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David Ellsworth (born June 25, 1944) is an American studio woodturner and educator who developed tools and techniques for creating thin-walled hollow wooden vessels.[1]

Early Life and Education

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Ellsworth was born in Iowa City, Iowa. He first encountered woodturning in 1958 during an eighth-grade industrial arts class, where he crafted a walnut platter for his mother. After high school, he served three years in the U.S. Army, performing with the Army Air Defense Command Choir in Heidelberg, Germany.[2]

Post-military service, Ellsworth pursued studies in architecture at Washington University in St. Louis (1965–1966) and fine arts at the New School for Social Research in New York City (1966–1970). He earned a Bachelor of Fine Arts in sculpture in 1971 and a Master of Fine Arts in 1973 from the University of Colorado at Boulder. During his graduate studies, he explored various media, including ceramics, cast metals, and polyester resin, which informed his later approach to woodturning.

Career and Innovations

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In 1974, Ellsworth established the woodworking program at the Anderson Ranch Arts Center in Snowmass Village, Colorado. The following year, he opened his first private woodturning studio in Boulder, Colorado. During this period, he developed specialized bent turning tools and techniques for creating thin-walled hollow forms, a method he termed “blind turning.” This innovation allowed for the creation of vessels with walls as thin as 1/16 inch, extending possibilities within woodturning.[3]

Teaching and Influence

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Ellsworth has taught at Anderson Ranch, Arrowmont School of Arts and Crafts, and Penland School of Craft. In 1990, he founded the Ellsworth School of Woodturning in Bucks County, Pennsylvania, later relocating it to Weaverville, North Carolina, in 2017.

Ellsworth was a founding member of the American Association of Woodturners (AAW) and served as its first president from 1986 to 1991.

Artistic Style and Philosophy

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Ellsworth’s work is characterized by minimalist forms that emphasize the natural beauty of wood. His vessels often feature narrow openings and delicate walls, challenging traditional notions of functionality. He draws inspiration from Native American pottery, the architecture of the American Southwest, and the inherent qualities of wood, which he describes as “the most perfectly imperfect material to work with.”[4]

Collections

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David Ellsworth’s wood-turned vessels and sculptures are in the permanent collections of numerous museums.

Museums in the United States

International Collections

Exhibitions

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David Ellsworth’s wood art has been in numerous exhibitions across the United States:

Museum Exhibits
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  • American Craft Museum
    • "Craft America-Poetry Of The Physical." 1987
    • "The Art Of Woodturning." 1983
    • "Tea Service." 1993
    • "New Acquisitions". 1999
    • "Expressions In Wood: The Warnick Collection".1998
  • Museum of Fine Arts, Arizona State University - "Turned Wood Now: Redifining The Lathe Turned Object". Tempe, AZ 1995, 1997
  • Bishop Museum Of Fine Arts - "Hawaii Craftsmen", Honolulu, HI. 1986, 1997
  • Craft & Folk Art Museum - "The Vessel: Studies In Form & Media", Los Angeles, CA. 1989
  • High Museum Of Art
    • "By The Hand:Twentieth Century Crafts". Atlanta, GA. 1990
    • "Shop Traditions/studio Expressions". Atlanta, Ga. 1988
    • "Permanent Collection". Atlanta, Ga. 1993
  • Jesse Besser Museum Of Art - Alpena, Mi. 1985
  • Kunstindustrie Museum Of Art - "Celebrating American Craft". Copenhagen, Dm. 1997
  • Mitchell Museum - "Past & Present: Ongoing Traditions In American Craft Art." Mt. Vernon, Il. 1993
  • Monmouth Museum - "Contemporary Arts: An Expanding View". Lincroft, Nj. 1986
  • Museum Of Art - "Aha Hana Lima". Honolulu, Hi. 1997
  • National Gallery Of American Art - "The White House Craft Collection", Smithsonian Institution, Washington, D.c., 1995
  • Port Of History Museum - "International Turned Objects Show." Philadelphia, Pa. 1988
  • Port Of History Museum - "Challenge IV". Philadellphia, Pa. 1991
  • Renwick Gallery Of The Smithsonian Institution - "The Jacobson Collection Of Turned Wood Bowls". Washington, D.c. 1986
  • Renwick Gallery Of The Smithsonian Institution - "Renwick At 25", Washington, D.c. 1997
  • SOFA Chicago - November 6-8. William Zimmer Gallery
  • Tifton Museum Of Art & Heritage - "From Ancient Craft To Fine Art". Tifton, Ga. 1997
  • Trenton City Museum Of Art - "The Forest Refined." Trenton, Nj. 1992
  • University Art Museum - "Redefining The Late-turned Object". Arizona State University. Tempe, Az. 1993, 1995, 1997
  • Woodmere Museum Of Art - "Pennsylvania Lathe-turned Objects: 1700-1990". Philadelphia, Pa. 1999
Solo Exhibits
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Bellas Artes Gallery - New York City, NY. 1991

Bellas Artes Gallery - Santa Fe, NM. 1989

Cooper-lynn Gallery - New York City, NY, 1985

Del Mano Gallery - Los Angeles, CA. 1997, 2000

Great American Gallery - Atlanta, GA. 1984, 1987

Hand And Spirit Gallery - Scottsdale, AZ. 1994

Hunterdon Museum Of Art - Clinton, NJ. 2018

Materia Gallery — Scottsdale, AZ. 1999

Mendelson Gallery - Washington, CT. 1992, 1997

Metropolitan State College - Denver, CO. 1973

Okun Gallery - Santa Fe, NM. 1995

Pritam & Eames - Easthampton, NY. 1983

Pro Art Gallery - St. Louis, MO. 1988

Sheldon Memorial Art Museum - Lincoln, NE. 1979

Awards and Recognition

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Ellsworth has received several awards, including:

Publications and Media

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Ellsworth published the first article on hollow-form turning in Fine Woodworking magazine in 1979.[7] He published an article on turning a pool cue under the pseudonym “Colorado Slim” in 1986.[8] Ellsworth has written numerous tips, shop notes, and short articles for the publications of the American Assocition of Woodturners including American Woodturner magazine.

In 2008, Ellsworth published the book “Ellsworth on Woodturning: How a Master Creates Bowls, Pots, and Vessels,” offering insights into his techniques and philosophy. He has also produced instructional videos covering various aspects of woodturning, including tool use, shop setup, and hollow-form creation.

Personal Life

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Ellsworth met his wife, Wendy, an accomplished bead artist, in Colorado in 1975; they married in 1980. The couple resides in Weaverville, North Carolina, where they continue to engage in their respective artistic practices.[9]

Suggested Readings:

  • Ellsworth, David. Ellsworth on Woodturning: How a Master Creates Bowls, Pots, and Vessels. Fox Chapel Publishing, 2008. ISBN 1565233778.
  • Wallace, Kevin. 2004. David Ellsworth: The Spirit of the Wood Vessel, Craft Arts International, 62, pp. 40-45.
  • Martin, Terry; Wallace, Kevin V. (2008). New masters of woodturning: expanding the boundaries of wood art. East Petersburg, PA: Fox Chapel Pub. ISBN 978-1-56523-334-8. OCLC 182735564 &.

References

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  1. ^ "David Ellsworth | CraftNOW Philadelphia". Retrieved 2025-05-01.
  2. ^ Wood Turning Center (Philadelphia, Pa.), ed. (2001). Wood turning in North America since 1930. Philadelphia, Pa. : New Haven, Conn: Wood Turning Center ; Yale University Art Gallery. p. 166. ISBN 978-0-89467-095-4.
  3. ^ Wallace, Kevin (2004). "David Ellsworth: The Spirit of the Wood Vessel". Craft Arts International (62): 40–45.
  4. ^ Howey, Paul M (2019). "Woodturner Lathed-on-through To The Other Side". Asheville Made Magazine.
  5. ^ "Honorary Lifetime Members". www.woodturner.org. Archived from the original on 2024-06-22. Retrieved 2025-05-01.
  6. ^ "Woodturner David Ellsworth Received the Smithsonian Institute's 2021 Visionary Award | Alumni Association | University of Colorado Boulder". www.colorado.edu. Retrieved 2025-05-01.
  7. ^ Ellsworth, David (1979). "Hollow turnings: Bent tools and total concentration". Fine Woodworking (16): 62–66.
  8. ^ Ellsworth, David (1986). "Turning a Pool Cue: A hustler shares his secrets". Fine Woodworking (59): 66–69.
  9. ^ "Woodturner David Ellsworth Received the Smithsonian Institute's 2021 Visionary Award | Alumni Association | University of Colorado Boulder". www.colorado.edu. Retrieved 2025-05-01.