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The 1920s (pronounced "nineteen-twenties" often shortened to the "'20s" or the "Twenties") was a decade that began on January 1, 1920, and ended on December 31, 1929. Primarily known for the economic boom that occurred in the Western World following the end of World War I (1914–1918), the decade is frequently referred to as the "Roaring Twenties" or the "Jazz Age" in America and Western Europe, and the "Golden Twenties" in Germany, while French speakers refer to the period as the "Années folles" ('crazy years') to emphasize the decade's social, artistic, and cultural dynamism.


The devastating Wall Street crash in October 1929 is generally viewed as a harbinger of the end of 1920s prosperity in North America and Europe. In the Soviet Union, the New Economic Policy was created by the Bolsheviks in 1921, to be replaced by the first five-year plan in 1928. The 1920s saw the rise of radical political movements, with the Red Army triumphing against White movement forces in the Russian Civil War, and the emergence of far-right political movements in Europe. In 1922, the fascist leader Benito Mussolini seized power in Italy. Other dictators that emerged included Józef Piłsudski in Poland, and Peter and Alexander Karađorđević in Yugoslavia. First-wave feminism made advances, with women gaining the right to vote in the United States (1920), Albania (1920), Ireland (1921), and with suffrage being expanded in Britain to all women over 21 years old (1928).


In Turkey, nationalist forces defeated Greece, France, Armenia, and Britain in the Turkish War of Independence, leading to the Treaty of Lausanne (1923), a treaty more favorable to Turkey than the earlier proposed Treaty of Sèvres. The war also led to the abolition of the Ottoman Caliphate. Nationalist revolts also occurred in Ireland (1919–1921) and Syria (1925–1927). Under Mussolini, Italy pursued a more aggressive domestic and foreign policy, leading to the nigh-eradication of the Sicilian Mafia and the Second Italo-Senussi War in Libya respectively. In 1927, China erupted into a civil war between the Kuomintang (KMT)-led government of the Republic of China (ROC) and forces of the Chinese Communist Party (CCP). Civil wars also occurred in Paraguay (1922–1923), Ireland (1922–1923), Honduras (1924), Nicaragua (1926–1927), and Afghanistan (1928–1929). Saudi forces conquered Jabal Shammar and subsequently, Hejaz.


A severe famine occurred in Russia (1921–1922) due to the combined effects of economic disturbance because of the Russian Revolution and the Russian Civil War, exacerbated by rail systems that could not distribute food efficiently, leading to 5 million deaths. Another severe famine occurred in China (1928–1930), leading to 6 million deaths. The Spanish flu pandemic (1918–1920) and Russian typhus epidemic (1918–1922), which had begun in the previous decade, caused 25–50 million and 2–3 million deaths respectively. Major natural disasters of this decade include the 1920 Haiyuan earthquake (258,707~273,407 deaths), 1922 Shantou typhoon (50,000–100,000 deaths), 1923 Great Kantō earthquake (105,385–142,800 deaths), and 1927 Gulang earthquake (40,912 deaths).


Silent films were popular in this decade, with the highest-grossing film of this decade being either the American silent epic adventure-drama film Ben-Hur: A Tale of the Christ or the American silent war drama film The Big Parade, depending on the metrics used. Sinclair Lewis was a popular author in the United States in the 1920s, with his books Main Street and Elmer Gantry becoming best-sellers. Best-selling books outside the US included the Czech book The Good Soldier Švejk, which sold 20 million copies. Songs of this decade included "Mack the Knife" and "Tiptoe Through the Tulips".

During the 1920s, the world population increased from 1.87 to 2.05 billion, with approximately 700 million births and 525 million deaths in total. (Full article...)

Theatrical release poster

The Jazz Singer is a 1927 American part-talkie musical drama film directed by Alan Crosland and produced by Warner Bros. Pictures. It is the first feature-length motion picture with both synchronized recorded music and lip-synchronous singing and speech (in several isolated sequences). Its release heralded the commercial ascendance of sound films and effectively marked the end of the silent film era with the Vitaphone sound-on-disc system, featuring six songs performed by Al Jolson. Based on the 1925 play of the same title by Samson Raphaelson, the plot was adapted from his short story "The Day of Atonement".

The film depicts the fictional story of Jakie Rabinowitz, a young man who defies the traditions of his devout Jewish family. After singing popular tunes in a beer garden, he is punished by his father, a hazzan (cantor), prompting Jakie to run away from home. Some years later, now calling himself Jack Robin, he has become a talented jazz singer, performing in blackface. He attempts to build a career as an entertainer, but his professional ambitions ultimately come into conflict with the demands of his home and heritage. (Full article...)

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Lillian Gish
Lillian Gish
Credit: Bain News Service

A portrait of Lillian Gish from 1921. Gish was one of the first female movie stars, called "The First Lady of American Cinema", starting in 1912 and continuing to appear in films until 1987. The American Film Institute named Gish 17th among the greatest female stars of all time and awarded her a Life Achievement Award, making her the only recipient who was a major figure in the silent era. Remarkably, she never won an Academy Award for her work, although she did receive a Special Academy Award in 1971.

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Jolson in 1925

Al Jolson (born Asa Yoelson, Yiddish: אַסאַ יואלסאָן; May 26, 1886 – October 23, 1950) was a Lithuanian-born American singer, comedian, actor, and vaudevillian.

Self-billed as "The World's Greatest Entertainer," Jolson was one of the United States' most famous and highest-paid stars of the 1920s, as well as the first openly Jewish man to become an entertainment star in the United States. He was known for his "shamelessly sentimental, melodramatic approach" towards performing, along with popularizing many of the songs he sang. According to music historian Larry Stempel, "No one had heard anything quite like it before on Broadway." Stephen Banfield wrote that Jolson's style was "arguably the single most important factor in defining the modern musical." Jolson has been referred to by modern critics as "the king of blackface performers". (Full article...)

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