that the film was racist. Prior to the date, it was released internationally in France in July 1982. Its first official American home video release came in December 2008 when The Criterion Collection released the original uncut film to DVD. (Full article...)
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The Daicon III and IV Opening Animations are two 8 mm film anime short films that were produced for the 1981 Daicon III and 1983 Daicon IV Nihon SF Taikai conventions. They were produced by a group of amateur animators known as Daicon Film, who would later go on to form the animation studio Gainax. The films are known for their unusually high production values for amateur works and for including numerous references to otaku culture, as well as its unauthorized appropriations of the Playboy Bunny costume. Usage of the songs "Runaway" by Bill Conti (from the soundtrack to the 1981 James Bond film For Your Eyes Only) as well as "Twilight" and "Hold On Tight" by English rock band Electric Light Orchestra were also unauthorized.
Daicon III was made by Hideaki Anno, Hiroyuki Yamaga and Takami Akai and Daicon IV credits twelve people, including Yamaga as the director and Anno and Akai as animation supervisors. Despite the questionable legal status of the works, the production of Daicon III resulted in debts that were repaid by selling video tapes and 8 mm reels of the production, the profits of which went to the production of Daicon IV, which later received the "Local Works" award in the Minor Anime Grand Prix section of the 1983 Anime Grand Prix, organized by the anime magazine Animage. In 2001, Animage ranked the Daicon animations as the 35th of the "Top 100" anime of all time. (Full article...)
Walt Disney planned to put the story in a proposed package film containing Andersen's stories, but scrapped the project. In 1985, while working on The Great Mouse Detective (1986), Clements and Musker decided to adapt the fairy tale and proposed it to Walt Disney Studios chairman Jeffrey Katzenberg, who initially declined due to its similarities to a proposed sequel to the 1984 film Splash but ultimately approved of it. Ashman became involved and brought in Menken. With supervision from Katzenberg, they made a Broadway-style structure with musical numbers as the staff was working on Oliver & Company (1988). Katzenberg warned that the film would earn less since it appealed to female viewers, but he eventually became convinced that it would be another Disney's blockbuster hit. (Full article...)
The film was made in less than nine months, with production commencing in September 1986 so that the film could be released the following summer. The film was shot on location in New England and in the Bahamas and completed on the Universal lot. As with the first two films, Martha's Vineyard was the location of the fictional Amity Island for the opening scenes. Delays caused by the mechanical sharks and the weather led to concerns about whether the release date would be met. Many critics suggested that the rushed production compromised the quality of the film. The film was marketed with the now infamous tagline "This time, it's personal." (Full article...)
Royal Space Force was produced over four years and involved many creators, including some from outside the anime industry, to construct a detailed alternate world. Its collective approach to filmmaking, rejection of anime motifs, visual complexity, and inexperienced staff were all factors in its chaotic production. Its investors changed the name The Wings of Honnêamise and created lavish but deceptive marketing, with a premiere at Mann's Chinese Theatre. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
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