Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Jony Ive
|
250,222
|
8,071
|
B
|
High
|
2
|
OpenAI
|
242,682
|
7,828
|
B
|
High
|
3
|
Lenny Kravitz
|
166,789
|
5,380
|
B
|
Low
|
4
|
Terry Crews
|
132,806
|
4,284
|
C
|
Low
|
5
|
Video game
|
114,521
|
3,694
|
C
|
Top
|
6
|
Nike, Inc.
|
106,000
|
3,419
|
B
|
High
|
7
|
Frank Lloyd Wright
|
105,158
|
3,392
|
B
|
High
|
8
|
Nothing (company)
|
83,655
|
2,698
|
B
|
Mid
|
9
|
Virgil Abloh
|
82,126
|
2,649
|
C
|
Low
|
10
|
Volkswagen Beetle
|
76,674
|
2,473
|
B
|
Mid
|
11
|
IKEA
|
63,334
|
2,043
|
C
|
Low
|
12
|
Bauhaus
|
58,098
|
1,874
|
B
|
High
|
13
|
IPod
|
57,182
|
1,844
|
B
|
Mid
|
14
|
Jeep
|
53,455
|
1,724
|
B
|
Mid
|
15
|
Ford Model T
|
50,405
|
1,625
|
B
|
Mid
|
16
|
Harley-Davidson
|
44,174
|
1,424
|
B
|
Mid
|
17
|
Mini
|
42,927
|
1,384
|
C
|
Mid
|
18
|
James Dyson
|
42,797
|
1,380
|
B
|
Mid
|
19
|
Qantas
|
42,540
|
1,372
|
B
|
Mid
|
20
|
Frutiger Aero
|
38,591
|
1,244
|
GA
|
Low
|
21
|
William Morris
|
34,087
|
1,099
|
GA
|
Mid
|
22
|
IMac G3
|
32,613
|
1,052
|
FA
|
Mid
|
23
|
Mac (computer)
|
32,506
|
1,048
|
GA
|
High
|
24
|
Le Corbusier
|
32,406
|
1,045
|
C
|
High
|
25
|
Frank Gehry
|
25,014
|
806
|
B
|
Low
|
26
|
Moka pot
|
24,498
|
790
|
C
|
Low
|
27
|
Buckminster Fuller
|
23,596
|
761
|
C
|
High
|
28
|
Citroën 2CV
|
21,725
|
700
|
B
|
Mid
|
29
|
Porsche 356
|
21,498
|
693
|
B
|
Low
|
30
|
Design
|
21,383
|
689
|
C
|
High
|
31
|
Citroën DS
|
21,311
|
687
|
C
|
Mid
|
32
|
Neri Oxman
|
20,947
|
675
|
GA
|
Mid
|
33
|
Computer-aided design
|
20,888
|
673
|
C
|
Mid
|
34
|
Walkman
|
20,501
|
661
|
C
|
Mid
|
35
|
Ludwig Mies van der Rohe
|
19,495
|
628
|
C
|
Mid
|
36
|
Ergonomics
|
18,994
|
612
|
C
|
Unknown
|
37
|
Skeuomorph
|
18,624
|
600
|
Start
|
Mid
|
38
|
Universalism
|
17,785
|
573
|
B
|
Low
|
39
|
Dieter Rams
|
17,513
|
564
|
B
|
High
|
40
|
Carpentry
|
17,059
|
550
|
C
|
Mid
|
41
|
Apple I
|
16,460
|
530
|
C
|
Low
|
42
|
Eero Saarinen
|
16,052
|
517
|
C
|
Mid
|
43
|
Ingvar Kamprad
|
14,778
|
476
|
C
|
Mid
|
44
|
IPod Shuffle
|
14,614
|
471
|
B
|
Mid
|
45
|
List of countries with IKEA stores
|
14,539
|
469
|
List
|
Low
|
46
|
Isamu Noguchi
|
14,516
|
468
|
C
|
Mid
|
47
|
Duct tape
|
14,354
|
463
|
Start
|
Unknown
|
48
|
Building information modeling
|
13,876
|
447
|
C
|
Low
|
49
|
Parsons School of Design
|
13,616
|
439
|
C
|
Low
|
50
|
List of commercial failures in video games
|
13,574
|
437
|
List
|
Low
|
51
|
Mass production
|
13,543
|
436
|
C
|
Low
|
52
|
Monobloc (chair)
|
12,836
|
414
|
Start
|
Low
|
53
|
Plastic pollution
|
12,834
|
414
|
B
|
Low
|
54
|
Injection moulding
|
12,386
|
399
|
GA
|
Mid
|
55
|
Marcel Breuer
|
12,375
|
399
|
B
|
Mid
|
56
|
Giorgetto Giugiaro
|
12,373
|
399
|
Start
|
Low
|
57
|
Product (business)
|
12,367
|
398
|
Start
|
Mid
|
58
|
Furniture
|
12,314
|
397
|
C
|
Low
|
59
|
Product lifecycle
|
11,872
|
382
|
Start
|
Low
|
60
|
Streamline Moderne
|
11,786
|
380
|
C
|
Top
|
61
|
Futon
|
11,698
|
377
|
Start
|
Low
|
62
|
Tinkercad
|
11,690
|
377
|
Start
|
Mid
|
63
|
Memphis Group
|
11,445
|
369
|
C
|
Mid
|
64
|
Tetra Pak
|
11,373
|
366
|
C
|
Low
|
65
|
SolidWorks
|
11,196
|
361
|
Start
|
Low
|
66
|
Eames Lounge Chair
|
11,179
|
360
|
Start
|
Mid
|
67
|
Lazy Susan
|
10,490
|
338
|
Start
|
Low
|
68
|
Prototype
|
10,384
|
334
|
Start
|
Low
|
69
|
DynaTAC
|
10,369
|
334
|
C
|
Mid
|
70
|
Herman Miller
|
10,149
|
327
|
B
|
High
|
71
|
Aeolipile
|
10,133
|
326
|
C
|
Low
|
72
|
Form factor (mobile phones)
|
9,784
|
315
|
Start
|
Low
|
73
|
Franz von Holzhausen
|
9,639
|
310
|
C
|
Low
|
74
|
Charles Rennie Mackintosh
|
9,507
|
306
|
B
|
High
|
75
|
Sigvard Bernadotte
|
9,435
|
304
|
Start
|
Low
|
76
|
Braun (company)
|
9,257
|
298
|
B
|
High
|
77
|
Concept car
|
9,131
|
294
|
Start
|
Low
|
78
|
Charles and Ray Eames
|
9,027
|
291
|
C
|
High
|
79
|
Zippo
|
9,020
|
290
|
Start
|
Low
|
80
|
Proof of concept
|
8,948
|
288
|
Start
|
High
|
81
|
Bic Cristal
|
8,943
|
288
|
GA
|
Mid
|
82
|
FreeCAD
|
8,787
|
283
|
C
|
High
|
83
|
Teenage Engineering
|
8,745
|
282
|
C
|
Low
|
84
|
Blohm+Voss
|
8,727
|
281
|
Start
|
High
|
85
|
Throne
|
8,674
|
279
|
C
|
Low
|
86
|
Industrial design
|
8,366
|
269
|
C
|
Top
|
87
|
Marc Newson
|
8,175
|
263
|
B
|
High
|
88
|
Muji
|
8,055
|
259
|
C
|
Low
|
89
|
Parker Pen Company
|
8,043
|
259
|
C
|
Low
|
90
|
Mini Moke
|
7,967
|
257
|
B
|
Low
|
91
|
Raymond Loewy
|
7,941
|
256
|
B
|
High
|
92
|
Tiffany lamp
|
7,897
|
254
|
Start
|
Mid
|
93
|
Venetian Arsenal
|
7,879
|
254
|
B
|
Low
|
94
|
Gaffer tape
|
7,743
|
249
|
Start
|
High
|
95
|
Design thinking
|
7,734
|
249
|
C
|
High
|
96
|
Stock keeping unit
|
7,551
|
243
|
Stub
|
Mid
|
97
|
Serial number
|
7,521
|
242
|
Start
|
Mid
|
98
|
Packaging
|
7,514
|
242
|
B
|
High
|
99
|
Commodore PET
|
7,330
|
236
|
C
|
Low
|
100
|
Deck (ship)
|
7,285
|
235
|
Start
|
Unknown
|
101
|
Fiat 600
|
7,198
|
232
|
C
|
Low
|
102
|
Adirondack chair
|
7,161
|
231
|
Start
|
Low
|
103
|
Alvar Aalto
|
7,112
|
229
|
C
|
Low
|
104
|
Wassily Chair
|
7,092
|
228
|
Start
|
Mid
|
105
|
Syd Mead
|
7,036
|
226
|
C
|
Mid
|
106
|
Anthropometry
|
6,958
|
224
|
C
|
Low
|
107
|
Form follows function
|
6,846
|
220
|
C
|
Low
|
108
|
Eileen Gray
|
6,761
|
218
|
B
|
Low
|
109
|
Breville Group
|
6,759
|
218
|
Start
|
Low
|
110
|
Rolodex
|
6,631
|
213
|
C
|
Low
|
111
|
Motherboard form factor
|
6,621
|
213
|
C
|
Unknown
|
112
|
Gottlieb Daimler
|
6,603
|
213
|
B
|
Mid
|
113
|
Upholstery
|
6,410
|
206
|
Start
|
Mid
|
114
|
Paper clip
|
6,350
|
204
|
C
|
Low
|
115
|
Electric aircraft
|
6,247
|
201
|
C
|
Low
|
116
|
Aerospike engine
|
6,227
|
200
|
C
|
Low
|
117
|
Tefal
|
6,077
|
196
|
Start
|
Low
|
118
|
Gruppo Bertone
|
6,062
|
195
|
C
|
Unknown
|
119
|
Philippe Starck
|
5,964
|
192
|
B
|
High
|
120
|
Paul Smith (fashion designer)
|
5,944
|
191
|
C
|
Unknown
|
121
|
Clive Sinclair
|
5,902
|
190
|
B
|
Low
|
122
|
IBM Selectric
|
5,846
|
188
|
B
|
Mid
|
123
|
Discman
|
5,829
|
188
|
C
|
Low
|
124
|
Game design
|
5,803
|
187
|
C
|
Low
|
125
|
Biophilic design
|
5,607
|
180
|
B
|
Low
|
126
|
Chintz
|
5,592
|
180
|
Start
|
Low
|
127
|
Memory foam
|
5,588
|
180
|
Start
|
Low
|
128
|
Scotch tape
|
5,565
|
179
|
C
|
Unknown
|
129
|
Microlino
|
5,563
|
179
|
Start
|
Low
|
130
|
The Design of Everyday Things
|
5,561
|
179
|
Start
|
Low
|
131
|
Richard Neutra
|
5,518
|
178
|
C
|
Mid
|
132
|
Engineering design process
|
5,517
|
177
|
Start
|
High
|
133
|
Bubble wrap
|
5,420
|
174
|
Start
|
Mid
|
134
|
Olivetti
|
5,382
|
173
|
C
|
Low
|
135
|
3D scanning
|
5,315
|
171
|
C
|
Mid
|
136
|
Ferdinand Alexander Porsche
|
5,264
|
169
|
Start
|
Low
|
137
|
Tinker Hatfield
|
5,186
|
167
|
C
|
High
|
138
|
Spork
|
5,162
|
166
|
B
|
Low
|
139
|
La-Z-Boy
|
5,136
|
165
|
Start
|
Low
|
140
|
Speed tape
|
5,060
|
163
|
Start
|
Mid
|
141
|
Automotive design
|
5,018
|
161
|
C
|
Mid
|
142
|
Clamshell design
|
4,974
|
160
|
Start
|
Low
|
143
|
Upcycling
|
4,921
|
158
|
C
|
Low
|
144
|
Designer
|
4,909
|
158
|
Start
|
Unknown
|
145
|
Thomas Heatherwick
|
4,880
|
157
|
B
|
Mid
|
146
|
MSCHF
|
4,838
|
156
|
C
|
Mid
|
147
|
List of Harley-Davidson motorcycles
|
4,831
|
155
|
List
|
Low
|
148
|
Laura Ashley
|
4,826
|
155
|
C
|
Mid
|
149
|
Airline seat
|
4,755
|
153
|
Start
|
Low
|
150
|
Flat design
|
4,752
|
153
|
Start
|
Low
|
151
|
MicroTAC
|
4,739
|
152
|
C
|
Low
|
152
|
Ducati 1199
|
4,705
|
151
|
B
|
Low
|
153
|
Product design
|
4,573
|
147
|
Start
|
High
|
154
|
Universal design
|
4,480
|
144
|
Start
|
Mid
|
155
|
Rhinoceros 3D
|
4,470
|
144
|
Start
|
Low
|
156
|
Fiskars
|
4,469
|
144
|
Start
|
Low
|
157
|
Powertrain layout
|
4,443
|
143
|
C
|
Low
|
158
|
Jacque Fresco
|
4,439
|
143
|
C
|
Low
|
159
|
ArtCenter College of Design
|
4,426
|
142
|
Start
|
Low
|
160
|
Cigarette pack
|
4,353
|
140
|
Start
|
Low
|
161
|
George Nakashima
|
4,318
|
139
|
B
|
Mid
|
162
|
Bedding
|
4,273
|
137
|
C
|
Unknown
|
163
|
Barcelona chair
|
4,263
|
137
|
Start
|
Mid
|
164
|
Carton
|
4,262
|
137
|
Start
|
Low
|
165
|
Aeron chair
|
4,215
|
135
|
Stub
|
Mid
|
166
|
Apple IIc
|
4,208
|
135
|
C
|
Mid
|
167
|
Reebok Pump
|
4,195
|
135
|
Stub
|
Low
|
168
|
Robert Adam
|
4,163
|
134
|
B
|
Mid
|
169
|
ID
|
4,152
|
133
|
Disambig
|
NA
|
170
|
Design by committee
|
4,135
|
133
|
Start
|
Unknown
|
171
|
Arcade cabinet
|
4,121
|
132
|
C
|
Unknown
|
172
|
Comparison of computer-aided design software
|
4,091
|
131
|
List
|
Low
|
173
|
List of Polaroid instant cameras
|
4,039
|
130
|
List
|
Low
|
174
|
Concept art
|
4,028
|
129
|
Start
|
Low
|
175
|
Hoosier cabinet
|
4,010
|
129
|
GA
|
Low
|
176
|
Stool (seat)
|
3,925
|
126
|
C
|
Unknown
|
177
|
New product development
|
3,895
|
125
|
Start
|
High
|
178
|
Carrozzeria Ghia
|
3,864
|
124
|
C
|
Low
|
179
|
Japanese lacquerware
|
3,760
|
121
|
C
|
Low
|
180
|
Comforter
|
3,745
|
120
|
Start
|
Unknown
|
181
|
Aveva
|
3,745
|
120
|
Start
|
Low
|
182
|
Land Camera
|
3,740
|
120
|
Start
|
Low
|
183
|
Terence Conran
|
3,693
|
119
|
C
|
Low
|
184
|
Michael Graves
|
3,649
|
117
|
C
|
Low
|
185
|
Coso artifact
|
3,528
|
113
|
Start
|
Low
|
186
|
Design engineer
|
3,521
|
113
|
Start
|
High
|
187
|
Apple Industrial Design Group
|
3,518
|
113
|
Start
|
Mid
|
188
|
Countertop
|
3,422
|
110
|
C
|
Unknown
|
189
|
Cesca chair
|
3,319
|
107
|
Stub
|
Low
|
190
|
Melamine resin
|
3,303
|
106
|
Start
|
Low
|
191
|
List of chairs
|
3,278
|
105
|
List
|
Mid
|
192
|
Ettore Sottsass
|
3,268
|
105
|
C
|
High
|
193
|
Alec Issigonis
|
3,251
|
104
|
C
|
Low
|
194
|
Norman Bel Geddes
|
3,251
|
104
|
Start
|
Low
|
195
|
Flavio Manzoni
|
3,222
|
103
|
C
|
Mid
|
196
|
Cradle-to-cradle design
|
3,170
|
102
|
Start
|
Low
|
197
|
Tatra 603
|
3,133
|
101
|
C
|
Low
|
198
|
Brompton Bicycle
|
3,131
|
101
|
C
|
Low
|
199
|
IDEO
|
3,119
|
100
|
Start
|
High
|
200
|
Steelcase
|
3,081
|
99
|
B
|
Mid
|
201
|
Creative Zen
|
3,060
|
98
|
B
|
Low
|
202
|
OpenSCAD
|
3,048
|
98
|
Stub
|
Low
|
203
|
Red Dot
|
3,030
|
97
|
C
|
Low
|
204
|
Human-centered design
|
3,008
|
97
|
C
|
High
|
205
|
International Exhibition of Modern Decorative and Industrial Arts
|
3,000
|
96
|
C
|
Unknown
|
206
|
Motorola ROKR
|
2,975
|
95
|
List
|
Unknown
|
207
|
Sketchpad
|
2,969
|
95
|
Start
|
Low
|
208
|
Crippleware
|
2,967
|
95
|
Start
|
Low
|
209
|
Sellotape
|
2,938
|
94
|
Start
|
Low
|
210
|
Human factors and ergonomics
|
2,916
|
94
|
Redirect
|
High
|
211
|
New media art
|
2,884
|
93
|
C
|
Low
|
212
|
Luc Donckerwolke
|
2,854
|
92
|
Start
|
Low
|
213
|
Staffordshire Potteries
|
2,836
|
91
|
Start
|
Mid
|
214
|
Electric blanket
|
2,826
|
91
|
C
|
Low
|
215
|
Massimo Vignelli
|
2,816
|
90
|
C
|
High
|
216
|
Ready-to-assemble furniture
|
2,808
|
90
|
Start
|
Mid
|
217
|
Lenox (company)
|
2,791
|
90
|
C
|
Mid
|
218
|
Banker's lamp
|
2,778
|
89
|
Start
|
Mid
|
219
|
Interactivity
|
2,766
|
89
|
Start
|
Low
|
220
|
Masking tape
|
2,760
|
89
|
Start
|
Low
|
221
|
Walter de Silva
|
2,742
|
88
|
C
|
Low
|
222
|
Electrical tape
|
2,728
|
88
|
Start
|
Low
|
223
|
Charles Eames
|
2,718
|
87
|
Start
|
Unknown
|
224
|
Interaction design
|
2,705
|
87
|
Start
|
Mid
|
225
|
Papasan chair
|
2,704
|
87
|
Stub
|
Low
|
226
|
Air-augmented rocket
|
2,674
|
86
|
C
|
Low
|
227
|
Karim Rashid
|
2,674
|
86
|
B
|
High
|
228
|
Arne Jacobsen
|
2,633
|
84
|
B
|
High
|
229
|
Carlo Scarpa
|
2,630
|
84
|
C
|
Mid
|
230
|
Design for manufacturability
|
2,603
|
83
|
Start
|
Low
|
231
|
Label
|
2,578
|
83
|
C
|
Mid
|
232
|
Royal Designers for Industry
|
2,576
|
83
|
Start
|
Low
|
233
|
KEF
|
2,562
|
82
|
C
|
Low
|
234
|
Peter Behrens
|
2,558
|
82
|
Start
|
High
|
235
|
De facto standard
|
2,541
|
81
|
Start
|
High
|
236
|
Gerrit Rietveld
|
2,537
|
81
|
C
|
High
|
237
|
Atomic Age (design)
|
2,535
|
81
|
C
|
Mid
|
238
|
No. 14 chair
|
2,517
|
81
|
Start
|
Low
|
239
|
Chief design officer
|
2,494
|
80
|
Start
|
Mid
|
240
|
Trade dress
|
2,492
|
80
|
Start
|
Mid
|
241
|
Ashtray
|
2,450
|
79
|
Start
|
Low
|
242
|
99% Invisible
|
2,435
|
78
|
C
|
Mid
|
243
|
Personalization
|
2,406
|
77
|
Start
|
Mid
|
244
|
Yves Béhar
|
2,391
|
77
|
Start
|
Low
|
245
|
Combination eating utensils
|
2,385
|
76
|
B
|
Low
|
246
|
Luigi Colani
|
2,371
|
76
|
C
|
Low
|
247
|
Strandkorb
|
2,365
|
76
|
Stub
|
Low
|
248
|
Sony Watchman
|
2,363
|
76
|
Start
|
Low
|
249
|
Paul László
|
2,342
|
75
|
Start
|
Low
|
250
|
BIC lighter
|
2,330
|
75
|
Start
|
Low
|
251
|
Edgar Kaufmann Jr.
|
2,308
|
74
|
C
|
Low
|
252
|
M+
|
2,301
|
74
|
B
|
Low
|
253
|
Aluminum Christmas tree
|
2,297
|
74
|
Start
|
Low
|
254
|
Nikon F4
|
2,287
|
73
|
Start
|
Low
|
255
|
Kitchen cabinet
|
2,251
|
72
|
Start
|
Low
|
256
|
Neville Brody
|
2,243
|
72
|
C
|
Mid
|
257
|
Boundary representation
|
2,239
|
72
|
Stub
|
Low
|
258
|
William Kent
|
2,183
|
70
|
B
|
Low
|
259
|
IO-Link
|
2,174
|
70
|
Start
|
Unknown
|
260
|
Frog Design
|
2,172
|
70
|
Start
|
High
|
261
|
Handle
|
2,161
|
69
|
Start
|
Low
|
262
|
Bean bag chair
|
2,151
|
69
|
Start
|
Mid
|
263
|
Gio Ponti
|
2,148
|
69
|
C
|
High
|
264
|
Sam Maloof
|
2,142
|
69
|
Start
|
Low
|
265
|
Suzuki Alto Lapin
|
2,140
|
69
|
Start
|
Low
|
266
|
Pilot experiment
|
2,125
|
68
|
Start
|
Low
|
267
|
Design language
|
2,121
|
68
|
Stub
|
Low
|
268
|
Parasolid
|
2,121
|
68
|
Stub
|
Low
|
269
|
Privacy by design
|
2,106
|
67
|
C
|
Low
|
270
|
Gustav Stickley
|
2,093
|
67
|
Start
|
Low
|
271
|
Museum of Failure
|
2,074
|
66
|
C
|
Low
|
272
|
Knoll, Inc.
|
2,067
|
66
|
C
|
High
|
273
|
Autism-friendly
|
2,064
|
66
|
C
|
Unknown
|
274
|
Calculator (Apple)
|
2,059
|
66
|
Start
|
Low
|
275
|
Solid modeling
|
2,050
|
66
|
Start
|
Low
|
276
|
Video games in the United Kingdom
|
2,049
|
66
|
B
|
Low
|
277
|
Alessi (Italian company)
|
2,034
|
65
|
C
|
Mid
|
278
|
Binder clip
|
1,995
|
64
|
C
|
Low
|
279
|
Yinka Ilori
|
1,981
|
63
|
B
|
Low
|
280
|
Margaret Calvert
|
1,974
|
63
|
Start
|
Low
|
281
|
Coke bottle styling
|
1,971
|
63
|
C
|
Mid
|
282
|
Moke (revival)
|
1,969
|
63
|
B
|
Low
|
283
|
Barcalounger
|
1,968
|
63
|
Stub
|
Low
|
284
|
Béla Barényi
|
1,964
|
63
|
B
|
Low
|
285
|
Porsche Design
|
1,959
|
63
|
Start
|
Low
|
286
|
Display case
|
1,936
|
62
|
Start
|
Low
|
287
|
Tulip chair
|
1,935
|
62
|
Start
|
Low
|
288
|
Sheaffer
|
1,928
|
62
|
Start
|
Low
|
289
|
Preferred number
|
1,912
|
61
|
Start
|
Low
|
290
|
Hans Wegner
|
1,906
|
61
|
B
|
Low
|
291
|
History of CAD software
|
1,887
|
60
|
Start
|
Low
|
292
|
Red and Blue Chair
|
1,857
|
59
|
Stub
|
Low
|
293
|
LoveSac
|
1,852
|
59
|
Stub
|
Low
|
294
|
Henry Dreyfuss
|
1,834
|
59
|
Start
|
Low
|
295
|
Trevor Baylis
|
1,788
|
57
|
C
|
Low
|
296
|
Educational toy
|
1,783
|
57
|
C
|
Low
|
297
|
Vitra (furniture)
|
1,779
|
57
|
Start
|
Low
|
298
|
Piet Hein (scientist)
|
1,761
|
56
|
Start
|
Low
|
299
|
Charles Radtke
|
1,748
|
56
|
Stub
|
Low
|
300
|
Tansu
|
1,744
|
56
|
C
|
Low
|
301
|
Photographic lens design
|
1,735
|
55
|
C
|
Low
|
302
|
Apple Inc. design motifs
|
1,717
|
55
|
C
|
Low
|
303
|
Bench (furniture)
|
1,708
|
55
|
Start
|
Unknown
|
304
|
History of anthropometry
|
1,704
|
54
|
C
|
Low
|
305
|
Programma 101
|
1,703
|
54
|
C
|
Low
|
306
|
Koloman Moser
|
1,702
|
54
|
C
|
Mid
|
307
|
Tom Dixon (industrial designer)
|
1,678
|
54
|
C
|
Mid
|
308
|
Design Museum
|
1,674
|
54
|
Start
|
Mid
|
309
|
John Hoke III
|
1,660
|
53
|
C
|
Mid
|
310
|
La Rinascente
|
1,656
|
53
|
C
|
Low
|
311
|
Curb cut
|
1,651
|
53
|
Start
|
Unknown
|
312
|
Olivetti Valentine
|
1,647
|
53
|
B
|
Mid
|
313
|
Sleep pod
|
1,639
|
52
|
Start
|
Unknown
|
314
|
Poul Henningsen
|
1,638
|
52
|
C
|
Low
|
315
|
Robert Thompson (designer)
|
1,637
|
52
|
Stub
|
Low
|
316
|
Verner Panton
|
1,617
|
52
|
Start
|
Low
|
317
|
FIRST Championship
|
1,608
|
51
|
Start
|
Low
|
318
|
Charlotte Perriand
|
1,595
|
51
|
C
|
Low
|
319
|
Hatstand
|
1,594
|
51
|
Start
|
Low
|
320
|
Carla Sozzani
|
1,592
|
51
|
Start
|
Mid
|
321
|
IGES
|
1,586
|
51
|
Start
|
Low
|
322
|
Design and Technology
|
1,552
|
50
|
Stub
|
Low
|
323
|
Juicy Salif
|
1,548
|
49
|
Start
|
Mid
|
324
|
Functional design
|
1,547
|
49
|
Stub
|
Mid
|
325
|
Bruno Munari
|
1,546
|
49
|
C
|
Mid
|
326
|
Snow White design language
|
1,545
|
49
|
C
|
Low
|
327
|
Muntzing
|
1,542
|
49
|
Stub
|
High
|
328
|
Alfonso Bialetti
|
1,523
|
49
|
Start
|
Low
|
329
|
Vitsœ
|
1,509
|
48
|
Start
|
Low
|
330
|
List of awards and nominations received by Jony Ive
|
1,497
|
48
|
List
|
Low
|
331
|
Balanced-arm lamp
|
1,483
|
47
|
Start
|
Low
|
332
|
AutoLISP
|
1,474
|
47
|
Start
|
Low
|
333
|
George Nelson (designer)
|
1,473
|
47
|
C
|
Mid
|
334
|
André-Charles Boulle
|
1,471
|
47
|
C
|
Low
|
335
|
Pete Brock
|
1,465
|
47
|
Start
|
Low
|
336
|
Prime Computer
|
1,464
|
47
|
Start
|
Low
|
337
|
Design patent
|
1,457
|
47
|
Start
|
High
|
338
|
Eames Lounge Chair Wood
|
1,444
|
46
|
Stub
|
Low
|
339
|
Wendell Castle
|
1,442
|
46
|
C
|
Low
|
340
|
Nameplate
|
1,434
|
46
|
Start
|
Mid
|
341
|
Self-amalgamating tape
|
1,431
|
46
|
Stub
|
Low
|
342
|
Deutscher Werkbund
|
1,428
|
46
|
Start
|
Low
|
343
|
E. Fay Jones
|
1,427
|
46
|
Start
|
Low
|
344
|
JT (visualization format)
|
1,421
|
45
|
Start
|
Low
|
345
|
Chest (furniture)
|
1,413
|
45
|
Start
|
Unknown
|
346
|
Michael Thonet
|
1,408
|
45
|
Start
|
Low
|
347
|
Tetra Brik
|
1,399
|
45
|
Start
|
Low
|
348
|
Xerox 914
|
1,390
|
44
|
Stub
|
Low
|
349
|
List of adhesive tapes
|
1,380
|
44
|
List
|
Low
|
350
|
Ulm School of Design
|
1,378
|
44
|
C
|
High
|
351
|
Anglepoise lamp
|
1,377
|
44
|
Start
|
Low
|
352
|
Emotional Design
|
1,365
|
44
|
Stub
|
Mid
|
353
|
Harry Bertoia
|
1,352
|
43
|
C
|
Mid
|
354
|
Gae Aulenti
|
1,347
|
43
|
B
|
High
|
355
|
Design system
|
1,337
|
43
|
C
|
Low
|
356
|
Design methods
|
1,333
|
43
|
C
|
High
|
357
|
Florence Knoll
|
1,330
|
42
|
B
|
Low
|
358
|
Shapr3D
|
1,321
|
42
|
Start
|
Low
|
359
|
Soybean car
|
1,320
|
42
|
Start
|
Low
|
360
|
Russel Wright
|
1,319
|
42
|
C
|
High
|
361
|
Joe Colombo (designer)
|
1,318
|
42
|
C
|
Mid
|
362
|
Ford 021C
|
1,316
|
42
|
B
|
Low
|
363
|
Hartmut Esslinger
|
1,306
|
42
|
C
|
High
|
364
|
IKEA Billy
|
1,303
|
42
|
Start
|
Low
|
365
|
Brooks Stevens
|
1,300
|
41
|
Start
|
Low
|
366
|
Butterfly chair
|
1,299
|
41
|
Start
|
Mid
|
367
|
C. F. A. Voysey
|
1,297
|
41
|
C
|
Low
|
368
|
Virtual actor
|
1,297
|
41
|
Start
|
Low
|
369
|
Modern furniture
|
1,296
|
41
|
Stub
|
Low
|
370
|
Corrugated box design
|
1,291
|
41
|
C
|
Mid
|
371
|
Synthetic setae
|
1,283
|
41
|
B
|
Low
|
372
|
Egg (chair)
|
1,280
|
41
|
Start
|
Low
|
373
|
Wallpaper (magazine)
|
1,273
|
41
|
C
|
Low
|
374
|
Design for X
|
1,271
|
41
|
Start
|
Mid
|
375
|
Design history
|
1,267
|
40
|
Start
|
Mid
|
376
|
Phaidon Press
|
1,262
|
40
|
C
|
Low
|
377
|
Iittala
|
1,255
|
40
|
C
|
Mid
|
378
|
Compasso d'Oro
|
1,251
|
40
|
C
|
High
|
379
|
Piero Portaluppi
|
1,245
|
40
|
C
|
Low
|
380
|
Vox Phantom
|
1,244
|
40
|
Stub
|
Low
|
381
|
Inclusive design
|
1,237
|
39
|
C
|
Low
|
382
|
Robert Brunner
|
1,236
|
39
|
Start
|
Mid
|
383
|
Wishbone chair
|
1,236
|
39
|
Start
|
Unknown
|
384
|
David Rockwell
|
1,230
|
39
|
C
|
Low
|
385
|
Jean-Michel Frank
|
1,229
|
39
|
Start
|
Mid
|
386
|
Clay modeling
|
1,228
|
39
|
Stub
|
Low
|
387
|
Danish modern
|
1,228
|
39
|
C
|
Mid
|
388
|
Black & Decker DustBuster
|
1,214
|
39
|
Stub
|
Low
|
389
|
Industrial style
|
1,208
|
38
|
Stub
|
Low
|
390
|
Package cushioning
|
1,205
|
38
|
C
|
Unknown
|
391
|
Leonardo Fioravanti (engineer)
|
1,192
|
38
|
Start
|
Low
|
392
|
Lilly Reich
|
1,192
|
38
|
C
|
High
|
393
|
Honeywell 316
|
1,192
|
38
|
C
|
Low
|
394
|
Alexander Girard
|
1,187
|
38
|
Start
|
Low
|
395
|
Marshmallow sofa
|
1,182
|
38
|
Start
|
Unknown
|
396
|
Ball Chair
|
1,165
|
37
|
Stub
|
Mid
|
397
|
Double-sided tape
|
1,149
|
37
|
Stub
|
Low
|
398
|
Balustrade
|
1,144
|
36
|
Redirect
|
NA
|
399
|
ACIS
|
1,143
|
36
|
Start
|
Low
|
400
|
Salone del Mobile
|
1,133
|
36
|
B
|
Mid
|
401
|
Bracken Darrell
|
1,123
|
36
|
Start
|
Low
|
402
|
Mike Sinyard
|
1,120
|
36
|
Stub
|
Low
|
403
|
Industrial design right
|
1,106
|
35
|
Start
|
Mid
|
404
|
Trans-Oceanic
|
1,097
|
35
|
Start
|
Low
|
405
|
Picnic table
|
1,092
|
35
|
Start
|
Unknown
|
406
|
Model-based definition
|
1,086
|
35
|
Stub
|
Low
|
407
|
Pierre Paulin
|
1,081
|
34
|
C
|
Low
|
408
|
Freeform surface modelling
|
1,065
|
34
|
Start
|
Low
|
409
|
Kosta Boda
|
1,063
|
34
|
Start
|
Low
|
410
|
Blenko Glass Company
|
1,063
|
34
|
GA
|
Mid
|
411
|
Gebrüder Thonet
|
1,061
|
34
|
Stub
|
Low
|
412
|
Naoto Fukasawa
|
1,061
|
34
|
C
|
High
|
413
|
Thomas Sheraton
|
1,058
|
34
|
Stub
|
Low
|
414
|
Mitsubishi Model A
|
1,047
|
33
|
Start
|
Low
|
415
|
B.C. Rich Mockingbird
|
1,043
|
33
|
Start
|
Low
|
416
|
Christopher Dresser
|
1,042
|
33
|
Start
|
High
|
417
|
Victor Papanek
|
1,041
|
33
|
Start
|
Low
|
418
|
IF Product Design Award
|
1,041
|
33
|
Start
|
Mid
|
419
|
Hybrid electric aircraft
|
1,036
|
33
|
C
|
Low
|
420
|
Changing table
|
1,024
|
33
|
Stub
|
Low
|
421
|
Ron Arad (industrial designer)
|
1,003
|
32
|
C
|
Low
|
422
|
Action Office
|
997
|
32
|
Start
|
Unknown
|
423
|
Lewis (lifting appliance)
|
996
|
32
|
C
|
Low
|
424
|
Coop Himmelb(l)au
|
995
|
32
|
Start
|
Low
|
425
|
Eva Zeisel
|
992
|
32
|
C
|
Low
|
426
|
Valextra
|
991
|
31
|
Start
|
Low
|
427
|
Carrel desk
|
990
|
31
|
Start
|
Low
|
428
|
Tapio Wirkkala
|
982
|
31
|
Start
|
Mid
|
429
|
Arabia (brand)
|
981
|
31
|
Start
|
Low
|
430
|
Model 3107 chair
|
979
|
31
|
Stub
|
Low
|
431
|
Tripp Trapp
|
979
|
31
|
Stub
|
Low
|
432
|
Radiogram (device)
|
979
|
31
|
Start
|
Low
|
433
|
Architectural rendering
|
977
|
31
|
Start
|
Low
|
434
|
Milo Baughman
|
973
|
31
|
Start
|
Low
|
435
|
ALCO DL-109
|
967
|
31
|
B
|
Mid
|
436
|
David M. Kelley
|
966
|
31
|
Start
|
High
|
437
|
ISO 13567
|
946
|
30
|
Start
|
Low
|
438
|
Émile-Jacques Ruhlmann
|
944
|
30
|
Start
|
Low
|
439
|
Achille Castiglioni
|
943
|
30
|
B
|
High
|
440
|
Bubble Wrap (brand)
|
943
|
30
|
Start
|
Mid
|
441
|
Class A surface
|
939
|
30
|
Stub
|
Low
|
442
|
Beige box
|
938
|
30
|
Stub
|
Low
|
443
|
BoConcept
|
934
|
30
|
Start
|
Mid
|
444
|
Globe Wernicke
|
933
|
30
|
Start
|
Low
|
445
|
George Hepplewhite
|
927
|
29
|
Start
|
Low
|
446
|
Autodesk Alias
|
927
|
29
|
Stub
|
Low
|
447
|
Predicta
|
926
|
29
|
Start
|
Low
|
448
|
Quink
|
915
|
29
|
C
|
Low
|
449
|
Zaisu
|
914
|
29
|
Start
|
Low
|
450
|
Samuel Ross
|
906
|
29
|
C
|
Mid
|
451
|
Designmuseum Denmark
|
898
|
28
|
Start
|
Low
|
452
|
Kenneth Grange
|
897
|
28
|
Start
|
Mid
|
453
|
Danish design
|
894
|
28
|
C
|
Mid
|
454
|
Eames Fiberglass Armchair
|
892
|
28
|
B
|
Mid
|
455
|
Lloyd Groff Copeman
|
889
|
28
|
Start
|
Low
|
456
|
Motorola V phone
|
889
|
28
|
C
|
Mid
|
457
|
Paul Philippe Cret
|
888
|
28
|
Start
|
Low
|
458
|
Computer desk
|
885
|
28
|
Start
|
Low
|
459
|
Massimo Tamburini
|
883
|
28
|
B
|
Low
|
460
|
Knowledge-based engineering
|
881
|
28
|
Start
|
Low
|
461
|
List of Italian designers
|
879
|
28
|
List
|
Mid
|
462
|
Enzo Mari
|
872
|
28
|
Start
|
Mid
|
463
|
James Krenov
|
870
|
28
|
Start
|
Low
|
464
|
Damro
|
870
|
28
|
Start
|
Low
|
465
|
Henry Petroski
|
867
|
27
|
Start
|
Low
|
466
|
Afzal Kahn (automotive designer)
|
861
|
27
|
Start
|
Low
|
467
|
Friction tape
|
856
|
27
|
Stub
|
Low
|
468
|
.3ds
|
855
|
27
|
Start
|
Unknown
|
469
|
List of furniture designers
|
854
|
27
|
List
|
Mid
|
470
|
Patricia Urquiola
|
854
|
27
|
Start
|
High
|
471
|
Sergio Pininfarina
|
848
|
27
|
Start
|
Mid
|
472
|
21 21 Design Sight
|
848
|
27
|
Start
|
Low
|
473
|
Utility furniture
|
844
|
27
|
C
|
Low
|
474
|
Devon Motorworks
|
844
|
27
|
C
|
Low
|
475
|
Chess in the arts
|
841
|
27
|
B
|
Low
|
476
|
Marcel Janco
|
836
|
26
|
B
|
Low
|
477
|
Computer-aided industrial design
|
836
|
26
|
Stub
|
High
|
478
|
Paolo Monti
|
835
|
26
|
Start
|
Low
|
479
|
Timo Sarpaneva
|
828
|
26
|
C
|
Mid
|
480
|
Apple Design Awards
|
827
|
26
|
Start
|
Mid
|
481
|
Wah Chang
|
821
|
26
|
C
|
Low
|
482
|
Brno chair
|
821
|
26
|
Stub
|
Low
|
483
|
Celery vase
|
819
|
26
|
Start
|
Low
|
484
|
Design theory
|
816
|
26
|
Start
|
Low
|
485
|
Diego Giacometti
|
816
|
26
|
Start
|
Low
|
486
|
Andrew Ure
|
815
|
26
|
B
|
Low
|
487
|
Mario Bellini
|
814
|
26
|
C
|
High
|
488
|
Mental Images
|
810
|
26
|
Stub
|
Low
|
489
|
Marianne Brandt
|
808
|
26
|
C
|
Mid
|
490
|
Ericofon
|
806
|
26
|
Start
|
Low
|
491
|
Digital mockup
|
802
|
25
|
Stub
|
Low
|
492
|
Teak furniture
|
802
|
25
|
Start
|
Unknown
|
493
|
Philosophy of design
|
801
|
25
|
Stub
|
Unknown
|
494
|
Marcel Wanders
|
799
|
25
|
Start
|
Low
|
495
|
Norwich University of the Arts
|
795
|
25
|
Start
|
Low
|
496
|
G Plan
|
794
|
25
|
C
|
Unknown
|
497
|
Sunlounger
|
792
|
25
|
Stub
|
Low
|
498
|
Paul Mayén
|
792
|
25
|
Start
|
Low
|
499
|
Electronic packaging
|
787
|
25
|
C
|
Mid
|
500
|
Visitability
|
786
|
25
|
Start
|
Low
|
501
|
Finn Juhl
|
785
|
25
|
C
|
Mid
|
502
|
Cantilever chair
|
782
|
25
|
Stub
|
Low
|
503
|
Gorilla Tape
|
782
|
25
|
Start
|
Low
|
504
|
Geometric modeling
|
772
|
24
|
Stub
|
Low
|
505
|
Gaetano Pesce
|
770
|
24
|
B
|
Mid
|
506
|
Jasper Morrison
|
762
|
24
|
C
|
High
|
507
|
Serge Chermayeff
|
759
|
24
|
C
|
Mid
|
508
|
IKEA pencil
|
759
|
24
|
Stub
|
Low
|
509
|
CAD standards
|
755
|
24
|
Start
|
Low
|
510
|
Emeco 1006
|
753
|
24
|
GA
|
Low
|
511
|
Design studies
|
753
|
24
|
C
|
Mid
|
512
|
Strategic design
|
749
|
24
|
Start
|
High
|
513
|
Grand Confort
|
748
|
24
|
Start
|
Mid
|
514
|
Thomas Hope (designer)
|
743
|
23
|
Start
|
Low
|
515
|
List of Motorola V series phones
|
741
|
23
|
Redirect
|
Low
|
516
|
Louis Majorelle
|
740
|
23
|
C
|
Mid
|
517
|
Jan Wilsgaard
|
738
|
23
|
Start
|
Low
|
518
|
Richard Sapper
|
737
|
23
|
B
|
High
|
519
|
Vox Mark III
|
737
|
23
|
Stub
|
Low
|
520
|
Mirra chair
|
730
|
23
|
Start
|
Low
|
521
|
Retail design
|
718
|
23
|
C
|
Low
|
522
|
Artek (company)
|
717
|
23
|
Start
|
Low
|
523
|
Le Corbusier's Furniture
|
716
|
23
|
Start
|
Mid
|
524
|
Corradino D'Ascanio
|
700
|
22
|
C
|
Low
|
525
|
Rover JET1
|
699
|
22
|
Start
|
Low
|
526
|
Vertical form fill sealing machine
|
696
|
22
|
Start
|
Low
|
527
|
Simplexity
|
683
|
22
|
Start
|
Low
|
528
|
Yoichi Ochiai
|
679
|
21
|
C
|
Low
|
529
|
Director's chair
|
678
|
21
|
Stub
|
Low
|
530
|
PH-lamp
|
676
|
21
|
Start
|
Low
|
531
|
Design Academy Eindhoven
|
675
|
21
|
Start
|
Low
|
532
|
Lingerie tape
|
672
|
21
|
Stub
|
Low
|
533
|
WildBrain CPLG
|
670
|
21
|
Stub
|
Low
|
534
|
Waterfall furniture
|
667
|
21
|
Start
|
Low
|
535
|
Eero Aarnio
|
666
|
21
|
Start
|
Mid
|
536
|
Design science
|
663
|
21
|
Start
|
High
|
537
|
Design for the environment
|
662
|
21
|
C
|
Low
|
538
|
Design management
|
657
|
21
|
C
|
Top
|
539
|
Empathic design
|
656
|
21
|
Start
|
Mid
|
540
|
Shiro Kuramata
|
652
|
21
|
Stub
|
Low
|
541
|
CMF design
|
651
|
21
|
Start
|
Unknown
|
542
|
Isogeometric analysis
|
649
|
20
|
Stub
|
Low
|
543
|
Quad-edge
|
648
|
20
|
Stub
|
Low
|
544
|
Transitional Style
|
648
|
20
|
Start
|
Unknown
|
545
|
Grillo telephone
|
646
|
20
|
C
|
Mid
|
546
|
Bantam BRC
|
646
|
20
|
B
|
Mid
|
547
|
Virtual prototyping
|
645
|
20
|
Start
|
Low
|
548
|
Zig-Zag Chair
|
645
|
20
|
Stub
|
Low
|
549
|
Dezeen
|
644
|
20
|
Start
|
Low
|
550
|
Adjustable Table E 1027
|
643
|
20
|
Start
|
Mid
|
551
|
Porsche Type 12
|
642
|
20
|
C
|
Low
|
552
|
IDC School of Design
|
641
|
20
|
Start
|
Mid
|
553
|
European Union design
|
641
|
20
|
Start
|
Mid
|
554
|
Laurens van den Acker
|
637
|
20
|
Start
|
Low
|
555
|
Carlo Mollino
|
636
|
20
|
C
|
Mid
|
556
|
Lemon squeezer
|
636
|
20
|
Start
|
Low
|
557
|
D. J. De Pree
|
632
|
20
|
Stub
|
Low
|
558
|
Designworks
|
632
|
20
|
C
|
Low
|
559
|
Multi-material injection molding
|
632
|
20
|
Start
|
Unknown
|
560
|
Thomas Day (cabinetmaker)
|
627
|
20
|
B
|
Low
|
561
|
Walter Dorwin Teague
|
624
|
20
|
Start
|
Low
|
562
|
Fabien Baron
|
622
|
20
|
Start
|
Low
|
563
|
David Mellor (designer)
|
620
|
20
|
Start
|
Low
|
564
|
Alex Tremulis
|
619
|
19
|
Start
|
Low
|
565
|
Brionvega
|
617
|
19
|
B
|
Mid
|
566
|
Museum of Applied Arts (Budapest)
|
616
|
19
|
Start
|
Low
|
567
|
ShotGrid
|
616
|
19
|
Stub
|
Unknown
|
568
|
B&B Italia
|
608
|
19
|
C
|
Mid
|
569
|
Clocky
|
607
|
19
|
Stub
|
Low
|
570
|
Takeo Kikuchi
|
605
|
19
|
Stub
|
Low
|
571
|
Lloyd Loom
|
605
|
19
|
Start
|
Unknown
|
572
|
Bambooworking
|
602
|
19
|
Start
|
Low
|
573
|
Dominant design
|
600
|
19
|
Start
|
High
|
574
|
Studio Swine
|
600
|
19
|
C
|
Low
|
575
|
Kartell
|
596
|
19
|
Start
|
Low
|
576
|
Design research
|
593
|
19
|
Stub
|
Low
|
577
|
Doccia porcelain
|
590
|
19
|
C
|
Low
|
578
|
Chaise Longue (Le Corbusier)
|
590
|
19
|
Stub
|
Low
|
579
|
Robin Day (designer)
|
583
|
18
|
C
|
High
|
580
|
Kenya Hara
|
582
|
18
|
C
|
Low
|
581
|
Chicago Athenaeum
|
582
|
18
|
Start
|
Low
|
582
|
Shurtape Technologies
|
575
|
18
|
C
|
Unknown
|
583
|
Tugendhat chair
|
574
|
18
|
Stub
|
Low
|
584
|
Sustainable furniture design
|
570
|
18
|
Stub
|
Unknown
|
585
|
African Regional Intellectual Property Organization
|
569
|
18
|
C
|
Low
|
586
|
Lucienne Day
|
567
|
18
|
Start
|
Low
|
587
|
Ligne Roset
|
565
|
18
|
Stub
|
Low
|
588
|
Jean Dunand
|
564
|
18
|
Stub
|
Low
|
589
|
CAD data exchange
|
557
|
17
|
Start
|
Low
|
590
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
557
|
17
|
Start
|
Low
|
591
|
Folding seat
|
555
|
17
|
Stub
|
Low
|
592
|
Kem Weber
|
554
|
17
|
Start
|
Low
|
593
|
Eliot Noyes
|
554
|
17
|
B
|
Mid
|
594
|
Ernest Gimson
|
553
|
17
|
Start
|
Low
|
595
|
Satyendra Pakhalé
|
553
|
17
|
Start
|
Low
|
596
|
Gooseneck (fixture)
|
553
|
17
|
Start
|
Low
|
597
|
Icon design
|
552
|
17
|
Start
|
Unknown
|
598
|
ICAD (software)
|
550
|
17
|
Start
|
Low
|
599
|
David Roentgen
|
549
|
17
|
Start
|
Low
|
600
|
Robert Welch (designer)
|
548
|
17
|
Start
|
Low
|
601
|
Anna Maria Niemeyer
|
548
|
17
|
C
|
Mid
|
602
|
Musgrave Pencil Company
|
548
|
17
|
Start
|
Unknown
|
603
|
Design Council
|
547
|
17
|
Start
|
Mid
|
604
|
Design life
|
544
|
17
|
Start
|
Low
|
605
|
Domus (magazine)
|
541
|
17
|
C
|
Mid
|
606
|
Tom Hardy (designer)
|
540
|
17
|
C
|
Low
|
607
|
Ant (chair)
|
539
|
17
|
Stub
|
Mid
|
608
|
Sabine Marcelis
|
539
|
17
|
C
|
Mid
|
609
|
Djinn chair
|
537
|
17
|
Start
|
Mid
|
610
|
Packaging and packaging waste directive
|
537
|
17
|
Stub
|
Mid
|
611
|
Product structure modeling
|
533
|
17
|
Start
|
Low
|
612
|
Drop-leaf table
|
530
|
17
|
Stub
|
Unknown
|
613
|
Gooseneck lamp
|
530
|
17
|
Stub
|
Low
|
614
|
Robert Propst (inventor)
|
529
|
17
|
Stub
|
Low
|
615
|
Paul R. Evans
|
528
|
17
|
Start
|
Low
|
616
|
Product innovation
|
527
|
17
|
Start
|
Unknown
|
617
|
Cassina (company)
|
525
|
16
|
Start
|
Low
|
618
|
Ikepod
|
523
|
16
|
Start
|
Low
|
619
|
Olivetti Elea
|
521
|
16
|
B
|
Low
|
620
|
Behavioural design
|
518
|
16
|
C
|
High
|
621
|
Kaare Klint
|
517
|
16
|
C
|
Mid
|
622
|
Lurelle Guild
|
516
|
16
|
Start
|
Low
|
623
|
Design museum
|
516
|
16
|
Start
|
Low
|
624
|
Weltron
|
516
|
16
|
C
|
Low
|
625
|
Jock Kinneir
|
514
|
16
|
Start
|
Low
|
626
|
Ugo Zagato
|
512
|
16
|
Start
|
Low
|
627
|
Delcam
|
511
|
16
|
Stub
|
Low
|
628
|
Design Museum of Barcelona
|
508
|
16
|
C
|
Low
|
629
|
The HON Company
|
505
|
16
|
Start
|
Low
|
630
|
Typewriter desk
|
504
|
16
|
Start
|
Unknown
|
631
|
Radical period
|
503
|
16
|
Stub
|
Mid
|
632
|
USM Modular Furniture
|
501
|
16
|
Start
|
Low
|
633
|
Point of difference
|
496
|
16
|
Start
|
Mid
|
634
|
Winged edge
|
494
|
15
|
Stub
|
Low
|
635
|
Geometric design
|
494
|
15
|
Start
|
Low
|
636
|
Jack Lenor Larsen
|
491
|
15
|
C
|
Low
|
637
|
Knole Settee
|
490
|
15
|
Start
|
Unknown
|
638
|
Campana brothers
|
490
|
15
|
Start
|
Low
|
639
|
Trimphone
|
490
|
15
|
Start
|
Low
|
640
|
Picquot ware
|
490
|
15
|
Stub
|
Low
|
641
|
S1 MP3 player
|
489
|
15
|
C
|
Low
|
642
|
Murano Glass Museum
|
489
|
15
|
Start
|
Mid
|
643
|
Widdicomb Furniture Company
|
489
|
15
|
Start
|
Mid
|
644
|
Superstudio
|
487
|
15
|
C
|
Low
|
645
|
Stevengraph
|
487
|
15
|
Start
|
Mid
|
646
|
Eames Aluminum Group
|
484
|
15
|
Start
|
Unknown
|
647
|
Timothy Oulton
|
483
|
15
|
Stub
|
Low
|
648
|
Ross Lovegrove
|
480
|
15
|
Start
|
Mid
|
649
|
Green engineering
|
479
|
15
|
C
|
Unknown
|
650
|
Transgenerational design
|
478
|
15
|
C
|
Mid
|
651
|
Tizio
|
473
|
15
|
Stub
|
Mid
|
652
|
Ini Archibong
|
473
|
15
|
B
|
Mid
|
653
|
Daniel Marot
|
472
|
15
|
Start
|
Low
|
654
|
Ronan & Erwan Bouroullec
|
470
|
15
|
Start
|
Low
|
655
|
Beswick Pottery
|
469
|
15
|
Start
|
Mid
|
656
|
Central Institute of Tool Design
|
469
|
15
|
Start
|
Low
|
657
|
Charles Eastlake
|
465
|
15
|
Stub
|
Low
|
658
|
Niels Diffrient
|
463
|
14
|
C
|
High
|
659
|
Peter Opsvik
|
463
|
14
|
C
|
Low
|
660
|
Moholy-Nagy University of Art and Design
|
461
|
14
|
Start
|
Low
|
661
|
ASME Y14.41
|
461
|
14
|
Stub
|
Low
|
662
|
Subaru Suiren
|
461
|
14
|
Start
|
Unknown
|
663
|
Computer Control Company
|
460
|
14
|
Start
|
Low
|
664
|
Design Research Unit
|
459
|
14
|
Stub
|
Low
|
665
|
Organosolv
|
459
|
14
|
C
|
Low
|
666
|
Gertrud Vasegaard
|
459
|
14
|
Start
|
Mid
|
667
|
Tom Karen
|
458
|
14
|
Start
|
Low
|
668
|
Viktor Schreckengost
|
457
|
14
|
Start
|
Low
|
669
|
Antonio Citterio
|
456
|
14
|
Start
|
Mid
|
670
|
List of industrial designers
|
455
|
14
|
List
|
High
|
671
|
Børge Mogensen
|
454
|
14
|
Start
|
Low
|
672
|
Enrico Fumia
|
453
|
14
|
Start
|
Low
|
673
|
Zagato Zele
|
451
|
14
|
Start
|
Low
|
674
|
World Design Capital
|
450
|
14
|
Stub
|
Low
|
675
|
Productionisation
|
449
|
14
|
Stub
|
Mid
|
676
|
Computer-automated design
|
447
|
14
|
Stub
|
Low
|
677
|
Box-sealing tape
|
446
|
14
|
Start
|
Low
|
678
|
Chuck Pelly
|
445
|
14
|
Start
|
Low
|
679
|
Product and manufacturing information
|
444
|
14
|
Stub
|
Low
|
680
|
Rick Dickinson
|
444
|
14
|
C
|
Mid
|
681
|
Kvadrat (company)
|
442
|
14
|
Start
|
Low
|
682
|
IKEA Klippan
|
439
|
14
|
Start
|
Low
|
683
|
F. Schumacher & Co.
|
439
|
14
|
C
|
Mid
|
684
|
Tensor lamp
|
437
|
14
|
Start
|
Unknown
|
685
|
Ora Ito
|
431
|
13
|
Stub
|
Low
|
686
|
William Lescaze
|
429
|
13
|
B
|
Low
|
687
|
Morag Myerscough
|
429
|
13
|
Start
|
Low
|
688
|
Goliath GP700
|
427
|
13
|
Start
|
Low
|
689
|
Carl Hansen & Søn
|
427
|
13
|
Start
|
Unknown
|
690
|
École cantonale d'art de Lausanne
|
427
|
13
|
C
|
Mid
|
691
|
40/4 Chair
|
427
|
13
|
Start
|
Mid
|
692
|
Paolo Venini
|
426
|
13
|
C
|
Mid
|
693
|
Michael Hertz Associates
|
424
|
13
|
Start
|
Low
|
694
|
Auxiliary label
|
422
|
13
|
Start
|
Low
|
695
|
Golan Levin
|
421
|
13
|
C
|
Low
|
696
|
International Forum Design
|
420
|
13
|
Stub
|
Low
|
697
|
Monterey Furniture
|
419
|
13
|
Start
|
Unknown
|
698
|
Rover chair
|
419
|
13
|
B
|
Mid
|
699
|
Hanssem
|
419
|
13
|
Start
|
Low
|
700
|
Arco (lamp)
|
415
|
13
|
Start
|
High
|
701
|
Suzie Zuzek
|
415
|
13
|
B
|
Low
|
702
|
Design education
|
412
|
13
|
Stub
|
Low
|
703
|
Nebiolo Printech
|
411
|
13
|
Start
|
Low
|
704
|
Virtual design and construction
|
408
|
13
|
Stub
|
Low
|
705
|
Swan (chair)
|
407
|
13
|
Stub
|
Mid
|
706
|
Isovist
|
403
|
13
|
Stub
|
Low
|
707
|
Jens Risom
|
400
|
12
|
Start
|
Low
|
708
|
Bill Moggridge
|
398
|
12
|
B
|
High
|
709
|
Franco Albini
|
398
|
12
|
Start
|
Mid
|
710
|
John Makepeace
|
397
|
12
|
Start
|
Low
|
711
|
PH Artichoke
|
397
|
12
|
Stub
|
Low
|
712
|
Gordon Russell (designer)
|
397
|
12
|
Start
|
Low
|
713
|
Ingo Maurer
|
397
|
12
|
B
|
Low
|
714
|
Vico Magistretti
|
395
|
12
|
C
|
High
|
715
|
10 Downing Street Guard Chairs
|
393
|
12
|
Start
|
Low
|
716
|
Mart Stam
|
390
|
12
|
Start
|
Low
|
717
|
Jens Quistgaard
|
389
|
12
|
Start
|
Low
|
718
|
Injection mold construction
|
389
|
12
|
Start
|
Unknown
|
719
|
Pipsan Saarinen Swanson
|
389
|
12
|
Start
|
Low
|
720
|
Experiential interior design
|
388
|
12
|
Start
|
Mid
|
721
|
Flos B&B Italia Group
|
386
|
12
|
Stub
|
Mid
|
722
|
Solid sorbents for carbon capture
|
383
|
12
|
C
|
Unknown
|
723
|
Thomas Thwaites (designer)
|
383
|
12
|
Start
|
Low
|
724
|
Bubble chair
|
382
|
12
|
Stub
|
Low
|
725
|
Jon Bannenberg
|
381
|
12
|
Stub
|
Low
|
726
|
Lean product development
|
381
|
12
|
Start
|
High
|
727
|
Maarten Baas
|
380
|
12
|
Stub
|
Low
|
728
|
Design paradigm
|
379
|
12
|
Start
|
Low
|
729
|
Alexander Neumeister
|
379
|
12
|
Stub
|
Low
|
730
|
Museum of Design, Zurich
|
376
|
12
|
Start
|
Mid
|
731
|
Wells Coates
|
375
|
12
|
C
|
Low
|
732
|
Paul McCobb
|
375
|
12
|
C
|
Low
|
733
|
Salamander heater
|
374
|
12
|
Stub
|
Unknown
|
734
|
Sixten Sason
|
372
|
12
|
Start
|
Low
|
735
|
Marianne Straub
|
372
|
12
|
C
|
Mid
|
736
|
James T. Baldwin
|
371
|
11
|
C
|
Low
|
737
|
Jean-Michel Wilmotte
|
371
|
11
|
C
|
Low
|
738
|
Thomas Hayo
|
371
|
11
|
Stub
|
Low
|
739
|
Paul T. Frankl
|
370
|
11
|
Start
|
Low
|
740
|
Donald Deskey
|
369
|
11
|
Start
|
Low
|
741
|
Oki Sato
|
365
|
11
|
Start
|
Low
|
742
|
Alphonse Chapanis
|
362
|
11
|
Start
|
Low
|
743
|
Herter Brothers
|
362
|
11
|
Start
|
Low
|
744
|
Feature recognition
|
362
|
11
|
Stub
|
Low
|
745
|
Richard Arbib
|
361
|
11
|
Start
|
Low
|
746
|
Lella Vignelli
|
361
|
11
|
B
|
Mid
|
747
|
Jonathan Glancey
|
360
|
11
|
Start
|
Low
|
748
|
Ammunition Design Group
|
356
|
11
|
Start
|
Low
|
749
|
Mogul lamp
|
354
|
11
|
Start
|
Unknown
|
750
|
École Boulle
|
354
|
11
|
Stub
|
Low
|
751
|
Floor marking tape
|
354
|
11
|
Stub
|
Low
|
752
|
Metal furniture
|
352
|
11
|
Start
|
Unknown
|
753
|
Harris Lebus
|
348
|
11
|
Start
|
Low
|
754
|
Josef Hartwig
|
347
|
11
|
Start
|
Low
|
755
|
Ellen's Next Great Designer
|
345
|
11
|
Start
|
Low
|
756
|
Tolomeo desk lamp
|
343
|
11
|
Start
|
Low
|
757
|
I.D. (magazine)
|
342
|
11
|
Start
|
Mid
|
758
|
Electric guitar design
|
342
|
11
|
Start
|
Low
|
759
|
Design studio
|
340
|
10
|
Redirect
|
NA
|
760
|
Rolf Fehlbaum
|
340
|
10
|
C
|
Low
|
761
|
Emilio Ambasz
|
340
|
10
|
C
|
Mid
|
762
|
Kaj Franck
|
339
|
10
|
Start
|
Low
|
763
|
Helen Dryden
|
338
|
10
|
C
|
Low
|
764
|
Description error
|
338
|
10
|
Stub
|
Low
|
765
|
Isophote
|
338
|
10
|
Stub
|
Unknown
|
766
|
Gilbert Rohde
|
337
|
10
|
Start
|
Low
|
767
|
Design classic
|
336
|
10
|
Start
|
Low
|
768
|
Carbon profiling
|
333
|
10
|
Start
|
High
|
769
|
Nendo (design firm)
|
333
|
10
|
C
|
Low
|
770
|
Wilhelm Wagenfeld
|
332
|
10
|
Start
|
Low
|
771
|
John Vassos
|
331
|
10
|
Start
|
Low
|
772
|
GRAITEC
|
331
|
10
|
Start
|
Low
|
773
|
Xanti Schawinsky
|
331
|
10
|
Start
|
Unknown
|
774
|
Marco Zanuso
|
330
|
10
|
C
|
Mid
|
775
|
EPA WaterSense
|
330
|
10
|
Stub
|
Mid
|
776
|
Carlton House desk
|
329
|
10
|
Start
|
Unknown
|
777
|
Fuseproject
|
328
|
10
|
Stub
|
Low
|
778
|
ANSA pre-processor
|
328
|
10
|
Stub
|
Unknown
|
779
|
Designboom
|
328
|
10
|
Start
|
Low
|
780
|
Zviad Tsikolia
|
327
|
10
|
Start
|
Low
|
781
|
Furniture screw
|
327
|
10
|
B
|
Unknown
|
782
|
Jean Bérain the Elder
|
325
|
10
|
Start
|
Low
|
783
|
Cifra 3
|
325
|
10
|
Start
|
Low
|
784
|
Goddard and Townsend
|
324
|
10
|
Start
|
Low
|
785
|
Barber Osgerby
|
324
|
10
|
C
|
Low
|
786
|
Zuber & Cie
|
322
|
10
|
Start
|
Mid
|
787
|
Michael Young (industrial designer)
|
322
|
10
|
C
|
High
|
788
|
Bruno Paul
|
321
|
10
|
Stub
|
Low
|
789
|
L. Bruce Archer
|
321
|
10
|
Start
|
Low
|
790
|
Don Chadwick
|
321
|
10
|
Start
|
Low
|
791
|
World Design Organization
|
319
|
10
|
Start
|
High
|
792
|
James Dyson Award
|
319
|
10
|
Start
|
Low
|
793
|
Forward Look
|
317
|
10
|
Redirect
|
NA
|
794
|
Teague (company)
|
316
|
10
|
Stub
|
Low
|
795
|
Sonic interaction design
|
315
|
10
|
Stub
|
Low
|
796
|
UNISURF
|
314
|
10
|
Stub
|
Low
|
797
|
Rex (chair)
|
314
|
10
|
Stub
|
Low
|
798
|
Studio Alchimia
|
314
|
10
|
Start
|
Unknown
|
799
|
Poul Kjærholm
|
312
|
10
|
Start
|
Low
|
800
|
Alice Rawsthorn
|
312
|
10
|
C
|
Low
|
801
|
Natural mapping (interface design)
|
310
|
10
|
Start
|
Mid
|
802
|
VDA 6.1
|
310
|
10
|
Stub
|
Low
|
803
|
Richard Schultz
|
310
|
10
|
Start
|
Low
|
804
|
Nina Petronzio
|
307
|
9
|
Start
|
Low
|
805
|
Polypropylene stacking chair
|
307
|
9
|
Stub
|
Low
|
806
|
Hans Gugelot
|
306
|
9
|
Start
|
Low
|
807
|
Tip-top table
|
303
|
9
|
Stub
|
Unknown
|
808
|
Howard "Dutch" Darrin
|
303
|
9
|
Stub
|
Unknown
|
809
|
Fabio Taglioni
|
301
|
9
|
Stub
|
Low
|
810
|
George Sowden
|
301
|
9
|
Start
|
Low
|
811
|
Karlsruhe University of Arts and Design
|
300
|
9
|
C
|
Low
|
812
|
MEDUSA4
|
300
|
9
|
Start
|
Unknown
|
813
|
Piero Lissoni
|
300
|
9
|
Start
|
Low
|
814
|
Christopher Guy Harrison
|
299
|
9
|
Stub
|
Low
|
815
|
WorkNC
|
299
|
9
|
Stub
|
Low
|
816
|
Moooi
|
295
|
9
|
B
|
Low
|
817
|
Assembly modelling
|
294
|
9
|
Stub
|
Low
|
818
|
Studio Drift
|
293
|
9
|
Start
|
Low
|
819
|
Neil Poulton
|
292
|
9
|
C
|
Low
|
820
|
Poggenpohl
|
291
|
9
|
Stub
|
Low
|
821
|
Draw sheet
|
291
|
9
|
Start
|
Low
|
822
|
Clement Meadmore
|
290
|
9
|
C
|
Low
|
823
|
Hans Hilfiker
|
290
|
9
|
C
|
Mid
|
824
|
Easy Edges
|
289
|
9
|
Stub
|
Low
|
825
|
Charles Limbert
|
289
|
9
|
Start
|
Low
|
826
|
Design Museum Brussels
|
289
|
9
|
Start
|
Low
|
827
|
Douglas Forsythe Kelley
|
289
|
9
|
Start
|
Low
|
828
|
Max Gottschalk
|
287
|
9
|
Stub
|
Low
|
829
|
Ravi Sawhney
|
286
|
9
|
Stub
|
Low
|
830
|
Andrea Branzi
|
285
|
9
|
Start
|
Unknown
|
831
|
Maison et Objet
|
283
|
9
|
Stub
|
Low
|
832
|
Arne Vodder
|
282
|
9
|
Stub
|
Low
|
833
|
Pio Manzù
|
282
|
9
|
C
|
Low
|
834
|
Piet Zwart
|
281
|
9
|
Start
|
Low
|
835
|
Design competition
|
281
|
9
|
Start
|
Unknown
|
836
|
Matteo Thun
|
277
|
8
|
Start
|
Low
|
837
|
Alma Siedhoff-Buscher
|
277
|
8
|
Stub
|
Unknown
|
838
|
Extreme users
|
277
|
8
|
C
|
Mid
|
839
|
United States House Energy Subcommittee on Environment
|
273
|
8
|
Start
|
Unknown
|
840
|
Rico Daniels
|
273
|
8
|
Stub
|
Low
|
841
|
Function-Behaviour-Structure ontology
|
272
|
8
|
C
|
Unknown
|
842
|
Syd Mead's Terraforming
|
270
|
8
|
Stub
|
Low
|
843
|
T. H. Robsjohn-Gibbings
|
268
|
8
|
Start
|
Low
|
844
|
Marcello Nizzoli
|
268
|
8
|
Start
|
Low
|
845
|
Arik Levy
|
268
|
8
|
Start
|
Low
|
846
|
Jack Pritchard
|
267
|
8
|
Stub
|
Low
|
847
|
Industrial Designers Society of America
|
267
|
8
|
Start
|
High
|
848
|
Model 60 stacking stool
|
267
|
8
|
Start
|
Low
|
849
|
Process driven messaging service
|
265
|
8
|
C
|
Unknown
|
850
|
Desk and bench
|
264
|
8
|
Stub
|
Unknown
|
851
|
Dror Benshetrit
|
264
|
8
|
Start
|
Low
|
852
|
Constraint (computer-aided design)
|
263
|
8
|
Start
|
Low
|
853
|
List of Bunnykins figurines
|
262
|
8
|
List
|
Mid
|
854
|
Yuri Suzuki (designer)
|
262
|
8
|
C
|
Low
|
855
|
Bill Stumpf
|
261
|
8
|
Start
|
Low
|
856
|
Bruno Mathsson
|
261
|
8
|
Start
|
Low
|
857
|
A & M Karagheusian
|
261
|
8
|
Stub
|
Low
|
858
|
Gufram
|
261
|
8
|
C
|
Mid
|
859
|
Bungee chair
|
260
|
8
|
Stub
|
Low
|
860
|
Universal usability
|
259
|
8
|
C
|
Unknown
|
861
|
Cleo Baldon
|
259
|
8
|
Start
|
Mid
|
862
|
Richard Hutten
|
258
|
8
|
Start
|
Low
|
863
|
Eric Stoddard
|
256
|
8
|
Stub
|
Low
|
864
|
2 1/2-dimensional manufacturing
|
256
|
8
|
Stub
|
Low
|
865
|
African design
|
256
|
8
|
Start
|
Low
|
866
|
Corrugated box
|
255
|
8
|
Redirect
|
NA
|
867
|
Chicken harvester
|
255
|
8
|
Start
|
Low
|
868
|
Edgar Miller (artist)
|
254
|
8
|
C
|
Unknown
|
869
|
Carlson Baker Arts
|
254
|
8
|
Start
|
Unknown
|
870
|
Mary Wright (designer)
|
254
|
8
|
B
|
Low
|
871
|
Paul Schuitema
|
253
|
8
|
Start
|
Low
|
872
|
Giacinto Ghia
|
253
|
8
|
Stub
|
Low
|
873
|
Grand Prix (chair)
|
253
|
8
|
Stub
|
Low
|
874
|
Ton van de Ven
|
252
|
8
|
Stub
|
Low
|
875
|
Alexis de Sakhnoffsky
|
252
|
8
|
Start
|
Low
|
876
|
Cesar Vergara
|
252
|
8
|
Start
|
Low
|
877
|
Design Museum of Chicago
|
252
|
8
|
B
|
Low
|
878
|
ADI Design Museum
|
252
|
8
|
Start
|
Mid
|
879
|
Edward Wormley
|
251
|
8
|
Stub
|
Low
|
880
|
Dunne & Raby
|
251
|
8
|
Stub
|
Low
|
881
|
Before Yesterday We Could Fly
|
249
|
8
|
B
|
Low
|
882
|
Tear tape
|
248
|
8
|
Stub
|
Low
|
883
|
Design Museum Gent
|
248
|
8
|
C
|
Low
|
884
|
Röhsska Museum
|
247
|
7
|
Start
|
Low
|
885
|
Arturo Vittori
|
247
|
7
|
Stub
|
Low
|
886
|
Giulio Cappellini
|
247
|
7
|
Start
|
Low
|
887
|
Stuart Pugh
|
246
|
7
|
Start
|
Low
|
888
|
Custom-fit
|
245
|
7
|
Start
|
Mid
|
889
|
Filament tape
|
245
|
7
|
Start
|
Low
|
890
|
Geschmacksmuster
|
244
|
7
|
Stub
|
Low
|
891
|
Harley-Davidson Motorcycle Factory Building
|
244
|
7
|
B
|
Low
|
892
|
Georgia Tech Shenzhen Institute, Tianjin University
|
243
|
7
|
Stub
|
Low
|
893
|
David Ogle
|
242
|
7
|
Start
|
Low
|
894
|
London Design Festival
|
242
|
7
|
C
|
Mid
|
895
|
Droog (company)
|
240
|
7
|
Start
|
Low
|
896
|
Idea (disambiguation)
|
240
|
7
|
Disambig
|
NA
|
897
|
Acapulco Chair
|
240
|
7
|
Stub
|
Low
|
898
|
Braun LE1
|
239
|
7
|
Stub
|
Low
|
899
|
DAC-1
|
239
|
7
|
Start
|
Low
|
900
|
Bernhardt Design
|
239
|
7
|
Start
|
Low
|
901
|
Earl R. Dean
|
238
|
7
|
Start
|
Low
|
902
|
Ian Proctor
|
237
|
7
|
Stub
|
Low
|
903
|
Ashlar-Vellum
|
234
|
7
|
C
|
Low
|
904
|
Systems-oriented design
|
232
|
7
|
C
|
Unknown
|
905
|
Allen Boothroyd
|
231
|
7
|
Stub
|
Low
|
906
|
Tage Frid
|
231
|
7
|
Stub
|
Low
|
907
|
Pin-Up (magazine)
|
231
|
7
|
Start
|
Low
|
908
|
Jack Sangster
|
230
|
7
|
Start
|
Mid
|
909
|
Office of the future
|
229
|
7
|
Start
|
Low
|
910
|
François-Honoré-Georges Jacob-Desmalter
|
229
|
7
|
Start
|
Low
|
911
|
International Design Excellence Awards
|
229
|
7
|
Stub
|
Mid
|
912
|
Quality control system for paper, board and tissue machines
|
229
|
7
|
Start
|
Low
|
913
|
Unimark International
|
228
|
7
|
Start
|
Low
|
914
|
3D floor plan
|
228
|
7
|
Stub
|
Low
|
915
|
Barbara Radice
|
228
|
7
|
C
|
Mid
|
916
|
Thomas Humber
|
227
|
7
|
C
|
Low
|
917
|
Gerd A. Müller
|
227
|
7
|
Start
|
Low
|
918
|
Blu Dot
|
227
|
7
|
Start
|
Low
|
919
|
Swedish Centre for Architecture and Design
|
226
|
7
|
C
|
Low
|
920
|
Richard Rohac
|
226
|
7
|
Start
|
Unknown
|
921
|
Charles "Chuck" Harrison
|
224
|
7
|
C
|
Low
|
922
|
Michael Ellis (designer)
|
224
|
7
|
Stub
|
Low
|
923
|
Jerry Manock
|
223
|
7
|
B
|
Low
|
924
|
Dorothy Liebes
|
223
|
7
|
C
|
Low
|
925
|
Michelotti Shellette
|
223
|
7
|
C
|
Low
|
926
|
Charley Morgan
|
222
|
7
|
Start
|
Low
|
927
|
HeeksCAD
|
222
|
7
|
Start
|
Mid
|
928
|
Cutaway (industrial)
|
220
|
7
|
Stub
|
Low
|
929
|
Madia (furniture)
|
220
|
7
|
Stub
|
Unknown
|
930
|
Jay Doblin
|
220
|
7
|
Stub
|
Unknown
|
931
|
Furniture Today
|
220
|
7
|
Stub
|
Low
|
932
|
Ince and Mayhew
|
218
|
7
|
Start
|
Low
|
933
|
Ovalia Egg Chair
|
218
|
7
|
Stub
|
Low
|
934
|
Heller, Inc.
|
218
|
7
|
C
|
Mid
|
935
|
Design Exchange
|
217
|
7
|
Start
|
Low
|
936
|
Bergen Academy of Art and Design
|
217
|
7
|
Stub
|
Low
|
937
|
International Design Awards
|
217
|
7
|
Stub
|
Low
|
938
|
Paola Navone
|
217
|
7
|
Start
|
Unknown
|
939
|
Horia Creangă
|
216
|
6
|
Start
|
Low
|
940
|
École Camondo
|
215
|
6
|
Stub
|
Low
|
941
|
Design for lean manufacturing
|
215
|
6
|
Start
|
Mid
|
942
|
David Carter (industrial designer)
|
214
|
6
|
Stub
|
Low
|
943
|
Pierre Frey
|
214
|
6
|
Start
|
Unknown
|
944
|
Applicon
|
213
|
6
|
Stub
|
Low
|
945
|
Tucker Viemeister
|
213
|
6
|
Stub
|
Low
|
946
|
Ralph Osterhout
|
213
|
6
|
Start
|
Low
|
947
|
Mundus furniture
|
211
|
6
|
Stub
|
Low
|
948
|
Isokon Long Chair
|
211
|
6
|
Stub
|
Unknown
|
949
|
Nanna Ditzel
|
210
|
6
|
Stub
|
Low
|
950
|
Stehli Silks
|
210
|
6
|
C
|
Low
|
951
|
Diamond chair
|
208
|
6
|
Stub
|
Unknown
|
952
|
Roger C. Field
|
208
|
6
|
Stub
|
Low
|
953
|
Giovanni Pintori
|
208
|
6
|
Start
|
Low
|
954
|
Design with memory
|
208
|
6
|
C
|
Low
|
955
|
Win Ng
|
207
|
6
|
Start
|
Low
|
956
|
Martine Bedin
|
207
|
6
|
C
|
Low
|
957
|
Color Marketing Group
|
206
|
6
|
Stub
|
Low
|
958
|
Garden Egg chair
|
206
|
6
|
Stub
|
Low
|
959
|
Grete Jalk
|
206
|
6
|
Start
|
Low
|
960
|
Frits Henningsen
|
206
|
6
|
Stub
|
Low
|
961
|
Kazuo Kawasaki
|
204
|
6
|
Stub
|
Low
|
962
|
Otto Kuhler
|
203
|
6
|
B
|
Mid
|
963
|
Émile André
|
203
|
6
|
Stub
|
Low
|
964
|
Australian Good Design Awards
|
203
|
6
|
C
|
Mid
|
965
|
Horn furniture
|
203
|
6
|
Stub
|
Low
|
966
|
École nationale supérieure des arts appliqués et des métiers d'art
|
201
|
6
|
Start
|
Low
|
967
|
Flexform
|
201
|
6
|
Start
|
Low
|
968
|
John Tjaarda
|
199
|
6
|
Start
|
Low
|
969
|
Sacha Lakic
|
199
|
6
|
Start
|
Unknown
|
970
|
Dutch Design Week
|
197
|
6
|
Stub
|
Mid
|
971
|
Benjamin Bowden
|
196
|
6
|
Start
|
Unknown
|
972
|
Rob Forbes
|
196
|
6
|
Start
|
Unknown
|
973
|
Eglu
|
195
|
6
|
Stub
|
Low
|
974
|
Smart Design
|
195
|
6
|
Start
|
Mid
|
975
|
Oliver Lincoln Lundquist
|
194
|
6
|
C
|
Mid
|
976
|
Roger Tallon
|
194
|
6
|
Start
|
Mid
|
977
|
Sphinx (home automation system)
|
194
|
6
|
Start
|
Mid
|
978
|
Inflatable air cushion
|
193
|
6
|
Start
|
Unknown
|
979
|
Betty Thatcher Oros
|
193
|
6
|
Start
|
Mid
|
980
|
Flavio Poli
|
193
|
6
|
Stub
|
Low
|
981
|
Collaborative product development
|
192
|
6
|
Start
|
Low
|
982
|
Nigel Coates (architect)
|
192
|
6
|
Start
|
Low
|
983
|
Claesson Koivisto Rune
|
192
|
6
|
Stub
|
Low
|
984
|
NSU Trapeze
|
192
|
6
|
Start
|
Low
|
985
|
Projection augmented model
|
191
|
6
|
Start
|
Low
|
986
|
Bethan Laura Wood
|
191
|
6
|
Start
|
Mid
|
987
|
Metamorphic library steps
|
190
|
6
|
Start
|
Unknown
|
988
|
Olivier Mourgue
|
190
|
6
|
Stub
|
Low
|
989
|
Ericsson Dialog
|
190
|
6
|
Start
|
Low
|
990
|
GenerativeComponents
|
190
|
6
|
Stub
|
Low
|
991
|
Design and Industries Association
|
189
|
6
|
Stub
|
Low
|
992
|
Arclinea
|
189
|
6
|
Start
|
Low
|
993
|
Sedus
|
189
|
6
|
Stub
|
Low
|
994
|
Centripetal Spring Armchair
|
189
|
6
|
Start
|
Unknown
|
995
|
Joseph Claude Sinel
|
188
|
6
|
B
|
Low
|
996
|
Product data record
|
188
|
6
|
Stub
|
Low
|
997
|
Betty Joel
|
188
|
6
|
Start
|
Unknown
|
998
|
Julia Lohmann
|
187
|
6
|
Stub
|
High
|
999
|
Art Museum Z33
|
187
|
6
|
Start
|
Low
|
1000
|
English furniture
|
187
|
6
|
Stub
|
Low
|