Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Banksy
|
103,244
|
3,441
|
B
|
Mid
|
2
|
PDF
|
69,555
|
2,318
|
B
|
High
|
3
|
Adobe Photoshop
|
62,760
|
2,092
|
C
|
Mid
|
4
|
Frutiger Aero
|
56,223
|
1,874
|
GA
|
Low
|
5
|
Dash
|
51,550
|
1,718
|
B
|
Low
|
6
|
Tron
|
51,289
|
1,709
|
B
|
Low
|
7
|
Bauhaus
|
48,715
|
1,623
|
B
|
Top
|
8
|
Printing press
|
33,918
|
1,130
|
B
|
High
|
9
|
Heart symbol
|
31,602
|
1,053
|
Start
|
Mid
|
10
|
Advertising
|
26,990
|
899
|
C
|
High
|
11
|
Web design
|
21,386
|
712
|
C
|
High
|
12
|
GIMP
|
18,754
|
625
|
B
|
Low
|
13
|
Gender symbol
|
18,693
|
623
|
Start
|
Low
|
14
|
Helvetica
|
18,622
|
620
|
C
|
High
|
15
|
Graphic design
|
18,544
|
618
|
C
|
Top
|
16
|
Adobe Flash
|
17,746
|
591
|
C
|
Unknown
|
17
|
Adobe Illustrator
|
17,743
|
591
|
C
|
Mid
|
18
|
Screensaver
|
16,552
|
551
|
B
|
Unknown
|
19
|
Corporate Memphis
|
16,434
|
547
|
Start
|
Low
|
20
|
Lisa Frank
|
16,134
|
537
|
C
|
Low
|
21
|
Typeface
|
16,036
|
534
|
B
|
Mid
|
22
|
Swoosh
|
15,151
|
505
|
Start
|
Low
|
23
|
Typography
|
14,881
|
496
|
C
|
Mid
|
24
|
3D computer graphics
|
14,221
|
474
|
C
|
Mid
|
25
|
Pantone
|
13,930
|
464
|
Start
|
Low
|
26
|
Minimalism
|
13,674
|
455
|
C
|
Mid
|
27
|
Protect the Dolls
|
13,537
|
451
|
B
|
Low
|
28
|
Mascot
|
13,423
|
447
|
Start
|
Low
|
29
|
Voxel
|
13,039
|
434
|
C
|
Mid
|
30
|
Eric Carle
|
12,947
|
431
|
C
|
Low
|
31
|
Shepard Fairey
|
12,783
|
426
|
B
|
Low
|
32
|
Jumpman (logo)
|
12,150
|
405
|
Start
|
Low
|
33
|
Ideogram
|
12,004
|
400
|
Start
|
Mid
|
34
|
All caps
|
11,727
|
390
|
B
|
Unknown
|
35
|
Procreate (software)
|
11,719
|
390
|
C
|
Mid
|
36
|
Creative director
|
11,475
|
382
|
Start
|
Mid
|
37
|
Raster graphics
|
11,394
|
379
|
C
|
Low
|
38
|
Triptych
|
11,394
|
379
|
C
|
Low
|
39
|
Dieter Rams
|
10,971
|
365
|
B
|
Mid
|
40
|
Barber's pole
|
10,773
|
359
|
B
|
Low
|
41
|
Adobe Acrobat
|
10,772
|
359
|
C
|
Mid
|
42
|
Parsons School of Design
|
10,712
|
357
|
C
|
Low
|
43
|
No symbol
|
10,240
|
341
|
C
|
Low
|
44
|
Paul Rand
|
9,768
|
325
|
B
|
High
|
45
|
Photograph manipulation
|
9,621
|
320
|
C
|
Low
|
46
|
Saul Bass
|
9,454
|
315
|
B
|
High
|
47
|
Ambigram
|
9,064
|
302
|
B
|
Mid
|
48
|
Adobe InDesign
|
8,769
|
292
|
Start
|
High
|
49
|
Comparison of European road signs
|
8,730
|
291
|
List
|
Low
|
50
|
I Love New York
|
8,598
|
286
|
Start
|
Low
|
51
|
Alfred A. Knopf
|
8,425
|
280
|
C
|
Low
|
52
|
De Stijl
|
8,287
|
276
|
B
|
Mid
|
53
|
Lisa Frank Incorporated
|
8,174
|
272
|
B
|
Low
|
54
|
Susan Kare
|
7,627
|
254
|
B
|
High
|
55
|
Style guide
|
7,250
|
241
|
Start
|
Mid
|
56
|
Stationery
|
7,135
|
237
|
Start
|
Low
|
57
|
List of airline liveries and logos
|
7,014
|
233
|
List
|
Low
|
58
|
Everydays: the First 5000 Days
|
6,821
|
227
|
Stub
|
Low
|
59
|
PostScript
|
6,704
|
223
|
C
|
High
|
60
|
Signage
|
6,687
|
222
|
Start
|
Mid
|
61
|
Alpha compositing
|
6,663
|
222
|
Start
|
Unknown
|
62
|
Graphic designer
|
6,395
|
213
|
Start
|
Top
|
63
|
Image editing
|
6,129
|
204
|
C
|
Mid
|
64
|
Mood board
|
5,911
|
197
|
Start
|
Low
|
65
|
Marker pen
|
5,909
|
196
|
Start
|
Low
|
66
|
Eric Haze
|
5,905
|
196
|
Start
|
Unknown
|
67
|
User interface design
|
5,840
|
194
|
C
|
Low
|
68
|
Poster
|
5,829
|
194
|
C
|
High
|
69
|
Native American mascot controversy
|
5,735
|
191
|
GA
|
Low
|
70
|
Neon sign
|
5,699
|
189
|
Start
|
Mid
|
71
|
Desktop publishing
|
5,651
|
188
|
C
|
Mid
|
72
|
Eraser
|
5,593
|
186
|
Start
|
Low
|
73
|
Peter Blake (artist)
|
5,422
|
180
|
C
|
High
|
74
|
David Dees
|
5,359
|
178
|
Start
|
Low
|
75
|
Three hares
|
5,319
|
177
|
B
|
Mid
|
76
|
László Moholy-Nagy
|
5,311
|
177
|
C
|
Unknown
|
77
|
Edward Tufte
|
5,145
|
171
|
B
|
Mid
|
78
|
Harvey Ball
|
5,108
|
170
|
C
|
Low
|
79
|
Milton Glaser
|
5,037
|
167
|
C
|
Mid
|
80
|
Peter Saville (graphic designer)
|
4,936
|
164
|
C
|
Low
|
81
|
Adobe Dreamweaver
|
4,857
|
161
|
C
|
Mid
|
82
|
Ben Shahn
|
4,855
|
161
|
B
|
Low
|
83
|
Letterpress printing
|
4,713
|
157
|
C
|
High
|
84
|
Josef Albers
|
4,462
|
148
|
B
|
Low
|
85
|
Swiss Style (design)
|
4,336
|
144
|
Start
|
Unknown
|
86
|
Visual communication
|
4,331
|
144
|
Start
|
High
|
87
|
2D computer graphics
|
4,326
|
144
|
C
|
Mid
|
88
|
Wanted poster
|
4,314
|
143
|
C
|
Low
|
89
|
Mike Winkelmann
|
4,301
|
143
|
Start
|
Low
|
90
|
Univers
|
4,236
|
141
|
C
|
Low
|
91
|
Web banner
|
4,193
|
139
|
Start
|
Mid
|
92
|
Behance
|
4,189
|
139
|
Stub
|
Low
|
93
|
Art director
|
4,092
|
136
|
Start
|
Mid
|
94
|
Digital on-screen graphic
|
4,017
|
133
|
Start
|
Low
|
95
|
Anti-aliasing filter
|
3,901
|
130
|
C
|
Low
|
96
|
Film poster
|
3,880
|
129
|
B
|
Low
|
97
|
Hamid Nadimi
|
3,827
|
127
|
Redirect
|
NA
|
98
|
Book design
|
3,814
|
127
|
C
|
Unknown
|
99
|
D. Udaya Kumar
|
3,720
|
124
|
Start
|
Low
|
100
|
Harvey balls
|
3,713
|
123
|
Start
|
Low
|
101
|
Raster graphics editor
|
3,663
|
122
|
Start
|
Low
|
102
|
Craig Braun
|
3,645
|
121
|
B
|
Unknown
|
103
|
List of works by Banksy
|
3,467
|
115
|
List
|
Low
|
104
|
Sustainable design
|
3,454
|
115
|
C
|
Mid
|
105
|
Obama logo
|
3,420
|
114
|
B
|
Mid
|
106
|
Business card
|
3,390
|
113
|
Start
|
Unknown
|
107
|
Spatial anti-aliasing
|
3,342
|
111
|
C
|
Mid
|
108
|
Pentagram (design firm)
|
3,265
|
108
|
C
|
High
|
109
|
Global spread of the printing press
|
3,139
|
104
|
B
|
High
|
110
|
Ben Day process
|
3,132
|
104
|
Start
|
Mid
|
111
|
Harry Beck
|
3,016
|
100
|
C
|
Low
|
112
|
Cigarette card
|
2,997
|
99
|
Start
|
Mid
|
113
|
Visiting card
|
2,987
|
99
|
Start
|
Unknown
|
114
|
Saul Steinberg
|
2,979
|
99
|
Start
|
Mid
|
115
|
Outdoor advertising
|
2,944
|
98
|
Start
|
Low
|
116
|
The Medium Is the Massage
|
2,801
|
93
|
Start
|
Low
|
117
|
Page layout
|
2,798
|
93
|
B
|
Mid
|
118
|
Minimalism (visual arts)
|
2,748
|
91
|
C
|
Low
|
119
|
Paula Scher
|
2,668
|
88
|
C
|
Unknown
|
120
|
International Typographic Style
|
2,641
|
88
|
Start
|
Low
|
121
|
Image stitching
|
2,639
|
87
|
C
|
Low
|
122
|
Ed Thrasher
|
2,629
|
87
|
Stub
|
Low
|
123
|
Road signs in Spain
|
2,614
|
87
|
C
|
Low
|
124
|
J. Walter Thompson
|
2,589
|
86
|
Start
|
Low
|
125
|
QuarkXPress
|
2,587
|
86
|
Start
|
High
|
126
|
Digital signage
|
2,580
|
86
|
Start
|
Mid
|
127
|
Letterhead
|
2,571
|
85
|
Unknown
|
Unknown
|
128
|
Polyptych
|
2,563
|
85
|
C
|
Low
|
129
|
Cover art
|
2,447
|
81
|
Start
|
High
|
130
|
Exit sign
|
2,420
|
80
|
Start
|
Low
|
131
|
PGF/TikZ
|
2,350
|
78
|
Start
|
Low
|
132
|
Massimo Vignelli
|
2,294
|
76
|
C
|
High
|
133
|
British Rail Double Arrow
|
2,288
|
76
|
C
|
Low
|
134
|
Calculator (Apple)
|
2,242
|
74
|
Start
|
Low
|
135
|
Isotype (picture language)
|
2,202
|
73
|
Start
|
Low
|
136
|
David Carson (graphic designer)
|
2,158
|
71
|
Start
|
Low
|
137
|
Warming stripes
|
2,142
|
71
|
B
|
Mid
|
138
|
John Kiss (artist)
|
2,108
|
70
|
B
|
Unknown
|
139
|
Debbie Millman
|
2,075
|
69
|
Start
|
Low
|
140
|
Big-character poster
|
2,036
|
67
|
B
|
Low
|
141
|
Bumper sticker
|
2,016
|
67
|
Start
|
Low
|
142
|
Leo Lionni
|
2,004
|
66
|
C
|
Low
|
143
|
Visual design elements and principles
|
1,997
|
66
|
Disambig
|
NA
|
144
|
Communication design
|
1,982
|
66
|
Start
|
Low
|
145
|
Color code
|
1,979
|
65
|
Start
|
Mid
|
146
|
Otl Aicher
|
1,949
|
64
|
Start
|
High
|
147
|
The Designers Republic
|
1,907
|
63
|
C
|
Low
|
148
|
Chip Kidd
|
1,904
|
63
|
Start
|
Low
|
149
|
Vector graphics editor
|
1,896
|
63
|
Start
|
Mid
|
150
|
Rabbits and hares in art
|
1,874
|
62
|
C
|
Low
|
151
|
Comparison of raster graphics editors
|
1,854
|
61
|
C
|
Mid
|
152
|
Extinction symbol
|
1,801
|
60
|
Start
|
Low
|
153
|
Dribbble
|
1,797
|
59
|
Start
|
Low
|
154
|
Don't Mess with Texas
|
1,795
|
59
|
Start
|
Unknown
|
155
|
Jessica Walsh
|
1,775
|
59
|
C
|
Mid
|
156
|
Peter Mendelsund
|
1,766
|
58
|
Start
|
Low
|
157
|
Suki Lopez
|
1,760
|
58
|
C
|
Low
|
158
|
Commercial art
|
1,756
|
58
|
Start
|
Mid
|
159
|
Consumer Aesthetics Research Institute
|
1,756
|
58
|
Start
|
Low
|
160
|
Richard Amsel
|
1,751
|
58
|
C
|
Low
|
161
|
Storyboard artist
|
1,694
|
56
|
Start
|
Mid
|
162
|
British Airways ethnic liveries
|
1,686
|
56
|
Start
|
Low
|
163
|
Hermann Zapf
|
1,674
|
55
|
C
|
Low
|
164
|
Atkinson Hyperlegible
|
1,622
|
54
|
C
|
Low
|
165
|
Pen & Pixel
|
1,614
|
53
|
Start
|
Unknown
|
166
|
Screen space ambient occlusion
|
1,609
|
53
|
Start
|
Low
|
167
|
Grid (graphic design)
|
1,599
|
53
|
Start
|
Low
|
168
|
Paste up
|
1,587
|
52
|
Start
|
Low
|
169
|
Alfred A. Knopf Sr.
|
1,581
|
52
|
Start
|
Low
|
170
|
Depth map
|
1,571
|
52
|
Start
|
Low
|
171
|
Emily Carr University of Art and Design
|
1,561
|
52
|
Start
|
Mid
|
172
|
Ransom note effect
|
1,545
|
51
|
Start
|
Low
|
173
|
Secession (art)
|
1,542
|
51
|
B
|
Mid
|
174
|
Motion graphic design
|
1,530
|
51
|
Stub
|
Mid
|
175
|
Particle system
|
1,508
|
50
|
C
|
High
|
176
|
Richard Saul Wurman
|
1,508
|
50
|
Start
|
Unknown
|
177
|
Daniel Sotomayor
|
1,498
|
49
|
Start
|
Low
|
178
|
History of CAD software
|
1,492
|
49
|
Start
|
Low
|
179
|
Karim Rashid
|
1,484
|
49
|
B
|
Mid
|
180
|
Stefan Sagmeister
|
1,482
|
49
|
C
|
High
|
181
|
Picnik
|
1,459
|
48
|
Start
|
Low
|
182
|
Infinite scrolling
|
1,435
|
47
|
Unknown
|
Unknown
|
183
|
Visual hierarchy
|
1,432
|
47
|
B
|
Unknown
|
184
|
Cassandre
|
1,430
|
47
|
Start
|
Mid
|
185
|
Ecological design
|
1,428
|
47
|
Start
|
Low
|
186
|
Koloman Moser
|
1,426
|
47
|
C
|
Mid
|
187
|
Tadanori Yokoo
|
1,416
|
47
|
Start
|
Low
|
188
|
Web typography
|
1,409
|
46
|
B
|
Low
|
189
|
John Maeda
|
1,404
|
46
|
Start
|
Unknown
|
190
|
Vignette (graphic design)
|
1,394
|
46
|
Start
|
Mid
|
191
|
Alston Purvis
|
1,379
|
45
|
Start
|
Low
|
192
|
Gerald Holtom
|
1,375
|
45
|
Start
|
Low
|
193
|
Matthew Carter
|
1,373
|
45
|
Start
|
Mid
|
194
|
Shigetaka Kurita
|
1,373
|
45
|
Start
|
Low
|
195
|
Bruno Munari
|
1,368
|
45
|
C
|
Mid
|
196
|
Kuwahara filter
|
1,348
|
44
|
C
|
Low
|
197
|
S. Neil Fujita
|
1,347
|
44
|
Start
|
Low
|
198
|
Yinka Ilori
|
1,336
|
44
|
B
|
Mid
|
199
|
History of graphic design
|
1,322
|
44
|
C
|
Unknown
|
200
|
Neville Brody
|
1,321
|
44
|
C
|
High
|
201
|
AARON
|
1,319
|
43
|
Start
|
Low
|
202
|
Adobe FreeHand
|
1,299
|
43
|
B
|
Mid
|
203
|
ISO 690
|
1,295
|
43
|
C
|
Unknown
|
204
|
Herbert Bayer
|
1,252
|
41
|
Start
|
Mid
|
205
|
Blob emoji
|
1,251
|
41
|
Start
|
Low
|
206
|
Jan Tschichold
|
1,248
|
41
|
Start
|
Unknown
|
207
|
Bill Gold
|
1,242
|
41
|
C
|
Low
|
208
|
Polish School of Posters
|
1,226
|
40
|
C
|
Low
|
209
|
Alex Steinweiss
|
1,181
|
39
|
Start
|
Low
|
210
|
Section (typography)
|
1,154
|
38
|
Start
|
Low
|
211
|
Paul Bacon (designer)
|
1,133
|
37
|
C
|
Low
|
212
|
Josef Müller-Brockmann
|
1,112
|
37
|
Start
|
Unknown
|
213
|
Error diffusion
|
1,109
|
36
|
C
|
Low
|
214
|
Paul Brooks Davis
|
1,109
|
36
|
Start
|
Mid
|
215
|
List of common 3D test models
|
1,082
|
36
|
List
|
Low
|
216
|
Alexey Brodovitch
|
1,078
|
35
|
B
|
Low
|
217
|
Michael Bierut
|
1,078
|
35
|
C
|
High
|
218
|
Creative Market
|
1,069
|
35
|
Start
|
Low
|
219
|
Dedication (publishing)
|
1,056
|
35
|
C
|
Low
|
220
|
For position only
|
1,049
|
34
|
Stub
|
Low
|
221
|
List of desktop publishing software
|
1,044
|
34
|
List
|
Unknown
|
222
|
Michael Okuda
|
1,029
|
34
|
Start
|
Mid
|
223
|
Chermayeff & Geismar & Haviv
|
1,021
|
34
|
Start
|
High
|
224
|
Tim Jacobus
|
1,010
|
33
|
Stub
|
Unknown
|
225
|
Herb Lubalin
|
995
|
33
|
Start
|
Mid
|
226
|
Page footer
|
984
|
32
|
Start
|
Low
|
227
|
GUI
|
974
|
32
|
Redirect
|
NA
|
228
|
Marq (company)
|
960
|
32
|
C
|
Low
|
229
|
Leonard Baskin
|
945
|
31
|
Start
|
Low
|
230
|
George Lois
|
941
|
31
|
Start
|
Low
|
231
|
Stanley Morison
|
940
|
31
|
Start
|
Mid
|
232
|
Graphic communication
|
933
|
31
|
C
|
Mid
|
233
|
Richard Turley (graphic designer)
|
928
|
30
|
C
|
Low
|
234
|
Adobe ImageReady
|
901
|
30
|
Stub
|
Low
|
235
|
Print design
|
894
|
29
|
Stub
|
Mid
|
236
|
Tibor Kalman
|
875
|
29
|
Start
|
Mid
|
237
|
Design studies
|
871
|
29
|
C
|
Mid
|
238
|
Separation of content and presentation
|
866
|
28
|
Start
|
High
|
239
|
MyPaint
|
854
|
28
|
Start
|
Low
|
240
|
Chimping
|
850
|
28
|
Start
|
Low
|
241
|
Page header
|
824
|
27
|
Stub
|
Low
|
242
|
Maxime Plescia-Büchi
|
824
|
27
|
Start
|
Low
|
243
|
NCAA Native American mascot decision
|
822
|
27
|
C
|
Low
|
244
|
Frederic Goudy
|
820
|
27
|
Start
|
Mid
|
245
|
Kyle Cooper
|
820
|
27
|
C
|
Low
|
246
|
Ehrenstein illusion
|
817
|
27
|
C
|
Low
|
247
|
American Institute of Graphic Arts
|
804
|
26
|
Start
|
Unknown
|
248
|
Cartographic design
|
797
|
26
|
B
|
Unknown
|
249
|
Emory Douglas
|
794
|
26
|
C
|
Low
|
250
|
Retail design
|
789
|
26
|
C
|
Low
|
251
|
Modo (software)
|
787
|
26
|
Start
|
Low
|
252
|
Armin Hofmann
|
764
|
25
|
Stub
|
Mid
|
253
|
Lumia imaging apps
|
762
|
25
|
C
|
Low
|
254
|
Icon design
|
752
|
25
|
Start
|
Unknown
|
255
|
Camera-ready
|
745
|
24
|
Start
|
Low
|
256
|
ASCII porn
|
743
|
24
|
Stub
|
Low
|
257
|
Album covers of Blue Note Records
|
735
|
24
|
FA
|
Low
|
258
|
Municipal device of Chicago
|
730
|
24
|
Stub
|
Low
|
259
|
Vizrt
|
718
|
23
|
Start
|
Low
|
260
|
April Greiman
|
713
|
23
|
C
|
Mid
|
261
|
XX (novel)
|
711
|
23
|
Stub
|
Low
|
262
|
Jules Siegel
|
703
|
23
|
Stub
|
Low
|
263
|
Yusaku Kamekura
|
677
|
22
|
C
|
Low
|
264
|
Keith Roberts
|
675
|
22
|
C
|
Low
|
265
|
Seymour Chwast
|
664
|
22
|
C
|
Mid
|
266
|
Adobe GoLive
|
657
|
21
|
Start
|
Low
|
267
|
John Pasche
|
654
|
21
|
Start
|
High
|
268
|
99designs
|
654
|
21
|
Start
|
Low
|
269
|
Graphic design occupations
|
648
|
21
|
Start
|
Mid
|
270
|
2020 Summer Olympic pictograms
|
647
|
21
|
C
|
Low
|
271
|
Haibao
|
643
|
21
|
Stub
|
Low
|
272
|
Plakatstil
|
642
|
21
|
Start
|
Low
|
273
|
Charles Bigelow (type designer)
|
632
|
21
|
Start
|
Low
|
274
|
Jonathan Barnbrook
|
630
|
21
|
Start
|
Low
|
275
|
Design management
|
625
|
20
|
C
|
Top
|
276
|
Elaine Bass
|
613
|
20
|
C
|
Low
|
277
|
Pix4D
|
612
|
20
|
Stub
|
Unknown
|
278
|
Steven Heller (design writer)
|
610
|
20
|
Start
|
Low
|
279
|
21 21 Design Sight
|
609
|
20
|
Start
|
Low
|
280
|
Joshua Davis (designer)
|
607
|
20
|
Start
|
Low
|
281
|
Production artist
|
604
|
20
|
Stub
|
Low
|
282
|
Alan Fletcher (graphic designer)
|
597
|
19
|
Start
|
High
|
283
|
News design
|
590
|
19
|
Start
|
High
|
284
|
Sheila Levrant de Bretteville
|
590
|
19
|
C
|
Unknown
|
285
|
William Addison Dwiggins
|
579
|
19
|
Start
|
Unknown
|
286
|
Chorochromatic map
|
576
|
19
|
B
|
Unknown
|
287
|
Push Pin Studios
|
575
|
19
|
C
|
Unknown
|
288
|
Tomato (design collective)
|
571
|
19
|
Stub
|
Low
|
289
|
Kirby Jenner
|
567
|
18
|
Start
|
Low
|
290
|
Trade card
|
563
|
18
|
Unknown
|
Mid
|
291
|
Content designer
|
563
|
18
|
Start
|
Mid
|
292
|
Lines per inch
|
546
|
18
|
Start
|
Low
|
293
|
Karoly Grosz (illustrator)
|
546
|
18
|
GA
|
Mid
|
294
|
Bradbury Thompson
|
545
|
18
|
Start
|
Low
|
295
|
Edward McKnight Kauffer
|
542
|
18
|
Start
|
Mid
|
296
|
Irina Blok
|
535
|
17
|
Start
|
Low
|
297
|
Reid Miles
|
528
|
17
|
Start
|
Low
|
298
|
Barbara Stauffacher Solomon
|
525
|
17
|
Start
|
Unknown
|
299
|
Nik Collection
|
525
|
17
|
C
|
Low
|
300
|
Gary Grimshaw
|
519
|
17
|
B
|
Unknown
|
301
|
Jim Phillips (illustrator)
|
517
|
17
|
Start
|
Low
|
302
|
Reggie Parks
|
516
|
17
|
Start
|
Unknown
|
303
|
Lucian Bernhard
|
505
|
16
|
Start
|
Mid
|
304
|
Henry Wolf
|
504
|
16
|
Start
|
Unknown
|
305
|
Java 3D
|
503
|
16
|
Start
|
Low
|
306
|
Louise Fili
|
503
|
16
|
C
|
Low
|
307
|
Jessica Wallenfels
|
496
|
16
|
C
|
Low
|
308
|
Ed Benguiat
|
494
|
16
|
C
|
Low
|
309
|
Jonathan Hoefler
|
487
|
16
|
Start
|
Unknown
|
310
|
Frederic G. Melcher
|
482
|
16
|
Start
|
Low
|
311
|
Chicago Athenaeum
|
478
|
15
|
Start
|
Low
|
312
|
Dieline
|
476
|
15
|
Stub
|
Low
|
313
|
Herbert Matter
|
473
|
15
|
Start
|
Mid
|
314
|
Shigeo Fukuda
|
468
|
15
|
Start
|
Low
|
315
|
Irma Boom
|
467
|
15
|
Start
|
Unknown
|
316
|
Job Definition Format
|
457
|
15
|
Start
|
Low
|
317
|
Aviary (image editor)
|
455
|
15
|
Start
|
Low
|
318
|
Visual brand language
|
451
|
15
|
Start
|
Low
|
319
|
Henry Steiner
|
451
|
15
|
C
|
Unknown
|
320
|
Human Rights Logo
|
442
|
14
|
Start
|
Mid
|
321
|
List of graphic designers
|
441
|
14
|
List
|
Low
|
322
|
Goal structuring notation
|
440
|
14
|
Stub
|
Mid
|
323
|
Desk pad
|
437
|
14
|
Start
|
Low
|
324
|
Noesis (software)
|
434
|
14
|
Start
|
Low
|
325
|
Screen reading
|
433
|
14
|
Start
|
Unknown
|
326
|
Broadcast designer
|
426
|
14
|
Stub
|
Mid
|
327
|
Ellen Lupton
|
426
|
14
|
Start
|
Unknown
|
328
|
Mobirise
|
424
|
14
|
Start
|
Unknown
|
329
|
Manhattan Design
|
423
|
14
|
Unknown
|
Unknown
|
330
|
ROSTA windows
|
422
|
14
|
Stub
|
Low
|
331
|
Duospaced font
|
420
|
14
|
Start
|
Low
|
332
|
Jobbing press
|
417
|
13
|
Start
|
Mid
|
333
|
George Macy
|
414
|
13
|
Start
|
Low
|
334
|
Line (graphics)
|
407
|
13
|
Start
|
Low
|
335
|
Robert Brownjohn
|
405
|
13
|
Start
|
Unknown
|
336
|
SK1 (program)
|
403
|
13
|
Start
|
Mid
|
337
|
Sustainable furniture design
|
398
|
13
|
Stub
|
Low
|
338
|
Mike Bostock
|
397
|
13
|
Stub
|
Unknown
|
339
|
Emigre (magazine)
|
382
|
12
|
Start
|
Mid
|
340
|
Brian Collins (designer)
|
378
|
12
|
C
|
Low
|
341
|
Inkie
|
377
|
12
|
Start
|
Mid
|
342
|
Jeffrey Heer
|
374
|
12
|
Start
|
Unknown
|
343
|
Tom Geismar
|
370
|
12
|
Stub
|
Unknown
|
344
|
Ben Fry
|
366
|
12
|
Start
|
Mid
|
345
|
Zuzana Licko
|
365
|
12
|
C
|
Low
|
346
|
Pablo Ferro
|
365
|
12
|
C
|
Low
|
347
|
The Beatles Illustrated Lyrics
|
365
|
12
|
Start
|
Low
|
348
|
Comprehensive layout
|
364
|
12
|
Start
|
Mid
|
349
|
Dard Hunter
|
364
|
12
|
Start
|
Low
|
350
|
National Design Awards
|
363
|
12
|
List
|
Mid
|
351
|
Amos Paul Kennedy Jr.
|
362
|
12
|
C
|
Unknown
|
352
|
Rajie Cook
|
360
|
12
|
C
|
Low
|
353
|
Silicon Graphics Image
|
359
|
11
|
Start
|
Low
|
354
|
Graphics coordinator
|
359
|
11
|
Start
|
Low
|
355
|
Hightower Text
|
357
|
11
|
Start
|
Low
|
356
|
Web content development
|
356
|
11
|
Start
|
Mid
|
357
|
Will H. Bradley
|
356
|
11
|
Start
|
Low
|
358
|
DTP artist
|
356
|
11
|
Stub
|
Low
|
359
|
Paul Kuhr
|
351
|
11
|
Start
|
Low
|
360
|
E. C. Stoner
|
351
|
11
|
GA
|
Low
|
361
|
German Design Award
|
349
|
11
|
Start
|
Low
|
362
|
Away3D
|
347
|
11
|
B
|
Low
|
363
|
You mean a woman can open it?
|
347
|
11
|
Start
|
Low
|
364
|
Solidarity logo
|
346
|
11
|
Stub
|
Low
|
365
|
Python Anghelo
|
346
|
11
|
Start
|
Low
|
366
|
PicMonkey
|
346
|
11
|
Stub
|
Low
|
367
|
Jean-Pascal Fournier
|
346
|
11
|
Stub
|
Unknown
|
368
|
Lella Vignelli
|
344
|
11
|
B
|
Mid
|
369
|
Mick Haggerty
|
344
|
11
|
Stub
|
Unknown
|
370
|
ACiD Productions
|
342
|
11
|
Start
|
Low
|
371
|
Ernie Cefalu
|
341
|
11
|
Start
|
Low
|
372
|
Lance Wyman
|
338
|
11
|
Start
|
Unknown
|
373
|
Annie Atkins
|
337
|
11
|
Start
|
Low
|
374
|
Karlsruhe University of Arts and Design
|
335
|
11
|
C
|
Low
|
375
|
European Design Awards
|
335
|
11
|
Stub
|
Low
|
376
|
3D Slash
|
331
|
11
|
Start
|
Low
|
377
|
Screen space directional occlusion
|
330
|
11
|
Stub
|
Low
|
378
|
Nebiolo Printech
|
329
|
10
|
Start
|
Low
|
379
|
Emigre Fonts
|
328
|
10
|
Start
|
Low
|
380
|
Earnest Elmo Calkins
|
328
|
10
|
C
|
Mid
|
381
|
Bob Noorda
|
327
|
10
|
C
|
Mid
|
382
|
R. O. Blechman
|
325
|
10
|
Start
|
Low
|
383
|
Dori Tunstall
|
325
|
10
|
C
|
High
|
384
|
John & Paul & Ringo & George
|
322
|
10
|
Stub
|
Low
|
385
|
Peter Corriston
|
319
|
10
|
Stub
|
Low
|
386
|
Ruth Ansel
|
312
|
10
|
Start
|
Low
|
387
|
John Gilroy (artist)
|
307
|
10
|
Stub
|
Low
|
388
|
Edward Fella
|
306
|
10
|
Start
|
Mid
|
389
|
Golan Levin
|
305
|
10
|
C
|
Low
|
390
|
Willem Sandberg
|
302
|
10
|
Start
|
Unknown
|
391
|
23 Envelope
|
299
|
9
|
Start
|
Low
|
392
|
User experience evaluation
|
299
|
9
|
Start
|
Low
|
393
|
Leif Podhajsky
|
298
|
9
|
Start
|
Mid
|
394
|
Tobidashi Bōya
|
297
|
9
|
C
|
Low
|
395
|
Lester Beall
|
296
|
9
|
Stub
|
Mid
|
396
|
Lettering guide
|
295
|
9
|
Start
|
Low
|
397
|
Image fidelity
|
295
|
9
|
Start
|
Low
|
398
|
Seashore (software)
|
290
|
9
|
Start
|
Low
|
399
|
Muriel Cooper
|
289
|
9
|
C
|
Unknown
|
400
|
Gudrun Zapf von Hesse
|
288
|
9
|
B
|
Low
|
401
|
Fumism
|
286
|
9
|
B
|
Mid
|
402
|
Mark Farrow
|
283
|
9
|
Start
|
Mid
|
403
|
William Rose (illustrator)
|
281
|
9
|
GA
|
Low
|
404
|
Best Art Vinyl
|
277
|
9
|
List
|
Low
|
405
|
International Council of Design
|
274
|
9
|
Start
|
Mid
|
406
|
Thomas Spitzer
|
272
|
9
|
Start
|
Low
|
407
|
Joseph Binder (graphic designer)
|
272
|
9
|
C
|
Low
|
408
|
Ladislav Sutnar
|
271
|
9
|
Stub
|
Low
|
409
|
Boxology
|
271
|
9
|
Start
|
Low
|
410
|
Curve (tonality)
|
269
|
8
|
Stub
|
Mid
|
411
|
Bob Cato
|
267
|
8
|
Start
|
Low
|
412
|
Oswald Bruce Cooper
|
260
|
8
|
B
|
Low
|
413
|
Georg Olden (graphic designer)
|
260
|
8
|
Stub
|
Low
|
414
|
Visual variable
|
258
|
8
|
C
|
Mid
|
415
|
Saffron Brand Consultants
|
254
|
8
|
Start
|
Mid
|
416
|
Boutros Advertisers Naskh
|
253
|
8
|
Start
|
Unknown
|
417
|
Bob Gill (artist)
|
252
|
8
|
Start
|
Low
|
418
|
Alvin Lustig
|
252
|
8
|
Start
|
Unknown
|
419
|
Piet Zwart
|
251
|
8
|
Start
|
Low
|
420
|
Cipe Pineles
|
250
|
8
|
Start
|
High
|
421
|
Rudolph Ruzicka
|
249
|
8
|
Start
|
Low
|
422
|
Tom Eckersley
|
248
|
8
|
C
|
Unknown
|
423
|
Jan van Krimpen
|
247
|
8
|
Start
|
Mid
|
424
|
KSS Design Group
|
247
|
8
|
Start
|
Low
|
425
|
MtPaint
|
246
|
8
|
C
|
Low
|
426
|
Design Professionals of Canada
|
245
|
8
|
Start
|
Low
|
427
|
Giorgia Lupi
|
244
|
8
|
Start
|
Low
|
428
|
Cey Adams
|
241
|
8
|
C
|
Low
|
429
|
Invisible Creature
|
236
|
7
|
Stub
|
Low
|
430
|
Jerry Dior
|
236
|
7
|
Start
|
Low
|
431
|
Creative brief
|
234
|
7
|
Start
|
Low
|
432
|
Paul Sahre
|
234
|
7
|
Start
|
Low
|
433
|
Soren Iverson
|
232
|
7
|
Start
|
Low
|
434
|
Student design competition
|
227
|
7
|
Start
|
Low
|
435
|
Corporate design
|
227
|
7
|
Redirect
|
Mid
|
436
|
Unimark International
|
227
|
7
|
Start
|
Low
|
437
|
Giovanni Pintori
|
227
|
7
|
Start
|
Mid
|
438
|
Bruce Rogers (typographer)
|
225
|
7
|
Start
|
Mid
|
439
|
Gui Bonsiepe
|
225
|
7
|
Stub
|
Unknown
|
440
|
Louis Oppenheim
|
224
|
7
|
Start
|
Low
|
441
|
Safiya al Bahlani
|
224
|
7
|
Start
|
Low
|
442
|
Web template
|
223
|
7
|
Redirect
|
NA
|
443
|
Henryk Tomaszewski (poster artist)
|
221
|
7
|
Start
|
Low
|
444
|
Brett Wickens
|
220
|
7
|
Start
|
Low
|
445
|
Porter Garnett
|
220
|
7
|
Start
|
Low
|
446
|
Rudy VanderLans
|
219
|
7
|
Stub
|
Unknown
|
447
|
List of AIGA medalists
|
218
|
7
|
List
|
Unknown
|
448
|
Daniel Berkeley Updike
|
217
|
7
|
Start
|
Low
|
449
|
Artwork (graphic arts)
|
217
|
7
|
Stub
|
Mid
|
450
|
Gail Anderson (graphic designer)
|
217
|
7
|
C
|
Low
|
451
|
Matrix (typeface)
|
217
|
7
|
Start
|
Unknown
|
452
|
Television presentation
|
216
|
7
|
Start
|
Low
|
453
|
Philip B. Meggs
|
216
|
7
|
Start
|
Mid
|
454
|
Deborah Sussman
|
216
|
7
|
C
|
Low
|
455
|
Out of Home Advertising Association of America
|
216
|
7
|
Stub
|
Low
|
456
|
Lo-Type
|
215
|
7
|
Stub
|
Low
|
457
|
Hans Hilfiker
|
214
|
7
|
C
|
Mid
|
458
|
Michael Cho (illustrator)
|
214
|
7
|
Stub
|
Low
|
459
|
List of Art on the Underground Tube map covers
|
214
|
7
|
List
|
Unknown
|
460
|
Quentin Fiore
|
213
|
7
|
C
|
Low
|
461
|
Margo Chase
|
212
|
7
|
C
|
Low
|
462
|
William Golden (graphic designer)
|
211
|
7
|
C
|
Low
|
463
|
Fatpaint
|
211
|
7
|
Start
|
Low
|
464
|
News Bunny
|
210
|
7
|
Start
|
Low
|
465
|
P. Scott Makela
|
210
|
7
|
C
|
Low
|
466
|
Colin Forbes (graphic designer)
|
210
|
7
|
Stub
|
Mid
|
467
|
Artkraft Strauss
|
207
|
6
|
Start
|
Low
|
468
|
Melbert B. Cary Jr.
|
206
|
6
|
Start
|
Low
|
469
|
Angela Guzman
|
206
|
6
|
Start
|
Unknown
|
470
|
Marian Bantjes
|
205
|
6
|
Start
|
Low
|
471
|
Yorgo Tloupas
|
205
|
6
|
B
|
Low
|
472
|
Impossible Dream (advertisement)
|
204
|
6
|
Start
|
Low
|
473
|
Michael Wolff (graphic designer)
|
204
|
6
|
Stub
|
Low
|
474
|
Emily Oberman
|
204
|
6
|
C
|
Low
|
475
|
Carlo Vivarelli
|
204
|
6
|
Stub
|
Unknown
|
476
|
David Plunkert
|
203
|
6
|
Stub
|
Unknown
|
477
|
Alliance Graphique Internationale
|
203
|
6
|
Stub
|
Low
|
478
|
Matrix Feminist Design Co-operative
|
203
|
6
|
C
|
Low
|
479
|
Deena Mohamed
|
203
|
6
|
C
|
Low
|
480
|
Kozyndan
|
200
|
6
|
Start
|
Low
|
481
|
Carnegie Mellon School of Design
|
200
|
6
|
Start
|
Mid
|
482
|
Jacqueline Casey
|
199
|
6
|
C
|
Unknown
|
483
|
Jessica Helfand
|
197
|
6
|
Start
|
Unknown
|
484
|
Ammunition Design Group
|
197
|
6
|
Start
|
Low
|
485
|
Nick de Ville
|
197
|
6
|
Start
|
Unknown
|
486
|
Michael Rock (graphic designer)
|
196
|
6
|
Start
|
Low
|
487
|
Erik Nitsche
|
195
|
6
|
Stub
|
Unknown
|
488
|
Pulsonix
|
195
|
6
|
Start
|
Unknown
|
489
|
Gilbert (typeface)
|
195
|
6
|
Start
|
Low
|
490
|
Michael Patrick Cronan
|
194
|
6
|
C
|
Low
|
491
|
Neue Grafik
|
192
|
6
|
Start
|
Low
|
492
|
Rolf Weijburg
|
191
|
6
|
Start
|
Unknown
|
493
|
David Costa (graphic designer)
|
189
|
6
|
Start
|
Low
|
494
|
Neal Layton
|
189
|
6
|
Stub
|
Low
|
495
|
TVBoy
|
188
|
6
|
Start
|
Low
|
496
|
Joseph Blumenthal (printer)
|
187
|
6
|
C
|
Mid
|
497
|
Chemical X (artist)
|
186
|
6
|
Start
|
Unknown
|
498
|
Kiyoshi Awazu
|
186
|
6
|
C
|
Low
|
499
|
Tony Lane
|
185
|
6
|
Stub
|
Low
|
500
|
Steve Jenkins (author)
|
185
|
6
|
C
|
Low
|
501
|
Roger Black (graphic designer)
|
182
|
6
|
Start
|
Low
|
502
|
Syd Mead's Terraforming
|
182
|
6
|
Stub
|
Low
|
503
|
Poster Museum, Wilanów
|
181
|
6
|
Start
|
Unknown
|
504
|
Bruce Blackburn
|
181
|
6
|
Start
|
Low
|
505
|
Jay Alders
|
179
|
5
|
C
|
Low
|
506
|
John Casado
|
179
|
5
|
Start
|
Mid
|
507
|
JPEGmini
|
179
|
5
|
Start
|
Low
|
508
|
Xanti Schawinsky
|
179
|
5
|
Start
|
Unknown
|
509
|
Michael Schwab (designer)
|
179
|
5
|
Stub
|
Unknown
|
510
|
M & Co. (design firm)
|
177
|
5
|
Start
|
Mid
|
511
|
Walter Herdeg
|
177
|
5
|
B
|
Mid
|
512
|
Digital typography
|
176
|
5
|
Redirect
|
NA
|
513
|
Rick Poynor
|
176
|
5
|
Stub
|
Low
|
514
|
Michael Doret
|
176
|
5
|
Start
|
Low
|
515
|
RAWGraphs
|
175
|
5
|
Start
|
Low
|
516
|
Papervision3D
|
174
|
5
|
Start
|
Unknown
|
517
|
Rudolf Modley
|
174
|
5
|
C
|
Unknown
|
518
|
Ray-traced ambient occlusion
|
174
|
5
|
Stub
|
Low
|
519
|
Antonio Peticov
|
174
|
5
|
C
|
Low
|
520
|
Derek Birdsall
|
172
|
5
|
Start
|
Low
|
521
|
Dan Friedman (graphic designer)
|
172
|
5
|
Start
|
Mid
|
522
|
Lida Lopes Cardozo Kindersley
|
171
|
5
|
C
|
Unknown
|
523
|
Max Huber (graphic designer)
|
169
|
5
|
Start
|
Mid
|
524
|
Hisui Sugiura
|
168
|
5
|
Start
|
Mid
|
525
|
Kii Arens
|
168
|
5
|
C
|
Unknown
|
526
|
MetaDesign
|
167
|
5
|
Start
|
Low
|
527
|
Jim Silke
|
167
|
5
|
Stub
|
Low
|
528
|
Paul Giambarba
|
166
|
5
|
Start
|
Low
|
529
|
E-Types
|
166
|
5
|
Stub
|
Low
|
530
|
Vignelli Associates
|
166
|
5
|
C
|
High
|
531
|
International Design Awards
|
165
|
5
|
Stub
|
Low
|
532
|
Art Chantry
|
163
|
5
|
Start
|
Mid
|
533
|
Philippe Apeloig
|
163
|
5
|
Start
|
Mid
|
534
|
Noiseless
|
163
|
5
|
Start
|
Low
|
535
|
Art Directors Club Hall of Fame
|
162
|
5
|
List
|
Low
|
536
|
Simon Halfon
|
160
|
5
|
Stub
|
Low
|
537
|
Ootje Oxenaar
|
160
|
5
|
Stub
|
Unknown
|
538
|
Richard Hollis
|
159
|
5
|
Stub
|
Unknown
|
539
|
Zoltron
|
158
|
5
|
C
|
Unknown
|
540
|
FXT1
|
157
|
5
|
Start
|
Low
|
541
|
MatterHackers
|
157
|
5
|
Start
|
Low
|
542
|
Jugate
|
156
|
5
|
C
|
Low
|
543
|
Abraham Nathanson
|
153
|
5
|
Start
|
Low
|
544
|
Mehemed Fehmy Agha
|
153
|
5
|
Start
|
Mid
|
545
|
Samuel Burgess-Johnson
|
152
|
5
|
Start
|
Low
|
546
|
Bob Pepper (illustrator)
|
152
|
5
|
Start
|
Low
|
547
|
Marc Tedeschi
|
152
|
5
|
Start
|
Unknown
|
548
|
Kim Rees
|
151
|
5
|
Start
|
Unknown
|
549
|
Marc Balet
|
151
|
5
|
Start
|
Low
|
550
|
Lou Dorfsman
|
150
|
5
|
Start
|
Low
|
551
|
Reynold Ruffins
|
149
|
4
|
C
|
Low
|
552
|
Sun Raster
|
149
|
4
|
Start
|
Low
|
553
|
Henry Lewis Bullen
|
148
|
4
|
Start
|
Low
|
554
|
John J. Graham
|
147
|
4
|
Start
|
Unknown
|
555
|
Paul Barnes (designer)
|
147
|
4
|
Start
|
Low
|
556
|
Norman Ives
|
146
|
4
|
C
|
Low
|
557
|
Eulindra Lim
|
145
|
4
|
Start
|
Low
|
558
|
Graphex
|
144
|
4
|
Redirect
|
NA
|
559
|
Piotr Młodożeniec
|
144
|
4
|
Stub
|
Unknown
|
560
|
The Gehenna Press
|
144
|
4
|
C
|
Low
|
561
|
First Things First 2000 manifesto
|
143
|
4
|
Start
|
Low
|
562
|
Sandy Dvore
|
143
|
4
|
Start
|
Low
|
563
|
May Massee
|
143
|
4
|
C
|
Unknown
|
564
|
Gaston Redon
|
143
|
4
|
Start
|
Low
|
565
|
Elaine Lustig Cohen
|
143
|
4
|
C
|
Low
|
566
|
Representative image
|
142
|
4
|
Stub
|
Low
|
567
|
List of Adobe Flash software
|
141
|
4
|
List
|
Low
|
568
|
Eli Gross
|
141
|
4
|
C
|
Unknown
|
569
|
Noémi Raymond
|
140
|
4
|
C
|
Low
|
570
|
Lee Moyer
|
139
|
4
|
C
|
Low
|
571
|
William S. Harvey
|
139
|
4
|
Start
|
Low
|
572
|
Patrick Clair
|
139
|
4
|
C
|
Low
|
573
|
Rack card
|
138
|
4
|
Stub
|
Low
|
574
|
Frank Parkinson Newbould
|
138
|
4
|
Stub
|
Low
|
575
|
Jane Davis Doggett
|
138
|
4
|
Start
|
Unknown
|
576
|
Bea Feitler
|
137
|
4
|
Start
|
Low
|
577
|
Yiying Lu
|
137
|
4
|
C
|
Unknown
|
578
|
Paul Shaw (design historian)
|
132
|
4
|
Stub
|
Low
|
579
|
Object co-segmentation
|
132
|
4
|
C
|
Low
|
580
|
Marina Willer
|
132
|
4
|
Stub
|
Unknown
|
581
|
Steven Brower
|
131
|
4
|
Start
|
Low
|
582
|
John Gall (designer)
|
131
|
4
|
Start
|
Low
|
583
|
Timothy Cole
|
128
|
4
|
Start
|
Low
|
584
|
J. Abbott Miller
|
128
|
4
|
Start
|
Low
|
585
|
Italpinas
|
128
|
4
|
Stub
|
Low
|
586
|
Donald M. Anderson
|
127
|
4
|
Start
|
Low
|
587
|
Armando Testa
|
127
|
4
|
C
|
Low
|
588
|
E-Lab
|
127
|
4
|
B
|
Unknown
|
589
|
Woody Pirtle
|
126
|
4
|
Start
|
Low
|
590
|
Design School Kolding
|
126
|
4
|
Start
|
Unknown
|
591
|
The Ant Farm
|
125
|
4
|
Stub
|
Low
|
592
|
Hans Schleger
|
125
|
4
|
C
|
Mid
|
593
|
Khoi Vinh
|
124
|
4
|
Stub
|
Low
|
594
|
Nabil Abou-Harb
|
124
|
4
|
C
|
Low
|
595
|
Marthe Rajchman
|
124
|
4
|
B
|
Unknown
|
596
|
National Library Symbol
|
124
|
4
|
Start
|
Unknown
|
597
|
Arnold Armitage
|
123
|
4
|
Stub
|
Low
|
598
|
Steve Duenes
|
123
|
4
|
Start
|
Low
|
599
|
Tony Chambers
|
122
|
4
|
C
|
Mid
|
600
|
Katherine McCoy
|
121
|
4
|
B
|
High
|
601
|
Kōhei Sugiura
|
121
|
4
|
Unknown
|
Unknown
|
602
|
Bruno Monguzzi
|
120
|
4
|
Start
|
Unknown
|
603
|
Mackey Saturday
|
120
|
4
|
Start
|
Mid
|
604
|
Inge Druckrey
|
119
|
3
|
Start
|
Low
|
605
|
Antigirl
|
119
|
3
|
C
|
Low
|
606
|
Franzisca Baruch
|
119
|
3
|
GA
|
Low
|
607
|
Edley ODowd
|
118
|
3
|
Start
|
Low
|
608
|
Ernst Bettler
|
117
|
3
|
Start
|
Low
|
609
|
Andrew Blauvelt
|
117
|
3
|
Start
|
Low
|
610
|
Mirko Hanák
|
117
|
3
|
Stub
|
Low
|
611
|
Rod Dyer
|
116
|
3
|
Stub
|
Low
|
612
|
The Longing for Less
|
116
|
3
|
Stub
|
Low
|
613
|
Patrice Murciano
|
116
|
3
|
Start
|
Low
|
614
|
Burkey Belser
|
114
|
3
|
Start
|
Low
|
615
|
Will Burtin
|
114
|
3
|
B
|
Mid
|
616
|
Malcolm Grear
|
113
|
3
|
Start
|
Low
|
617
|
Carbone Smolan Agency
|
113
|
3
|
C
|
Low
|
618
|
Mikhail Sokolov
|
113
|
3
|
Start
|
Low
|
619
|
Rudolph de Harak
|
110
|
3
|
Start
|
Low
|
620
|
Thomas Maitland Cleland
|
110
|
3
|
Start
|
Low
|
621
|
Demian Conrad
|
110
|
3
|
C
|
Unknown
|
622
|
Dennis Ichiyama
|
109
|
3
|
Start
|
Unknown
|
623
|
Romana Javitz
|
109
|
3
|
C
|
Low
|
624
|
Hansje van Halem
|
107
|
3
|
Start
|
Low
|
625
|
Lawrence C. Wroth
|
106
|
3
|
C
|
Low
|
626
|
James Victore
|
106
|
3
|
Stub
|
Unknown
|
627
|
Lucille Tenazas
|
106
|
3
|
C
|
Low
|
628
|
Robert E. Pearlman
|
106
|
3
|
C
|
Low
|
629
|
Bayer Cross Leverkusen
|
105
|
3
|
Redirect
|
Low
|
630
|
Kevin Reagan
|
105
|
3
|
Stub
|
Low
|
631
|
It is. A Magazine for Abstract Art
|
104
|
3
|
B
|
Low
|
632
|
Modern College of Design
|
102
|
3
|
Stub
|
Low
|
633
|
Chepman and Myllar Press
|
102
|
3
|
C
|
Low
|
634
|
Clement Mok
|
101
|
3
|
Stub
|
Low
|
635
|
Epica Awards
|
101
|
3
|
Start
|
Low
|
636
|
Matt Gondek
|
101
|
3
|
Start
|
Low
|
637
|
8vo (design)
|
99
|
3
|
Stub
|
Low
|
638
|
Carin Goldberg
|
99
|
3
|
Start
|
Low
|
639
|
Jennifer Morla
|
98
|
3
|
C
|
Low
|
640
|
Amanda Marie
|
98
|
3
|
C
|
Unknown
|
641
|
Pegasus (artist)
|
97
|
3
|
Start
|
Low
|
642
|
Michael Hertz Associates
|
96
|
3
|
Start
|
Low
|
643
|
ICE Advertisements
|
95
|
3
|
Start
|
Low
|
644
|
Germano Facetti
|
95
|
3
|
Stub
|
Low
|
645
|
ANY (magazine)
|
95
|
3
|
Stub
|
Low
|
646
|
Adrian Shaughnessy
|
95
|
3
|
C
|
Low
|
647
|
Karl Bickel
|
94
|
3
|
C
|
Low
|
648
|
Rick Griffith
|
94
|
3
|
Unknown
|
Unknown
|
649
|
Officina Bodoni
|
93
|
3
|
Start
|
Low
|
650
|
Fré Cohen
|
93
|
3
|
Start
|
Low
|
651
|
Rosmarie Tissi
|
92
|
3
|
Stub
|
Unknown
|
652
|
Matt Willey
|
92
|
3
|
Stub
|
Low
|
653
|
Roy Kuhlman
|
91
|
3
|
Start
|
Low
|
654
|
Janet Froelich
|
91
|
3
|
Start
|
Low
|
655
|
Alexander Isley
|
90
|
3
|
Start
|
Low
|
656
|
Hans Rudi Erdt
|
90
|
3
|
Start
|
Unknown
|
657
|
A Smile in the Mind
|
90
|
3
|
Start
|
Unknown
|
658
|
See Red Women's Workshop
|
90
|
3
|
Start
|
Unknown
|
659
|
Lisa Strausfeld
|
89
|
2
|
C
|
Low
|
660
|
Sons of Chaos
|
89
|
2
|
C
|
Low
|
661
|
Association of Registered Graphic Designers
|
88
|
2
|
Start
|
Low
|
662
|
Autonomous Design Group
|
88
|
2
|
Stub
|
Unknown
|
663
|
Dawn Baillie
|
88
|
2
|
Start
|
Low
|
664
|
Peter Seitz
|
87
|
2
|
Start
|
Low
|
665
|
Jurriaan Schrofer
|
87
|
2
|
Stub
|
Unknown
|
666
|
Bitmap textures
|
86
|
2
|
Stub
|
Low
|
667
|
Astrid Stavro
|
86
|
2
|
Start
|
Low
|
668
|
George Tscherny
|
86
|
2
|
Start
|
Mid
|
669
|
Louise Sandhaus
|
86
|
2
|
Start
|
Mid
|
670
|
Kit Hinrichs
|
86
|
2
|
C
|
Low
|
671
|
Gordon Andrews (industrial designer)
|
86
|
2
|
C
|
Mid
|
672
|
JESS3
|
85
|
2
|
Start
|
Low
|
673
|
Tony DiSpigna
|
85
|
2
|
Start
|
Low
|
674
|
Nicolas Henchoz
|
85
|
2
|
Start
|
Unknown
|
675
|
Jaap Drupsteen
|
83
|
2
|
Stub
|
Unknown
|
676
|
Colorway
|
83
|
2
|
Redirect
|
NA
|
677
|
Deborah Adler
|
83
|
2
|
Start
|
Low
|
678
|
Swiss Design Awards
|
83
|
2
|
Start
|
Low
|
679
|
Tomoko Miho
|
82
|
2
|
Start
|
Low
|
680
|
Alexis Georgacopoulos
|
82
|
2
|
Start
|
Low
|
681
|
Eric Thake
|
81
|
2
|
C
|
Low
|
682
|
Decorative Designers
|
81
|
2
|
Start
|
Low
|
683
|
Bram de Does
|
80
|
2
|
Start
|
Mid
|
684
|
Gene Federico
|
80
|
2
|
Start
|
Low
|
685
|
Leon Friend
|
80
|
2
|
Start
|
Low
|
686
|
Foka Wolf
|
80
|
2
|
B
|
Low
|
687
|
Jer Thorp
|
79
|
2
|
Start
|
Unknown
|
688
|
Tom Carnase
|
79
|
2
|
C
|
Low
|
689
|
Web button
|
78
|
2
|
Redirect
|
Low
|
690
|
Trevor Johnson (designer)
|
77
|
2
|
Stub
|
Unknown
|
691
|
Henry Watson Kent
|
76
|
2
|
C
|
Low
|
692
|
Chrysler Design Award
|
75
|
2
|
List
|
Low
|
693
|
Bob Salpeter
|
75
|
2
|
Start
|
Low
|
694
|
Stefanie Posavec
|
75
|
2
|
Start
|
Unknown
|
695
|
William Drenttel
|
74
|
2
|
Start
|
Low
|
696
|
Dennis Kois
|
74
|
2
|
Start
|
Low
|
697
|
Angus Hyland
|
74
|
2
|
Start
|
Low
|
698
|
Patrick Thomas (graphic artist)
|
73
|
2
|
Start
|
Low
|
699
|
Clive Piercy
|
73
|
2
|
C
|
Low
|
700
|
Hussain Almossawi
|
73
|
2
|
C
|
Low
|
701
|
The Blockhouse of Boston
|
73
|
2
|
C
|
Low
|
702
|
Lou Nolan (artist)
|
73
|
2
|
Start
|
Unknown
|
703
|
Helene Nonné-Schmidt
|
73
|
2
|
Start
|
Low
|
704
|
Sue Crolick
|
73
|
2
|
B
|
Low
|
705
|
Will Ransom
|
72
|
2
|
Start
|
Low
|
706
|
Art Sims
|
72
|
2
|
Start
|
Unknown
|
707
|
Deva Pardue
|
72
|
2
|
Start
|
Unknown
|
708
|
Basmah Felemban
|
72
|
2
|
Start
|
Low
|
709
|
Jan Młodożeniec
|
70
|
2
|
Stub
|
Unknown
|
710
|
Urso Chappell
|
70
|
2
|
Stub
|
Low
|
711
|
Stefan G. Bucher
|
69
|
2
|
C
|
Low
|
712
|
Michael Vanderbyl
|
69
|
2
|
Stub
|
Low
|
713
|
Document composition
|
69
|
2
|
Stub
|
Mid
|
714
|
Linked by Air
|
69
|
2
|
C
|
High
|
715
|
Fons Hickmann
|
68
|
2
|
Start
|
Low
|
716
|
Guo Chunning
|
68
|
2
|
Stub
|
Unknown
|
717
|
Louis Silverstein
|
68
|
2
|
Stub
|
Low
|
718
|
Julia Hasting
|
68
|
2
|
C
|
Unknown
|
719
|
Jan V. White
|
67
|
2
|
Start
|
Low
|
720
|
Michael Gericke
|
67
|
2
|
C
|
Low
|
721
|
Jianping He
|
67
|
2
|
C
|
Unknown
|
722
|
Ivan Ivanitsky
|
67
|
2
|
Start
|
Low
|
723
|
Robert Blakeley
|
66
|
2
|
C
|
Low
|
724
|
Ougrapo
|
65
|
2
|
Stub
|
Unknown
|
725
|
Alan Peckolick
|
65
|
2
|
Start
|
Unknown
|
726
|
Visualizer (advertising)
|
64
|
2
|
Redirect
|
Low
|
727
|
Thomas Letts
|
64
|
2
|
Start
|
Low
|
728
|
Base Design
|
64
|
2
|
Stub
|
Unknown
|
729
|
Span (design firm)
|
64
|
2
|
Start
|
High
|
730
|
Morton Goldsholl Associates
|
63
|
2
|
Start
|
Low
|
731
|
Dorothy E. Hayes
|
63
|
2
|
C
|
Mid
|
732
|
Makoto Saitō (designer)
|
62
|
2
|
Stub
|
Low
|
733
|
Ron Miriello
|
62
|
2
|
C
|
Low
|
734
|
Sandra Eisert
|
62
|
2
|
B
|
Mid
|
735
|
WireframeSketcher
|
62
|
2
|
Start
|
Low
|
736
|
John G. Agar (lawyer)
|
62
|
2
|
Start
|
Low
|
737
|
Moses Bahelfer
|
62
|
2
|
Start
|
Unknown
|
738
|
Fra Paalman
|
62
|
2
|
C
|
Low
|
739
|
Jennifer Kinon
|
61
|
2
|
Stub
|
Unknown
|
740
|
Assil Diab
|
61
|
2
|
Start
|
Low
|
741
|
Lorraine Wild
|
60
|
2
|
Start
|
Low
|
742
|
Robert Rabinowitz
|
60
|
2
|
Stub
|
Low
|
743
|
Adobe Photoshop CS5 Macintosh
|
60
|
2
|
Redirect
|
NA
|
744
|
Jarlath Hayes
|
60
|
2
|
Start
|
Low
|
745
|
David Berman (graphic designer)
|
59
|
1
|
Start
|
Low
|
746
|
Harrie Geelen
|
59
|
1
|
Stub
|
Unknown
|
747
|
Paul Soulellis
|
59
|
1
|
C
|
Low
|
748
|
Fabrizio Schiavi
|
59
|
1
|
Start
|
Low
|
749
|
Söre Popitz
|
59
|
1
|
Start
|
Low
|
750
|
Carl Fischer (photographer)
|
59
|
1
|
C
|
Low
|
751
|
Jakup Ferri (artist)
|
59
|
1
|
Start
|
Low
|
752
|
Doremus & Co.
|
58
|
1
|
Stub
|
Low
|
753
|
Mag+
|
58
|
1
|
C
|
Low
|
754
|
Semi-Permanent
|
58
|
1
|
Start
|
Low
|
755
|
O'Plérou
|
58
|
1
|
Stub
|
Low
|
756
|
Olga Kaljakin
|
57
|
1
|
Stub
|
Low
|
757
|
Graphical time warping
|
57
|
1
|
C
|
Low
|
758
|
Dafi Kühne
|
57
|
1
|
C
|
Low
|
759
|
Adam and Sophie Gimbel Design Library
|
56
|
1
|
Stub
|
Low
|
760
|
Independent Publishing Resource Center
|
56
|
1
|
Start
|
Low
|
761
|
Vicente Rojo Almazán
|
56
|
1
|
Stub
|
Unknown
|
762
|
Rufus Segar
|
56
|
1
|
Stub
|
Low
|
763
|
Number Seventeen (design)
|
55
|
1
|
Stub
|
Unknown
|
764
|
Sony Ziris
|
55
|
1
|
Start
|
Mid
|
765
|
The Electronic Font Foundry
|
55
|
1
|
Stub
|
Low
|
766
|
Clarence P. Hornung
|
55
|
1
|
Start
|
Low
|
767
|
Template generator
|
55
|
1
|
Start
|
High
|
768
|
Roland Hobart
|
55
|
1
|
C
|
Mid
|
769
|
Rob Roy Kelly
|
55
|
1
|
Start
|
Low
|
770
|
The History of Graphic Design
|
55
|
1
|
Start
|
Low
|
771
|
Francesco Torniello
|
54
|
1
|
Start
|
Low
|
772
|
Simon C. Page
|
54
|
1
|
Start
|
Low
|
773
|
LiveQuartz
|
53
|
1
|
Start
|
Low
|
774
|
Raymond Ameijide
|
52
|
1
|
Stub
|
Low
|
775
|
Gamma Epsilon Tau
|
52
|
1
|
Start
|
Unknown
|
776
|
Hugo Puttaert
|
52
|
1
|
Start
|
Low
|
777
|
Lora Lamm
|
52
|
1
|
B
|
Low
|
778
|
Trickett & Webb
|
51
|
1
|
Unknown
|
Unknown
|
779
|
Jauhien Kulik
|
51
|
1
|
Start
|
Low
|
780
|
Stempel Schneidler
|
51
|
1
|
Start
|
Unknown
|
781
|
Ben Blank
|
50
|
1
|
Start
|
Low
|
782
|
75B
|
50
|
1
|
Start
|
Low
|
783
|
Mike Warren (designer)
|
50
|
1
|
C
|
Unknown
|
784
|
Jo Mazelis
|
50
|
1
|
C
|
Mid
|
785
|
Rick Valicenti
|
50
|
1
|
C
|
High
|
786
|
Signal (typeface)
|
49
|
1
|
Start
|
Low
|
787
|
Carl Max Schultheiss
|
49
|
1
|
Start
|
Low
|
788
|
Lorraine Louie
|
49
|
1
|
Stub
|
Low
|
789
|
Gideon Amichay
|
48
|
1
|
Start
|
Low
|
790
|
Hans Neuburg
|
48
|
1
|
Stub
|
Unknown
|
791
|
Michael Manwaring
|
48
|
1
|
Start
|
Low
|
792
|
Michael Mabry
|
48
|
1
|
Stub
|
Unknown
|
793
|
Agrafka Creative Workshop
|
48
|
1
|
Start
|
Low
|
794
|
Noel Martin
|
47
|
1
|
Start
|
Low
|
795
|
Tod Lippy
|
47
|
1
|
C
|
Low
|
796
|
Emmett McBain
|
47
|
1
|
Start
|
Unknown
|
797
|
Friedrich Kurt Fiedler
|
46
|
1
|
Start
|
Unknown
|
798
|
WRDSMTH
|
46
|
1
|
Start
|
Unknown
|
799
|
Faride Mereb
|
46
|
1
|
Start
|
Unknown
|
800
|
Georgianna Stout
|
46
|
1
|
Start
|
Low
|
801
|
Finn Nygaard
|
46
|
1
|
Start
|
Unknown
|
802
|
Yang Sung-chun
|
46
|
1
|
Start
|
Low
|
803
|
Kijuro Yahagi
|
46
|
1
|
Start
|
Low
|
804
|
Italo Lupi
|
46
|
1
|
Start
|
Low
|
805
|
Strategy visualization
|
45
|
1
|
Stub
|
Low
|
806
|
Michael Hendrix
|
45
|
1
|
C
|
Low
|
807
|
Gene Greif
|
45
|
1
|
Stub
|
Low
|
808
|
Laurie Haycock Makela
|
45
|
1
|
C
|
Low
|
809
|
Pablo Martín (graphic designer)
|
45
|
1
|
Start
|
Unknown
|
810
|
Logoworks
|
44
|
1
|
Start
|
Low
|
811
|
Stephen H. Horgan
|
44
|
1
|
Stub
|
Low
|
812
|
Jerome Snyder
|
44
|
1
|
Start
|
Low
|
813
|
Roger Ferriter
|
44
|
1
|
Start
|
Low
|
814
|
The Poster
|
44
|
1
|
Stub
|
Low
|
815
|
Institute of Designers in Ireland
|
44
|
1
|
Start
|
Low
|
816
|
Jost Hochuli
|
44
|
1
|
Start
|
Low
|
817
|
Gruye-Vogt Organization
|
44
|
1
|
Start
|
Low
|
818
|
Rob Carter
|
43
|
1
|
Start
|
Low
|
819
|
Evert Bloemsma
|
43
|
1
|
Start
|
Unknown
|
820
|
Jason Munn
|
43
|
1
|
C
|
Low
|
821
|
Ian Moo-Young
|
43
|
1
|
Start
|
Low
|
822
|
Dorothy Shepard
|
43
|
1
|
Start
|
Unknown
|
823
|
VertigoXmedia
|
42
|
1
|
Stub
|
Low
|
824
|
Burt Goldblatt
|
42
|
1
|
Start
|
Low
|
825
|
Gertrude Huston
|
42
|
1
|
C
|
Low
|
826
|
Noreen Morioka
|
42
|
1
|
Start
|
Unknown
|
827
|
Jayme Odgers
|
41
|
1
|
Stub
|
Low
|
828
|
Don Trousdell
|
41
|
1
|
Start
|
Low
|
829
|
100 Beste Plakate
|
41
|
1
|
Start
|
Low
|
830
|
Jason Pickleman
|
41
|
1
|
Start
|
Unknown
|
831
|
Józef Mroszczak
|
40
|
1
|
Start
|
Unknown
|
832
|
Graphic Thought Facility
|
40
|
1
|
Stub
|
Unknown
|
833
|
Alvin Eisenman
|
40
|
1
|
Stub
|
Low
|
834
|
Gyorgy Bp. Szabo
|
40
|
1
|
Start
|
Low
|
835
|
Advertising Producers Association
|
40
|
1
|
Stub
|
Low
|
836
|
Paul Clark (designer)
|
40
|
1
|
C
|
Unknown
|
837
|
Ismar David
|
40
|
1
|
Stub
|
Low
|
838
|
AutoCollage 2008
|
39
|
1
|
Stub
|
Low
|
839
|
Harmen Liemburg
|
39
|
1
|
Start
|
Unknown
|
840
|
Joel Robinson (graphic designer)
|
39
|
1
|
Start
|
Low
|
841
|
Do Good Design
|
38
|
1
|
Stub
|
Low
|
842
|
Leo Obstbaum
|
38
|
1
|
Start
|
Unknown
|
843
|
Frank Rocholl
|
38
|
1
|
C
|
Low
|
844
|
Catherine Zask
|
38
|
1
|
C
|
Low
|
845
|
Anne-Birthe Hove
|
38
|
1
|
Stub
|
Low
|
846
|
Alfred H. Howard
|
38
|
1
|
Stub
|
Unknown
|
847
|
Paul Dumas
|
38
|
1
|
Start
|
Low
|
848
|
Homer Lee
|
37
|
1
|
Stub
|
Low
|
849
|
Tinc (retail)
|
37
|
1
|
Stub
|
Low
|
850
|
William A. Kittredge
|
37
|
1
|
Start
|
Low
|
851
|
Axel Bertram
|
37
|
1
|
C
|
Unknown
|
852
|
Karmele Leizaola
|
37
|
1
|
C
|
Unknown
|
853
|
Gene Mackles
|
37
|
1
|
Stub
|
Unknown
|
854
|
Harry Lapow
|
36
|
1
|
C
|
Low
|
855
|
Alison Forbes
|
36
|
1
|
C
|
Low
|
856
|
Pieter Brattinga
|
35
|
1
|
Stub
|
Unknown
|
857
|
Lita Talarico
|
35
|
1
|
Start
|
Low
|
858
|
Elmer Adler
|
35
|
1
|
Start
|
Low
|
859
|
Huda Smitshuijzen AbiFarès
|
35
|
1
|
Start
|
Low
|
860
|
Robert L. Leslie
|
34
|
1
|
Start
|
Low
|
861
|
Hiwa Pashaei
|
34
|
1
|
C
|
Low
|
862
|
Nico de Haas
|
33
|
1
|
Stub
|
Unknown
|
863
|
Calori & Vanden-Eynden
|
33
|
1
|
Start
|
Low
|
864
|
Tevfik Fikret Uçar
|
33
|
1
|
Start
|
Low
|
865
|
Jacques Koeweiden
|
33
|
1
|
Start
|
Low
|
866
|
Stratford Press (Cincinnati)
|
33
|
1
|
C
|
Low
|
867
|
Krome photos
|
33
|
1
|
Stub
|
Low
|
868
|
Piet Gerards
|
33
|
1
|
Start
|
Unknown
|
869
|
Rudi Bass
|
32
|
1
|
Start
|
Unknown
|
870
|
Ann Willoughby
|
32
|
1
|
C
|
Low
|
871
|
Monica Ulmanu
|
32
|
1
|
Stub
|
Unknown
|
872
|
Elsa Jernås
|
32
|
1
|
Start
|
Low
|
873
|
Pino Tovaglia
|
31
|
1
|
Start
|
Mid
|
874
|
Michel Wlassikoff
|
31
|
1
|
Stub
|
Low
|
875
|
Wiesław Rosocha
|
30
|
1
|
Stub
|
Low
|
876
|
Gonzalo Tassier
|
30
|
1
|
Unknown
|
Unknown
|
877
|
Fabio Mochi
|
29
|
0
|
Start
|
Low
|
878
|
Meredith Davis
|
29
|
0
|
Start
|
Low
|
879
|
Futuracha Pro
|
29
|
0
|
Stub
|
Low
|
880
|
J. Thomson Willing
|
29
|
0
|
Start
|
Low
|
881
|
Bernie Haynes Robynson
|
29
|
0
|
Start
|
Low
|
882
|
Paul Bennett (typographer)
|
28
|
0
|
Stub
|
Unknown
|
883
|
3D Artist
|
28
|
0
|
Redirect
|
Low
|
884
|
Paul Balin
|
28
|
0
|
Stub
|
Low
|
885
|
Outline of advertising
|
27
|
0
|
List
|
High
|
886
|
Norman Wilson (graphic designer)
|
27
|
0
|
Start
|
Unknown
|
887
|
Sally Carns
|
26
|
0
|
Stub
|
Low
|
888
|
Marget Larsen
|
26
|
0
|
Start
|
Low
|
889
|
Marion Sampler
|
26
|
0
|
C
|
Low
|
890
|
Péter Pócs
|
26
|
0
|
Start
|
Low
|
891
|
Ondine (typeface)
|
26
|
0
|
Unknown
|
Unknown
|
892
|
Anna Sipkema
|
25
|
0
|
C
|
Unknown
|
893
|
Gail Swanlund
|
24
|
0
|
Start
|
Unknown
|
894
|
Alioum Moussa
|
24
|
0
|
Start
|
Low
|
895
|
Stanisław Czerski
|
23
|
0
|
Stub
|
Unknown
|
896
|
Ray Nash
|
23
|
0
|
Start
|
Low
|
897
|
América Sánchez
|
23
|
0
|
Stub
|
Low
|
898
|
Charles Burki
|
23
|
0
|
Stub
|
Low
|
899
|
Arabik Baghdasarian
|
23
|
0
|
Unknown
|
Unknown
|
900
|
Glenn Goluska
|
22
|
0
|
Stub
|
Unknown
|
901
|
Erik Heyl
|
22
|
0
|
Start
|
Unknown
|
902
|
List of trademarks featuring Native Americans
|
21
|
0
|
List
|
Low
|
903
|
Warren Group – Studio Deluxe
|
21
|
0
|
Start
|
Low
|
904
|
Robert Ballagh postage stamp designs
|
21
|
0
|
List
|
Low
|
905
|
Ivo Puhonny
|
20
|
0
|
Start
|
Low
|
906
|
Société des designers graphiques du Québec
|
20
|
0
|
Start
|
Low
|
907
|
Maggie Baylis
|
20
|
0
|
Start
|
Unknown
|
908
|
GumCo
|
20
|
0
|
Stub
|
Low
|
909
|
Ryszard Grzyb
|
20
|
0
|
Stub
|
Low
|
910
|
Karen TenEyck
|
19
|
0
|
Start
|
Unknown
|
911
|
John Charles Norman
|
19
|
0
|
Stub
|
Low
|
912
|
Willy de Majo
|
19
|
0
|
C
|
Unknown
|
913
|
Boudewijn Ietswaart
|
19
|
0
|
C
|
Low
|
914
|
Gerrit Willem Ovink
|
19
|
0
|
Stub
|
Low
|
915
|
Norman T.A. Munder
|
18
|
0
|
C
|
Mid
|
916
|
P. J. Conkwright
|
18
|
0
|
Start
|
Low
|
917
|
Brett Yasko
|
18
|
0
|
C
|
Low
|
918
|
Henrietta Condak
|
18
|
0
|
Start
|
Unknown
|
919
|
Andriy Chebykin
|
18
|
0
|
Start
|
Low
|
920
|
Erkki Ruuhinen
|
17
|
0
|
Start
|
Unknown
|
921
|
Carl Purington Rollins
|
17
|
0
|
Start
|
Low
|
922
|
Claude Perchat
|
17
|
0
|
Unknown
|
Unknown
|
923
|
Communicate: Independent British Graphic Design since the Sixties
|
16
|
0
|
Stub
|
Unknown
|
924
|
The Firecracker Press
|
16
|
0
|
Start
|
Low
|
925
|
Pierre Kleykamp
|
16
|
0
|
Start
|
Unknown
|
926
|
Abel Mignon
|
16
|
0
|
Start
|
Low
|
927
|
Comparison of user features of chatbots
|
16
|
0
|
Redirect
|
NA
|
928
|
Saul Mandel
|
14
|
0
|
Start
|
Low
|
929
|
Edward Epstean
|
14
|
0
|
Start
|
Low
|
930
|
Herbert Temple Jr.
|
13
|
0
|
C
|
Low
|
931
|
Hans Leistikow (artist)
|
12
|
0
|
Start
|
Low
|
932
|
Burton Emmett
|
11
|
0
|
Start
|
Unknown
|
933
|
Ari Forman
|
11
|
0
|
Redirect
|
NA
|
934
|
Spectrum Award for Advertising
|
10
|
0
|
Redirect
|
Low
|
935
|
Péter Virágvölgyi
|
10
|
0
|
C
|
Low
|
936
|
Suranga Udari
|
10
|
0
|
Start
|
Low
|
937
|
Marie Victor Poterlet
|
9
|
0
|
Start
|
Low
|
938
|
Jabbar Gasimov
|
8
|
0
|
Start
|
Low
|
939
|
Standing Committee of Trade Unions in the Graphic Industry
|
6
|
0
|
Stub
|
Low
|
940
|
Adobe Illustrator CS6 (Macintosh)
|
6
|
0
|
Redirect
|
NA
|
941
|
I Heart New York
|
2
|
0
|
Redirect
|
NA
|
942
|
AIGA, the professional association for design
|
2
|
0
|
Redirect
|
NA
|
943
|
Graphical design
|
0
|
0
|
Redirect
|
NA
|