Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Tron
|
165,510
|
5,517
|
B
|
Low
|
2
|
Banksy
|
110,534
|
3,684
|
B
|
Mid
|
3
|
Pantone
|
79,734
|
2,657
|
Start
|
Low
|
4
|
PDF
|
77,721
|
2,590
|
B
|
High
|
5
|
Adobe Photoshop
|
59,881
|
1,996
|
C
|
Mid
|
6
|
Dash
|
53,214
|
1,773
|
B
|
Low
|
7
|
Bauhaus
|
51,652
|
1,721
|
B
|
Top
|
8
|
Frutiger Aero
|
36,192
|
1,206
|
GA
|
Low
|
9
|
Printing press
|
35,163
|
1,172
|
B
|
High
|
10
|
Heart symbol
|
33,249
|
1,108
|
Start
|
Mid
|
11
|
Protect the Dolls
|
32,707
|
1,090
|
B
|
Low
|
12
|
Advertising
|
26,565
|
885
|
C
|
High
|
13
|
Helvetica
|
22,016
|
733
|
C
|
High
|
14
|
GIMP
|
20,557
|
685
|
B
|
Low
|
15
|
Web design
|
20,049
|
668
|
C
|
High
|
16
|
Corporate Memphis
|
19,926
|
664
|
Start
|
Low
|
17
|
Adobe Flash
|
19,487
|
649
|
C
|
Unknown
|
18
|
Gender symbol
|
19,218
|
640
|
Start
|
Low
|
19
|
Graphic design
|
18,184
|
606
|
C
|
Top
|
20
|
Adobe Illustrator
|
16,837
|
561
|
C
|
Mid
|
21
|
Voxel
|
16,773
|
559
|
C
|
Mid
|
22
|
Typeface
|
16,132
|
537
|
B
|
Mid
|
23
|
Procreate (software)
|
16,062
|
535
|
C
|
Mid
|
24
|
Swoosh
|
15,713
|
523
|
Start
|
Low
|
25
|
Screensaver
|
15,507
|
516
|
B
|
Unknown
|
26
|
Shepard Fairey
|
14,987
|
499
|
B
|
Low
|
27
|
Typography
|
14,680
|
489
|
C
|
Mid
|
28
|
Minimalism
|
14,656
|
488
|
C
|
Mid
|
29
|
Lisa Frank
|
14,303
|
476
|
C
|
Low
|
30
|
Dieter Rams
|
14,281
|
476
|
B
|
Mid
|
31
|
Triptych
|
14,228
|
474
|
C
|
Low
|
32
|
Jumpman (logo)
|
14,024
|
467
|
Start
|
Low
|
33
|
Paul Rand
|
13,970
|
465
|
B
|
High
|
34
|
3D computer graphics
|
13,746
|
458
|
C
|
Mid
|
35
|
No symbol
|
12,063
|
402
|
C
|
Low
|
36
|
Ideogram
|
12,053
|
401
|
Start
|
Mid
|
37
|
Mascot
|
11,609
|
386
|
Start
|
Low
|
38
|
Creative director
|
11,507
|
383
|
Start
|
Mid
|
39
|
Adobe Acrobat
|
11,294
|
376
|
C
|
Mid
|
40
|
Eric Carle
|
11,260
|
375
|
C
|
Low
|
41
|
All caps
|
11,221
|
374
|
B
|
Unknown
|
42
|
Parsons School of Design
|
10,799
|
359
|
C
|
Low
|
43
|
De Stijl
|
10,600
|
353
|
B
|
Mid
|
44
|
Barber's pole
|
10,520
|
350
|
B
|
Low
|
45
|
Adobe InDesign
|
10,265
|
342
|
Start
|
High
|
46
|
Raster graphics
|
10,254
|
341
|
C
|
Low
|
47
|
Saul Bass
|
9,688
|
322
|
B
|
High
|
48
|
Lisa Frank Incorporated
|
9,512
|
317
|
B
|
Low
|
49
|
Comparison of European road signs
|
9,351
|
311
|
List
|
Low
|
50
|
PostScript
|
9,239
|
307
|
C
|
High
|
51
|
Ambigram
|
9,129
|
304
|
B
|
Mid
|
52
|
Graphic designer
|
8,438
|
281
|
Start
|
Top
|
53
|
Alfred A. Knopf
|
8,163
|
272
|
C
|
Low
|
54
|
I Love New York
|
8,115
|
270
|
Start
|
Low
|
55
|
Image editing
|
7,772
|
259
|
C
|
Mid
|
56
|
Photograph manipulation
|
7,126
|
237
|
C
|
Low
|
57
|
List of airline liveries and logos
|
6,582
|
219
|
List
|
Low
|
58
|
Style guide
|
6,216
|
207
|
Start
|
Mid
|
59
|
Three hares
|
6,162
|
205
|
B
|
Mid
|
60
|
Peter Blake (artist)
|
6,095
|
203
|
C
|
High
|
61
|
Native American mascot controversy
|
5,915
|
197
|
GA
|
Low
|
62
|
Stationery
|
5,895
|
196
|
Start
|
Low
|
63
|
Desktop publishing
|
5,869
|
195
|
C
|
Mid
|
64
|
Mike Winkelmann
|
5,754
|
191
|
Start
|
Low
|
65
|
László Moholy-Nagy
|
5,702
|
190
|
C
|
Unknown
|
66
|
Alpha compositing
|
5,697
|
189
|
Start
|
Unknown
|
67
|
Josef Albers
|
5,651
|
188
|
C
|
Low
|
68
|
Signage
|
5,630
|
187
|
Start
|
Mid
|
69
|
Peter Saville (graphic designer)
|
5,528
|
184
|
C
|
Low
|
70
|
Adobe Dreamweaver
|
5,450
|
181
|
C
|
Mid
|
71
|
Everydays: the First 5000 Days
|
5,433
|
181
|
Stub
|
Low
|
72
|
Debbie Millman
|
5,226
|
174
|
Start
|
Low
|
73
|
User interface design
|
5,194
|
173
|
C
|
Low
|
74
|
Marker pen
|
5,133
|
171
|
Start
|
Low
|
75
|
Mood board
|
4,946
|
164
|
Start
|
Low
|
76
|
Eric Haze
|
4,907
|
163
|
Start
|
Unknown
|
77
|
Behance
|
4,759
|
158
|
Stub
|
Low
|
78
|
Swiss Style (design)
|
4,757
|
158
|
Start
|
Unknown
|
79
|
Susan Kare
|
4,734
|
157
|
B
|
High
|
80
|
Eraser
|
4,655
|
155
|
Start
|
Low
|
81
|
Poster
|
4,475
|
149
|
C
|
High
|
82
|
Wanted poster
|
4,323
|
144
|
C
|
Low
|
83
|
Film poster
|
4,316
|
143
|
B
|
Low
|
84
|
Massimo Vignelli
|
4,209
|
140
|
C
|
High
|
85
|
David Dees
|
4,208
|
140
|
Start
|
Low
|
86
|
Univers
|
4,183
|
139
|
C
|
Low
|
87
|
Visual communication
|
4,161
|
138
|
Start
|
High
|
88
|
List of works by Banksy
|
4,145
|
138
|
List
|
Low
|
89
|
Craig Braun
|
4,085
|
136
|
B
|
Unknown
|
90
|
Letterpress printing
|
4,082
|
136
|
C
|
High
|
91
|
Milton Glaser
|
4,058
|
135
|
C
|
Mid
|
92
|
Anti-aliasing filter
|
3,928
|
130
|
C
|
Low
|
93
|
Edward Tufte
|
3,892
|
129
|
B
|
Mid
|
94
|
Harvey balls
|
3,784
|
126
|
Start
|
Low
|
95
|
Art director
|
3,701
|
123
|
Start
|
Mid
|
96
|
Pentagram (design firm)
|
3,549
|
118
|
C
|
High
|
97
|
Neon sign
|
3,542
|
118
|
Start
|
Mid
|
98
|
Spatial anti-aliasing
|
3,455
|
115
|
C
|
Mid
|
99
|
Business card
|
3,451
|
115
|
Start
|
Unknown
|
100
|
Outdoor advertising
|
3,368
|
112
|
Start
|
Low
|
101
|
D. Udaya Kumar
|
3,261
|
108
|
Start
|
Low
|
102
|
2D computer graphics
|
3,249
|
108
|
C
|
Mid
|
103
|
Harry Beck
|
3,248
|
108
|
C
|
Low
|
104
|
Paula Scher
|
3,245
|
108
|
C
|
Unknown
|
105
|
Raster graphics editor
|
3,113
|
103
|
Start
|
Low
|
106
|
Harvey Ball
|
3,113
|
103
|
C
|
Low
|
107
|
Minimalism (visual arts)
|
3,087
|
102
|
C
|
Low
|
108
|
PGF/TikZ
|
3,037
|
101
|
Start
|
Low
|
109
|
Book design
|
3,005
|
100
|
C
|
Unknown
|
110
|
Global spread of the printing press
|
2,944
|
98
|
B
|
High
|
111
|
QuarkXPress
|
2,906
|
96
|
Start
|
High
|
112
|
The Medium Is the Massage
|
2,876
|
95
|
Start
|
Low
|
113
|
Web banner
|
2,864
|
95
|
Start
|
Mid
|
114
|
Hermann Zapf
|
2,859
|
95
|
C
|
Low
|
115
|
J. Walter Thompson
|
2,813
|
93
|
Start
|
Low
|
116
|
Ben Day process
|
2,802
|
93
|
Start
|
Mid
|
117
|
Cigarette card
|
2,742
|
91
|
Start
|
Mid
|
118
|
Comparison of raster graphics editors
|
2,708
|
90
|
C
|
Mid
|
119
|
Letterhead
|
2,697
|
89
|
Unknown
|
Unknown
|
120
|
Rabbits and hares in art
|
2,694
|
89
|
C
|
Low
|
121
|
Cover art
|
2,685
|
89
|
Start
|
High
|
122
|
Road signs in Spain
|
2,652
|
88
|
C
|
Low
|
123
|
Sustainable design
|
2,566
|
85
|
C
|
Mid
|
124
|
Digital signage
|
2,537
|
84
|
Start
|
Mid
|
125
|
Chip Kidd
|
2,525
|
84
|
Start
|
Low
|
126
|
Polyptych
|
2,522
|
84
|
C
|
Low
|
127
|
International Typographic Style
|
2,503
|
83
|
Start
|
Low
|
128
|
Visiting card
|
2,481
|
82
|
Start
|
Unknown
|
129
|
The Designers Republic
|
2,461
|
82
|
C
|
Low
|
130
|
David Carson (graphic designer)
|
2,351
|
78
|
Start
|
Low
|
131
|
Ed Thrasher
|
2,279
|
75
|
Stub
|
Low
|
132
|
Big-character poster
|
2,228
|
74
|
B
|
Low
|
133
|
Digital on-screen graphic
|
2,226
|
74
|
Start
|
Low
|
134
|
Page layout
|
2,216
|
73
|
B
|
Mid
|
135
|
Saul Steinberg
|
2,212
|
73
|
Start
|
Mid
|
136
|
Warming stripes
|
2,178
|
72
|
B
|
Mid
|
137
|
Suki Lopez
|
2,156
|
71
|
C
|
Low
|
138
|
Extinction symbol
|
2,146
|
71
|
Start
|
Low
|
139
|
Dribbble
|
2,126
|
70
|
Start
|
Low
|
140
|
Ben Shahn
|
2,084
|
69
|
B
|
Low
|
141
|
Communication design
|
2,064
|
68
|
Start
|
Low
|
142
|
British Rail Double Arrow
|
2,052
|
68
|
C
|
Low
|
143
|
Jessica Walsh
|
2,023
|
67
|
C
|
Mid
|
144
|
Gerald Holtom
|
2,014
|
67
|
Start
|
Low
|
145
|
Dori Tunstall
|
1,987
|
66
|
C
|
High
|
146
|
Calculator (Apple)
|
1,955
|
65
|
Start
|
Low
|
147
|
Screen space ambient occlusion
|
1,949
|
64
|
Start
|
Low
|
148
|
John Kiss (artist)
|
1,910
|
63
|
B
|
Unknown
|
149
|
Exit sign
|
1,893
|
63
|
Start
|
Low
|
150
|
Neville Brody
|
1,870
|
62
|
C
|
High
|
151
|
Image stitching
|
1,854
|
61
|
C
|
Low
|
152
|
Pen & Pixel
|
1,828
|
60
|
Start
|
Unknown
|
153
|
Cassandre
|
1,818
|
60
|
Start
|
Mid
|
154
|
Stefan Sagmeister
|
1,806
|
60
|
C
|
High
|
155
|
Vector graphics editor
|
1,794
|
59
|
Start
|
Mid
|
156
|
Atkinson Hyperlegible
|
1,776
|
59
|
C
|
Low
|
157
|
Richard Saul Wurman
|
1,713
|
57
|
Start
|
Unknown
|
158
|
Isotype (picture language)
|
1,703
|
56
|
Start
|
Low
|
159
|
American Institute of Graphic Arts
|
1,697
|
56
|
Start
|
Unknown
|
160
|
Jan Tschichold
|
1,679
|
55
|
Start
|
Unknown
|
161
|
John Maeda
|
1,650
|
55
|
Start
|
Unknown
|
162
|
Don't Mess with Texas
|
1,646
|
54
|
Start
|
Unknown
|
163
|
British Airways ethnic liveries
|
1,644
|
54
|
Start
|
Low
|
164
|
Secession (art)
|
1,634
|
54
|
B
|
Mid
|
165
|
Commercial art
|
1,618
|
53
|
Start
|
Mid
|
166
|
History of CAD software
|
1,589
|
52
|
Start
|
Low
|
167
|
Matthew Carter
|
1,581
|
52
|
Start
|
Mid
|
168
|
Marq (company)
|
1,569
|
52
|
C
|
Low
|
169
|
Kuwahara filter
|
1,559
|
51
|
C
|
Low
|
170
|
Shigetaka Kurita
|
1,547
|
51
|
Start
|
Low
|
171
|
Depth map
|
1,526
|
50
|
Start
|
Low
|
172
|
Color code
|
1,522
|
50
|
Start
|
Mid
|
173
|
Koloman Moser
|
1,516
|
50
|
C
|
Mid
|
174
|
Leo Lionni
|
1,512
|
50
|
C
|
Low
|
175
|
Visual design elements and principles
|
1,460
|
48
|
Disambig
|
NA
|
176
|
George Lois
|
1,435
|
47
|
Start
|
Low
|
177
|
Herbert Bayer
|
1,413
|
47
|
Start
|
Mid
|
178
|
Tadanori Yokoo
|
1,406
|
46
|
Start
|
Low
|
179
|
Storyboard artist
|
1,405
|
46
|
Start
|
Mid
|
180
|
List of U.S. state welcome signs
|
1,404
|
46
|
List
|
Low
|
181
|
Picnik
|
1,397
|
46
|
Start
|
Low
|
182
|
Otl Aicher
|
1,394
|
46
|
Start
|
High
|
183
|
Herb Lubalin
|
1,381
|
46
|
Start
|
Mid
|
184
|
Bumper sticker
|
1,376
|
45
|
Start
|
Low
|
185
|
Alfred A. Knopf Sr.
|
1,372
|
45
|
Start
|
Low
|
186
|
Emily Carr University of Art and Design
|
1,371
|
45
|
Start
|
Mid
|
187
|
Bruno Munari
|
1,370
|
45
|
C
|
Mid
|
188
|
Josef Müller-Brockmann
|
1,368
|
45
|
Start
|
Unknown
|
189
|
List of common 3D test models
|
1,359
|
45
|
List
|
Low
|
190
|
For position only
|
1,339
|
44
|
Stub
|
Low
|
191
|
Bill Gold
|
1,334
|
44
|
C
|
Low
|
192
|
Motion graphic design
|
1,295
|
43
|
Stub
|
Mid
|
193
|
S. Neil Fujita
|
1,284
|
42
|
Start
|
Low
|
194
|
Adobe FreeHand
|
1,269
|
42
|
B
|
Mid
|
195
|
Obama logo
|
1,264
|
42
|
B
|
Mid
|
196
|
History of graphic design
|
1,251
|
41
|
C
|
Unknown
|
197
|
Polish School of Posters
|
1,217
|
40
|
C
|
Low
|
198
|
Alexey Brodovitch
|
1,178
|
39
|
B
|
Low
|
199
|
ISO 690
|
1,171
|
39
|
C
|
Unknown
|
200
|
Vignette (graphic design)
|
1,170
|
39
|
Start
|
Mid
|
201
|
Ransom note effect
|
1,157
|
38
|
Start
|
Low
|
202
|
Chermayeff & Geismar & Haviv
|
1,154
|
38
|
Start
|
High
|
203
|
AARON
|
1,143
|
38
|
Start
|
Low
|
204
|
Michael Bierut
|
1,141
|
38
|
C
|
High
|
205
|
Particle system
|
1,136
|
37
|
C
|
High
|
206
|
Steven Heller (design writer)
|
1,126
|
37
|
Start
|
Low
|
207
|
Tim Jacobus
|
1,120
|
37
|
Stub
|
Unknown
|
208
|
MyPaint
|
1,119
|
37
|
Start
|
Low
|
209
|
Alston Purvis
|
1,117
|
37
|
Start
|
Low
|
210
|
Paste up
|
1,108
|
36
|
Start
|
Low
|
211
|
List of desktop publishing software
|
1,093
|
36
|
List
|
Unknown
|
212
|
Grid (graphic design)
|
1,087
|
36
|
Start
|
Low
|
213
|
Yinka Ilori
|
1,077
|
35
|
B
|
Mid
|
214
|
Section (typography)
|
1,064
|
35
|
Start
|
Low
|
215
|
Michael Okuda
|
1,061
|
35
|
Start
|
Mid
|
216
|
GUI
|
1,043
|
34
|
Redirect
|
NA
|
217
|
April Greiman
|
1,036
|
34
|
C
|
Mid
|
218
|
Stanley Morison
|
1,025
|
34
|
Start
|
Mid
|
219
|
Blob emoji
|
1,016
|
33
|
Start
|
Low
|
220
|
Ecological design
|
1,008
|
33
|
Start
|
Low
|
221
|
Tibor Kalman
|
999
|
33
|
Start
|
Mid
|
222
|
Creative Market
|
989
|
32
|
Start
|
Low
|
223
|
Consumer Aesthetics Research Institute
|
972
|
32
|
Start
|
Low
|
224
|
Visual hierarchy
|
946
|
31
|
B
|
Unknown
|
225
|
Web typography
|
935
|
31
|
B
|
Low
|
226
|
Richard Amsel
|
933
|
31
|
C
|
Low
|
227
|
Leonard Baskin
|
915
|
30
|
Start
|
Low
|
228
|
Modo (software)
|
915
|
30
|
Start
|
Low
|
229
|
Emory Douglas
|
883
|
29
|
C
|
Low
|
230
|
Alan Fletcher (graphic designer)
|
858
|
28
|
Start
|
High
|
231
|
Vizrt
|
851
|
28
|
Start
|
Low
|
232
|
Armin Hofmann
|
849
|
28
|
Stub
|
Mid
|
233
|
Frederic Goudy
|
847
|
28
|
Start
|
Mid
|
234
|
Seymour Chwast
|
840
|
28
|
C
|
Mid
|
235
|
Design studies
|
835
|
27
|
C
|
Mid
|
236
|
Joshua Davis (designer)
|
831
|
27
|
Start
|
Low
|
237
|
Album covers of Blue Note Records
|
827
|
27
|
FA
|
Low
|
238
|
Kyle Cooper
|
806
|
26
|
C
|
Low
|
239
|
Plakatstil
|
802
|
26
|
Start
|
Low
|
240
|
Design management
|
794
|
26
|
C
|
Top
|
241
|
Jonathan Hoefler
|
792
|
26
|
Start
|
Unknown
|
242
|
John Pasche
|
790
|
26
|
Start
|
High
|
243
|
21 21 Design Sight
|
789
|
26
|
Start
|
Low
|
244
|
Graphic communication
|
787
|
26
|
C
|
Mid
|
245
|
Louise Fili
|
784
|
26
|
C
|
Low
|
246
|
Error diffusion
|
782
|
26
|
C
|
Low
|
247
|
Maxime Plescia-Büchi
|
781
|
26
|
Start
|
Low
|
248
|
Tomato (design collective)
|
778
|
25
|
Stub
|
Low
|
249
|
NCAA Native American mascot decision
|
755
|
25
|
C
|
Low
|
250
|
ASCII porn
|
750
|
25
|
Stub
|
Low
|
251
|
Jules Siegel
|
747
|
24
|
Stub
|
Low
|
252
|
Adobe ImageReady
|
736
|
24
|
Stub
|
Low
|
253
|
Reggie Parks
|
721
|
24
|
Start
|
Unknown
|
254
|
Reid Miles
|
720
|
24
|
Start
|
Low
|
255
|
XX (novel)
|
709
|
23
|
Stub
|
Low
|
256
|
William Addison Dwiggins
|
670
|
22
|
Start
|
Unknown
|
257
|
Shigeo Fukuda
|
655
|
21
|
Start
|
Low
|
258
|
Separation of content and presentation
|
655
|
21
|
Start
|
High
|
259
|
Jim Phillips (illustrator)
|
653
|
21
|
Start
|
Low
|
260
|
Cartographic design
|
650
|
21
|
B
|
Unknown
|
261
|
Dedication (publishing)
|
643
|
21
|
C
|
Low
|
262
|
Graphic design occupations
|
631
|
21
|
Start
|
Mid
|
263
|
Haibao
|
630
|
21
|
Stub
|
Low
|
264
|
Lucian Bernhard
|
619
|
20
|
Start
|
Mid
|
265
|
Elaine Bass
|
617
|
20
|
C
|
Low
|
266
|
Trade card
|
614
|
20
|
Unknown
|
Mid
|
267
|
99designs
|
611
|
20
|
Start
|
Low
|
268
|
Jonathan Barnbrook
|
608
|
20
|
Start
|
Low
|
269
|
Ed Benguiat
|
607
|
20
|
C
|
Low
|
270
|
Zuzana Licko
|
603
|
20
|
C
|
Low
|
271
|
Pix4D
|
600
|
20
|
Stub
|
Unknown
|
272
|
Paul Bacon (designer)
|
591
|
19
|
C
|
Low
|
273
|
Push Pin Studios
|
587
|
19
|
C
|
Low
|
274
|
Jessica Wallenfels
|
581
|
19
|
C
|
Low
|
275
|
Bradbury Thompson
|
578
|
19
|
Start
|
Low
|
276
|
Retail design
|
577
|
19
|
C
|
Low
|
277
|
Kirby Jenner
|
576
|
19
|
Start
|
Low
|
278
|
You mean a woman can open it?
|
565
|
18
|
Start
|
Low
|
279
|
Edward McKnight Kauffer
|
559
|
18
|
Start
|
Mid
|
280
|
Human Rights Logo
|
555
|
18
|
Start
|
Mid
|
281
|
Page footer
|
555
|
18
|
Start
|
Low
|
282
|
Adobe GoLive
|
553
|
18
|
Start
|
Low
|
283
|
Camera-ready
|
552
|
18
|
Start
|
Low
|
284
|
Page header
|
551
|
18
|
Stub
|
Low
|
285
|
Municipal device of Chicago
|
550
|
18
|
Stub
|
Low
|
286
|
Keith Roberts
|
538
|
17
|
C
|
Low
|
287
|
Lumia imaging apps
|
536
|
17
|
C
|
Low
|
288
|
Mobirise
|
529
|
17
|
Start
|
Unknown
|
289
|
Henry Steiner
|
528
|
17
|
C
|
Unknown
|
290
|
Hamid Nadimi
|
525
|
17
|
Redirect
|
NA
|
291
|
Irma Boom
|
511
|
17
|
Start
|
Unknown
|
292
|
2020 Summer Olympic pictograms
|
498
|
16
|
C
|
Low
|
293
|
Java 3D
|
497
|
16
|
Start
|
Low
|
294
|
Ellen Lupton
|
495
|
16
|
Start
|
Unknown
|
295
|
Michael Hertz Associates
|
493
|
16
|
Start
|
Low
|
296
|
Yusaku Kamekura
|
493
|
16
|
C
|
Low
|
297
|
Cipe Pineles
|
492
|
16
|
Start
|
High
|
298
|
List of graphic designers
|
489
|
16
|
List
|
Low
|
299
|
International Council of Design
|
487
|
16
|
Start
|
Mid
|
300
|
Emigre (magazine)
|
483
|
16
|
Start
|
Mid
|
301
|
Print design
|
479
|
15
|
Stub
|
Mid
|
302
|
Noesis (software)
|
474
|
15
|
Start
|
Low
|
303
|
Henry Wolf
|
463
|
15
|
Start
|
Unknown
|
304
|
Silicon Graphics Image
|
457
|
15
|
Start
|
Low
|
305
|
User experience evaluation
|
457
|
15
|
Start
|
Low
|
306
|
Chicago Athenaeum
|
456
|
15
|
Start
|
Low
|
307
|
Mike Bostock
|
455
|
15
|
Stub
|
Unknown
|
308
|
Screen space directional occlusion
|
455
|
15
|
Stub
|
Low
|
309
|
Rajie Cook
|
454
|
15
|
C
|
Low
|
310
|
Alex Steinweiss
|
449
|
14
|
Start
|
Low
|
311
|
ROSTA windows
|
448
|
14
|
Stub
|
Low
|
312
|
Lance Wyman
|
442
|
14
|
Start
|
Unknown
|
313
|
Charles Bigelow (type designer)
|
438
|
14
|
Start
|
Low
|
314
|
Nik Collection
|
437
|
14
|
C
|
Low
|
315
|
Seashore (software)
|
436
|
14
|
Start
|
Low
|
316
|
Robert Brownjohn
|
436
|
14
|
Start
|
Unknown
|
317
|
Desk pad
|
435
|
14
|
Start
|
Low
|
318
|
Amos Paul Kennedy Jr.
|
431
|
14
|
C
|
Unknown
|
319
|
Eulindra Lim
|
431
|
14
|
Start
|
Low
|
320
|
News design
|
428
|
14
|
Start
|
High
|
321
|
Pablo Ferro
|
427
|
14
|
C
|
Low
|
322
|
Inkie
|
427
|
14
|
Start
|
Mid
|
323
|
Lella Vignelli
|
427
|
14
|
B
|
Mid
|
324
|
Georg Olden (graphic designer)
|
426
|
14
|
Stub
|
Low
|
325
|
Ehrenstein illusion
|
425
|
14
|
C
|
Low
|
326
|
Karoly Grosz (illustrator)
|
424
|
14
|
GA
|
Mid
|
327
|
Oswald Bruce Cooper
|
421
|
14
|
B
|
Low
|
328
|
Muriel Cooper
|
421
|
14
|
C
|
Unknown
|
329
|
Chorochromatic map
|
421
|
14
|
B
|
Unknown
|
330
|
National Design Awards
|
420
|
14
|
List
|
Mid
|
331
|
Nebiolo Printech
|
415
|
13
|
Start
|
Low
|
332
|
ACiD Productions
|
412
|
13
|
Unknown
|
Low
|
333
|
Barbara Stauffacher Solomon
|
410
|
13
|
Start
|
Unknown
|
334
|
Herbert Matter
|
407
|
13
|
Start
|
Mid
|
335
|
Icon design
|
401
|
13
|
Start
|
Unknown
|
336
|
Chimping
|
400
|
13
|
Start
|
Low
|
337
|
Gail Anderson (graphic designer)
|
399
|
13
|
C
|
Low
|
338
|
Lester Beall
|
396
|
13
|
Stub
|
Mid
|
339
|
Aviary (image editor)
|
396
|
13
|
Start
|
Low
|
340
|
Unimark International
|
393
|
13
|
Start
|
Low
|
341
|
List of AIGA medalists
|
390
|
13
|
List
|
Unknown
|
342
|
Sheila Levrant de Bretteville
|
389
|
12
|
C
|
Unknown
|
343
|
The Beatles Illustrated Lyrics
|
386
|
12
|
Start
|
Low
|
344
|
SK1 (program)
|
383
|
12
|
Start
|
Mid
|
345
|
23 Envelope
|
381
|
12
|
Start
|
Low
|
346
|
Solidarity logo
|
379
|
12
|
Stub
|
Low
|
347
|
Brian Collins (designer)
|
379
|
12
|
C
|
Low
|
348
|
Mirko Hanák
|
376
|
12
|
Stub
|
Low
|
349
|
R. O. Blechman
|
371
|
12
|
Start
|
Low
|
350
|
Duospaced font
|
369
|
12
|
Start
|
Low
|
351
|
PicMonkey
|
366
|
12
|
Stub
|
Low
|
352
|
Ben Fry
|
364
|
12
|
Start
|
Mid
|
353
|
Bob Noorda
|
362
|
12
|
C
|
Mid
|
354
|
Dan Friedman (graphic designer)
|
359
|
11
|
Start
|
Mid
|
355
|
Production artist
|
356
|
11
|
Stub
|
Low
|
356
|
Line (graphics)
|
356
|
11
|
Start
|
Low
|
357
|
Emigre Fonts
|
355
|
11
|
Start
|
Low
|
358
|
KSS Design Group
|
353
|
11
|
Start
|
Low
|
359
|
Alvin Lustig
|
352
|
11
|
Start
|
Unknown
|
360
|
Irina Blok
|
352
|
11
|
Start
|
Low
|
361
|
Peter Mendelsund
|
352
|
11
|
Start
|
Low
|
362
|
Dieline
|
351
|
11
|
Stub
|
Low
|
363
|
Job Definition Format
|
348
|
11
|
Start
|
Low
|
364
|
Will H. Bradley
|
348
|
11
|
Start
|
Low
|
365
|
3D Slash
|
345
|
11
|
Start
|
Low
|
366
|
Tom Geismar
|
342
|
11
|
Stub
|
Unknown
|
367
|
John Gilroy (artist)
|
339
|
11
|
Stub
|
Low
|
368
|
Artkraft Strauss
|
339
|
11
|
Start
|
Low
|
369
|
Goal structuring notation
|
336
|
11
|
Stub
|
Mid
|
370
|
Edward Fella
|
334
|
11
|
Start
|
Mid
|
371
|
Cey Adams
|
334
|
11
|
C
|
Low
|
372
|
Content designer
|
326
|
10
|
Start
|
Mid
|
373
|
Jacqueline Casey
|
326
|
10
|
C
|
Unknown
|
374
|
Daniel Sotomayor
|
324
|
10
|
Start
|
Low
|
375
|
Lora Lamm
|
324
|
10
|
B
|
Low
|
376
|
Angela Guzman
|
323
|
10
|
Start
|
Unknown
|
377
|
Piet Zwart
|
319
|
10
|
Start
|
Low
|
378
|
Hightower Text
|
319
|
10
|
Start
|
Low
|
379
|
Comprehensive layout
|
318
|
10
|
Start
|
Mid
|
380
|
Richard Turley (graphic designer)
|
317
|
10
|
C
|
Low
|
381
|
Image fidelity
|
314
|
10
|
Start
|
Low
|
382
|
Henryk Tomaszewski (poster artist)
|
310
|
10
|
Start
|
Low
|
383
|
Ladislav Sutnar
|
309
|
10
|
Stub
|
Low
|
384
|
Dard Hunter
|
308
|
10
|
Start
|
Low
|
385
|
Impossible Dream (advertisement)
|
308
|
10
|
Start
|
Low
|
386
|
TVBoy
|
308
|
10
|
Start
|
Low
|
387
|
Mick Haggerty
|
307
|
10
|
Stub
|
Unknown
|
388
|
German Design Award
|
303
|
10
|
Start
|
Low
|
389
|
Carlo Vivarelli
|
301
|
10
|
Stub
|
Unknown
|
390
|
Visual variable
|
300
|
10
|
C
|
Mid
|
391
|
Annie Atkins
|
299
|
9
|
Start
|
Low
|
392
|
Lines per inch
|
298
|
9
|
Start
|
Low
|
393
|
News Bunny
|
297
|
9
|
Start
|
Low
|
394
|
Golan Levin
|
295
|
9
|
C
|
Low
|
395
|
Peter Corriston
|
295
|
9
|
Stub
|
Low
|
396
|
Broadcast designer
|
294
|
9
|
Stub
|
Mid
|
397
|
Python Anghelo
|
294
|
9
|
Start
|
Low
|
398
|
Leif Podhajsky
|
294
|
9
|
Start
|
Mid
|
399
|
Willem Sandberg
|
291
|
9
|
Start
|
Unknown
|
400
|
Ernie Cefalu
|
289
|
9
|
Start
|
Low
|
401
|
Kiyoshi Awazu
|
289
|
9
|
C
|
Low
|
402
|
Gudrun Zapf von Hesse
|
285
|
9
|
B
|
Low
|
403
|
Hans Hilfiker
|
284
|
9
|
C
|
Mid
|
404
|
Visual brand language
|
283
|
9
|
Start
|
Low
|
405
|
Joseph Binder (graphic designer)
|
283
|
9
|
C
|
Low
|
406
|
Derek Birdsall
|
282
|
9
|
Start
|
Low
|
407
|
David Costa (graphic designer)
|
281
|
9
|
Start
|
Low
|
408
|
Jeffrey Heer
|
279
|
9
|
Start
|
Unknown
|
409
|
MtPaint
|
278
|
9
|
C
|
Low
|
410
|
Neue Grafik
|
275
|
9
|
Start
|
Low
|
411
|
William Rose (illustrator)
|
275
|
9
|
GA
|
Low
|
412
|
Web content development
|
272
|
9
|
Start
|
Mid
|
413
|
Art Chantry
|
271
|
9
|
Start
|
Mid
|
414
|
Paul Kuhr
|
271
|
9
|
Start
|
Low
|
415
|
Vignelli Associates
|
271
|
9
|
C
|
High
|
416
|
William Golden (graphic designer)
|
268
|
8
|
C
|
Low
|
417
|
Bruce Rogers (typographer)
|
268
|
8
|
Start
|
Mid
|
418
|
Rolf Weijburg
|
266
|
8
|
Start
|
Unknown
|
419
|
DTP artist
|
265
|
8
|
Stub
|
Low
|
420
|
Jan van Krimpen
|
264
|
8
|
Start
|
Mid
|
421
|
Bob Cato
|
263
|
8
|
Start
|
Low
|
422
|
Giorgia Lupi
|
261
|
8
|
Start
|
Low
|
423
|
Chemical X (artist)
|
261
|
8
|
Start
|
Unknown
|
424
|
European Design Awards
|
258
|
8
|
Stub
|
Low
|
425
|
Michael Rock (graphic designer)
|
256
|
8
|
Start
|
Low
|
426
|
Bob Gill (artist)
|
253
|
8
|
Start
|
Low
|
427
|
Francesco Torniello
|
253
|
8
|
Start
|
Low
|
428
|
Colin Forbes (graphic designer)
|
250
|
8
|
Stub
|
Mid
|
429
|
Earnest Elmo Calkins
|
248
|
8
|
C
|
Mid
|
430
|
Ruth Ansel
|
248
|
8
|
Start
|
Low
|
431
|
Xanti Schawinsky
|
248
|
8
|
Start
|
Unknown
|
432
|
Rick Poynor
|
244
|
8
|
Stub
|
Low
|
433
|
Ammunition Design Group
|
240
|
8
|
Start
|
Low
|
434
|
Margo Chase
|
239
|
7
|
C
|
Low
|
435
|
Noiseless
|
239
|
7
|
Start
|
Low
|
436
|
Karlsruhe University of Arts and Design
|
237
|
7
|
C
|
Low
|
437
|
Mark Farrow
|
235
|
7
|
Start
|
Mid
|
438
|
Michael Doret
|
234
|
7
|
Start
|
Low
|
439
|
Gilbert (typeface)
|
234
|
7
|
Start
|
Low
|
440
|
Jean-Pascal Fournier
|
234
|
7
|
Stub
|
Unknown
|
441
|
International Design Awards
|
233
|
7
|
Stub
|
Low
|
442
|
Philip B. Meggs
|
230
|
7
|
Start
|
Mid
|
443
|
Marian Bantjes
|
230
|
7
|
Start
|
Low
|
444
|
Tom Eckersley
|
229
|
7
|
C
|
Unknown
|
445
|
Deborah Sussman
|
227
|
7
|
C
|
Low
|
446
|
Lettering guide
|
224
|
7
|
Start
|
Low
|
447
|
Best Art Vinyl
|
223
|
7
|
List
|
Low
|
448
|
Amanda Marie
|
223
|
7
|
C
|
Unknown
|
449
|
Syd Mead's Terraforming
|
222
|
7
|
Stub
|
Low
|
450
|
Bea Feitler
|
221
|
7
|
Start
|
Low
|
451
|
Manhattan Design
|
220
|
7
|
Unknown
|
Unknown
|
452
|
Design Professionals of Canada
|
219
|
7
|
Start
|
Low
|
453
|
Steve Jenkins (author)
|
217
|
7
|
C
|
Low
|
454
|
P. Scott Makela
|
216
|
7
|
C
|
Low
|
455
|
Screen reading
|
216
|
7
|
Start
|
Unknown
|
456
|
Emily Oberman
|
215
|
7
|
C
|
Low
|
457
|
First Things First 2000 manifesto
|
214
|
7
|
Start
|
Low
|
458
|
Michael Wolff (graphic designer)
|
214
|
7
|
Stub
|
Low
|
459
|
Elaine Lustig Cohen
|
213
|
7
|
C
|
Low
|
460
|
ICE Advertisements
|
212
|
7
|
Start
|
Low
|
461
|
Rudy VanderLans
|
212
|
7
|
Stub
|
Unknown
|
462
|
Gary Grimshaw
|
211
|
7
|
B
|
Unknown
|
463
|
Rosmarie Tissi
|
210
|
7
|
Stub
|
Unknown
|
464
|
Ootje Oxenaar
|
209
|
6
|
Stub
|
Unknown
|
465
|
Quentin Fiore
|
209
|
6
|
C
|
Low
|
466
|
Sustainable furniture design
|
208
|
6
|
Stub
|
Low
|
467
|
Patrick Clair
|
208
|
6
|
C
|
Low
|
468
|
Jerry Dior
|
206
|
6
|
Start
|
Low
|
469
|
Away3D
|
206
|
6
|
B
|
Low
|
470
|
M & Co. (design firm)
|
206
|
6
|
Start
|
Mid
|
471
|
Paul Brooks Davis
|
205
|
6
|
Start
|
Mid
|
472
|
Fatpaint
|
204
|
6
|
Start
|
Low
|
473
|
RAWGraphs
|
204
|
6
|
Start
|
Low
|
474
|
Artwork (graphic arts)
|
203
|
6
|
Stub
|
Mid
|
475
|
Yorgo Tloupas
|
203
|
6
|
B
|
Low
|
476
|
Jobbing press
|
200
|
6
|
Start
|
Mid
|
477
|
Ray-traced ambient occlusion
|
200
|
6
|
Stub
|
Low
|
478
|
Patrice Murciano
|
199
|
6
|
Start
|
Low
|
479
|
Max Huber (graphic designer)
|
198
|
6
|
Start
|
Mid
|
480
|
Carin Goldberg
|
198
|
6
|
Start
|
Low
|
481
|
Kozyndan
|
197
|
6
|
Start
|
Low
|
482
|
Giovanni Pintori
|
197
|
6
|
Start
|
Mid
|
483
|
Out of Home Advertising Association of America
|
197
|
6
|
Stub
|
Low
|
484
|
Alliance Graphique Internationale
|
193
|
6
|
Stub
|
Low
|
485
|
Student design competition
|
192
|
6
|
Start
|
Low
|
486
|
George Macy
|
192
|
6
|
Start
|
Low
|
487
|
Jessica Helfand
|
191
|
6
|
Start
|
Unknown
|
488
|
Invisible Creature
|
190
|
6
|
Stub
|
Low
|
489
|
Creative brief
|
190
|
6
|
Start
|
Low
|
490
|
Safiya al Bahlani
|
190
|
6
|
Start
|
Low
|
491
|
MetaDesign
|
188
|
6
|
Start
|
Low
|
492
|
Richard Hollis
|
188
|
6
|
Stub
|
Unknown
|
493
|
Katherine McCoy
|
188
|
6
|
B
|
High
|
494
|
Zoltron
|
188
|
6
|
C
|
Unknown
|
495
|
Matrix Feminist Design Co-operative
|
187
|
6
|
C
|
Low
|
496
|
Michael Schwab (designer)
|
187
|
6
|
Stub
|
Unknown
|
497
|
Michael Cho (illustrator)
|
186
|
6
|
Stub
|
Low
|
498
|
Armando Testa
|
186
|
6
|
C
|
Low
|
499
|
Roger Black (graphic designer)
|
186
|
6
|
Start
|
Low
|
500
|
Gui Bonsiepe
|
185
|
6
|
Stub
|
Unknown
|
501
|
Mackey Saturday
|
184
|
6
|
Start
|
Mid
|
502
|
See Red Women's Workshop
|
183
|
6
|
Start
|
Unknown
|
503
|
Nick de Ville
|
181
|
6
|
Start
|
Unknown
|
504
|
Brett Wickens
|
180
|
6
|
Start
|
Low
|
505
|
Marc Balet
|
180
|
6
|
Start
|
Low
|
506
|
Lou Dorfsman
|
179
|
5
|
Start
|
Low
|
507
|
List of Art on the Underground Tube map covers
|
179
|
5
|
List
|
Unknown
|
508
|
Bruce Blackburn
|
179
|
5
|
Start
|
Low
|
509
|
Jim Silke
|
179
|
5
|
Stub
|
Low
|
510
|
Tony Lane
|
178
|
5
|
Stub
|
Low
|
511
|
Association of Registered Graphic Designers
|
176
|
5
|
Start
|
Low
|
512
|
Mehemed Fehmy Agha
|
176
|
5
|
Start
|
Mid
|
513
|
William S. Harvey
|
176
|
5
|
Start
|
Low
|
514
|
Corporate design
|
175
|
5
|
Redirect
|
Mid
|
515
|
Saffron Brand Consultants
|
175
|
5
|
Start
|
Mid
|
516
|
Samuel Burgess-Johnson
|
175
|
5
|
Start
|
Low
|
517
|
Rudolph Ruzicka
|
174
|
5
|
Start
|
Low
|
518
|
Erik Nitsche
|
174
|
5
|
Stub
|
Unknown
|
519
|
Jay Alders
|
169
|
5
|
C
|
Low
|
520
|
Curve (tonality)
|
167
|
5
|
Stub
|
Mid
|
521
|
E-Types
|
165
|
5
|
Stub
|
Low
|
522
|
J. Abbott Miller
|
164
|
5
|
Start
|
Low
|
523
|
Porter Garnett
|
164
|
5
|
Start
|
Low
|
524
|
Web template
|
163
|
5
|
Redirect
|
NA
|
525
|
Design School Kolding
|
163
|
5
|
Start
|
Unknown
|
526
|
James Victore
|
162
|
5
|
Stub
|
Unknown
|
527
|
Boxology
|
161
|
5
|
Start
|
Low
|
528
|
Reynold Ruffins
|
161
|
5
|
C
|
Low
|
529
|
Representative image
|
161
|
5
|
Stub
|
Low
|
530
|
Hisui Sugiura
|
158
|
5
|
Start
|
Mid
|
531
|
Jer Thorp
|
158
|
5
|
Start
|
Unknown
|
532
|
Lo-Type
|
157
|
5
|
Stub
|
Low
|
533
|
Rudolph de Harak
|
157
|
5
|
Start
|
Low
|
534
|
Object co-segmentation
|
157
|
5
|
C
|
Low
|
535
|
Carnegie Mellon School of Design
|
153
|
5
|
Start
|
Mid
|
536
|
Hans Rudi Erdt
|
153
|
5
|
Start
|
Unknown
|
537
|
Fumism
|
153
|
5
|
B
|
Mid
|
538
|
Thomas Spitzer
|
152
|
5
|
Start
|
Low
|
539
|
Jane Davis Doggett
|
151
|
5
|
Start
|
Unknown
|
540
|
John Casado
|
150
|
5
|
Start
|
Mid
|
541
|
Frederic G. Melcher
|
149
|
4
|
Start
|
Low
|
542
|
Karl Bickel
|
149
|
4
|
C
|
Low
|
543
|
Kōhei Sugiura
|
148
|
4
|
Unknown
|
Unknown
|
544
|
Timothy Cole
|
147
|
4
|
Start
|
Low
|
545
|
Germano Facetti
|
147
|
4
|
Stub
|
Low
|
546
|
Hans Schleger
|
147
|
4
|
C
|
Mid
|
547
|
Lorraine Wild
|
146
|
4
|
Stub
|
Low
|
548
|
Michael Patrick Cronan
|
146
|
4
|
C
|
Low
|
549
|
Bob Pepper (illustrator)
|
146
|
4
|
Start
|
Low
|
550
|
Deena Mohamed
|
146
|
4
|
C
|
Low
|
551
|
Nabil Abou-Harb
|
144
|
4
|
C
|
Low
|
552
|
Paul Sahre
|
143
|
4
|
Start
|
Low
|
553
|
Sun Raster
|
143
|
4
|
Start
|
Low
|
554
|
Tony Chambers
|
143
|
4
|
C
|
Mid
|
555
|
Andrew Blauvelt
|
142
|
4
|
Start
|
Low
|
556
|
E. C. Stoner
|
142
|
4
|
GA
|
Low
|
557
|
Jugate
|
141
|
4
|
C
|
Low
|
558
|
Dennis Ichiyama
|
141
|
4
|
Start
|
Unknown
|
559
|
The Ant Farm
|
139
|
4
|
Stub
|
Low
|
560
|
National Library Symbol
|
139
|
4
|
Start
|
Unknown
|
561
|
Papervision3D
|
138
|
4
|
Start
|
Unknown
|
562
|
Art Sims
|
138
|
4
|
Start
|
Unknown
|
563
|
Lisa Strausfeld
|
135
|
4
|
C
|
Low
|
564
|
Mikhail Sokolov
|
135
|
4
|
Start
|
Low
|
565
|
Marina Willer
|
134
|
4
|
Stub
|
Unknown
|
566
|
Khoi Vinh
|
133
|
4
|
Stub
|
Low
|
567
|
Julia Hasting
|
133
|
4
|
C
|
Unknown
|
568
|
Kii Arens
|
132
|
4
|
C
|
Unknown
|
569
|
Rack card
|
131
|
4
|
Stub
|
Low
|
570
|
Alexander Isley
|
131
|
4
|
Start
|
Low
|
571
|
Art Directors Club Hall of Fame
|
131
|
4
|
List
|
Low
|
572
|
Soren Iverson
|
130
|
4
|
Start
|
Low
|
573
|
Sandra Eisert
|
128
|
4
|
B
|
Mid
|
574
|
Hansje van Halem
|
128
|
4
|
Start
|
Low
|
575
|
Daniel Berkeley Updike
|
127
|
4
|
Start
|
Low
|
576
|
E-Lab
|
127
|
4
|
B
|
Unknown
|
577
|
Clement Mok
|
126
|
4
|
Stub
|
Low
|
578
|
Philippe Apeloig
|
126
|
4
|
Start
|
Mid
|
579
|
Chepman and Myllar Press
|
126
|
4
|
C
|
Low
|
580
|
Pulsonix
|
126
|
4
|
Start
|
Unknown
|
581
|
Antigirl
|
126
|
4
|
C
|
Low
|
582
|
Norman Ives
|
125
|
4
|
C
|
Low
|
583
|
Graphics coordinator
|
124
|
4
|
Start
|
Low
|
584
|
Frank Parkinson Newbould
|
124
|
4
|
Stub
|
Low
|
585
|
Edley ODowd
|
124
|
4
|
Start
|
Low
|
586
|
Sandy Dvore
|
123
|
4
|
Start
|
Low
|
587
|
Arnold Armitage
|
123
|
4
|
Stub
|
Low
|
588
|
David Plunkert
|
122
|
4
|
Stub
|
Unknown
|
589
|
Jaap Drupsteen
|
122
|
4
|
Stub
|
Unknown
|
590
|
Sons of Chaos
|
122
|
4
|
C
|
Low
|
591
|
Steve Duenes
|
121
|
4
|
Start
|
Low
|
592
|
Astrid Stavro
|
121
|
4
|
Start
|
Low
|
593
|
John Gall (designer)
|
121
|
4
|
Start
|
Low
|
594
|
Rudolf Modley
|
121
|
4
|
C
|
Unknown
|
595
|
Demian Conrad
|
121
|
4
|
C
|
Unknown
|
596
|
Deborah Adler
|
120
|
4
|
Start
|
Low
|
597
|
Matt Gondek
|
120
|
4
|
Start
|
Low
|
598
|
David Berman (graphic designer)
|
119
|
3
|
Start
|
Low
|
599
|
Bruno Monguzzi
|
119
|
3
|
Start
|
Unknown
|
600
|
Kit Hinrichs
|
119
|
3
|
C
|
Low
|
601
|
Paul Shaw (design historian)
|
119
|
3
|
Stub
|
Low
|
602
|
8vo (design)
|
118
|
3
|
Stub
|
Low
|
603
|
Officina Bodoni
|
118
|
3
|
Start
|
Low
|
604
|
Will Burtin
|
117
|
3
|
B
|
Mid
|
605
|
Bram de Does
|
117
|
3
|
Start
|
Mid
|
606
|
Lee Moyer
|
117
|
3
|
C
|
Low
|
607
|
The Gehenna Press
|
115
|
3
|
C
|
Low
|
608
|
Colorway
|
114
|
3
|
Redirect
|
NA
|
609
|
Gaston Redon
|
114
|
3
|
Start
|
Low
|
610
|
Louis Oppenheim
|
113
|
3
|
Start
|
Low
|
611
|
Neal Layton
|
112
|
3
|
Stub
|
Low
|
612
|
Dawn Baillie
|
112
|
3
|
Start
|
Low
|
613
|
Boutros Advertisers Naskh
|
112
|
3
|
Start
|
Unknown
|
614
|
William Drenttel
|
111
|
3
|
Start
|
Low
|
615
|
Eric Thake
|
111
|
3
|
C
|
Low
|
616
|
Adrian Shaughnessy
|
111
|
3
|
C
|
Low
|
617
|
Jennifer Morla
|
110
|
3
|
C
|
Low
|
618
|
Paul Giambarba
|
109
|
3
|
Start
|
Low
|
619
|
Thomas Maitland Cleland
|
109
|
3
|
Start
|
Low
|
620
|
Tomoko Miho
|
109
|
3
|
Start
|
Low
|
621
|
May Massee
|
108
|
3
|
C
|
Unknown
|
622
|
Woody Pirtle
|
108
|
3
|
Start
|
Low
|
623
|
Inge Druckrey
|
107
|
3
|
Start
|
Low
|
624
|
MatterHackers
|
107
|
3
|
Start
|
Low
|
625
|
Morton Goldsholl Associates
|
107
|
3
|
Start
|
Low
|
626
|
Noémi Raymond
|
106
|
3
|
C
|
Low
|
627
|
Modern College of Design
|
105
|
3
|
Stub
|
Low
|
628
|
Patrick Thomas (graphic artist)
|
105
|
3
|
Start
|
Low
|
629
|
Italpinas
|
105
|
3
|
Stub
|
Low
|
630
|
The Blockhouse of Boston
|
105
|
3
|
C
|
Low
|
631
|
Chrysler Design Award
|
104
|
3
|
List
|
Low
|
632
|
JESS3
|
104
|
3
|
Start
|
Low
|
633
|
JPEGmini
|
104
|
3
|
Start
|
Low
|
634
|
Simon Halfon
|
103
|
3
|
Stub
|
Low
|
635
|
Fré Cohen
|
103
|
3
|
Start
|
Low
|
636
|
Lucille Tenazas
|
102
|
3
|
C
|
Low
|
637
|
Matt Willey
|
102
|
3
|
Stub
|
Low
|
638
|
Decorative Designers
|
102
|
3
|
Start
|
Low
|
639
|
John J. Graham
|
101
|
3
|
Start
|
Unknown
|
640
|
Deva Pardue
|
101
|
3
|
Start
|
Unknown
|
641
|
Digital typography
|
100
|
3
|
Redirect
|
NA
|
642
|
Friedrich Kurt Fiedler
|
100
|
3
|
Start
|
Unknown
|
643
|
Rod Dyer
|
100
|
3
|
Stub
|
Low
|
644
|
Stefan G. Bucher
|
99
|
3
|
C
|
Low
|
645
|
Olga Kaljakin
|
99
|
3
|
Stub
|
Low
|
646
|
Abraham Nathanson
|
99
|
3
|
Start
|
Low
|
647
|
Angus Hyland
|
99
|
3
|
Start
|
Low
|
648
|
LiveQuartz
|
99
|
3
|
Start
|
Low
|
649
|
Yiying Lu
|
99
|
3
|
C
|
Unknown
|
650
|
Television presentation
|
98
|
3
|
Start
|
Low
|
651
|
Jayme Odgers
|
98
|
3
|
Stub
|
Low
|
652
|
Kevin Reagan
|
98
|
3
|
Stub
|
Low
|
653
|
Michael Gericke
|
98
|
3
|
C
|
Low
|
654
|
Epica Awards
|
97
|
3
|
Start
|
Low
|
655
|
Michael Hendrix
|
97
|
3
|
C
|
Low
|
656
|
Rob Carter
|
96
|
3
|
Start
|
Low
|
657
|
Gordon Andrews (industrial designer)
|
96
|
3
|
C
|
Mid
|
658
|
Logoworks
|
95
|
3
|
Start
|
Low
|
659
|
J. Thomson Willing
|
95
|
3
|
Start
|
Low
|
660
|
Simon C. Page
|
94
|
3
|
Start
|
Low
|
661
|
Homer Lee
|
93
|
3
|
Stub
|
Low
|
662
|
Steven Brower
|
93
|
3
|
Start
|
Low
|
663
|
It is. A Magazine for Abstract Art
|
93
|
3
|
B
|
Low
|
664
|
Semi-Permanent
|
92
|
3
|
Start
|
Low
|
665
|
Pegasus (artist)
|
92
|
3
|
Start
|
Low
|
666
|
Robert Blakeley
|
92
|
3
|
C
|
Low
|
667
|
Gruye-Vogt Organization
|
92
|
3
|
Start
|
Low
|
668
|
Span (design firm)
|
92
|
3
|
Start
|
High
|
669
|
Harrie Geelen
|
91
|
3
|
Stub
|
Unknown
|
670
|
Michael Vanderbyl
|
91
|
3
|
Stub
|
Low
|
671
|
Jost Hochuli
|
91
|
3
|
Start
|
Low
|
672
|
Antonio Peticov
|
91
|
3
|
C
|
Low
|
673
|
Melbert B. Cary Jr.
|
90
|
3
|
Start
|
Low
|
674
|
Alvin Eisenman
|
90
|
3
|
Stub
|
Low
|
675
|
List of Adobe Flash software
|
90
|
3
|
List
|
Low
|
676
|
Will Ransom
|
90
|
3
|
Start
|
Low
|
677
|
Template generator
|
90
|
3
|
Start
|
High
|
678
|
Carbone Smolan Agency
|
90
|
3
|
C
|
Low
|
679
|
Paul Soulellis
|
90
|
3
|
C
|
Low
|
680
|
Graphex
|
89
|
2
|
Redirect
|
NA
|
681
|
Jurriaan Schrofer
|
89
|
2
|
Stub
|
Unknown
|
682
|
Autonomous Design Group
|
89
|
2
|
Stub
|
Unknown
|
683
|
Jerome Snyder
|
88
|
2
|
Start
|
Low
|
684
|
Joseph Blumenthal (printer)
|
88
|
2
|
C
|
Mid
|
685
|
Hussain Almossawi
|
88
|
2
|
C
|
Low
|
686
|
Tom Carnase
|
88
|
2
|
C
|
Low
|
687
|
Dennis Kois
|
86
|
2
|
Start
|
Low
|
688
|
Ernst Bettler
|
85
|
2
|
Start
|
Low
|
689
|
Lawrence C. Wroth
|
84
|
2
|
C
|
Low
|
690
|
Adam and Sophie Gimbel Design Library
|
84
|
2
|
Stub
|
Low
|
691
|
Marget Larsen
|
84
|
2
|
Start
|
Low
|
692
|
The Longing for Less
|
84
|
2
|
Stub
|
Low
|
693
|
Gamma Epsilon Tau
|
83
|
2
|
Start
|
Unknown
|
694
|
Fabrizio Schiavi
|
83
|
2
|
Start
|
Low
|
695
|
FXT1
|
82
|
2
|
Start
|
Low
|
696
|
AutoCollage 2008
|
82
|
2
|
Stub
|
Low
|
697
|
George Tscherny
|
82
|
2
|
Start
|
Mid
|
698
|
Clive Piercy
|
82
|
2
|
C
|
Low
|
699
|
Doremus & Co.
|
81
|
2
|
Stub
|
Low
|
700
|
Jason Munn
|
80
|
2
|
C
|
Low
|
701
|
John G. Agar (lawyer)
|
80
|
2
|
Start
|
Low
|
702
|
Franzisca Baruch
|
80
|
2
|
GA
|
Low
|
703
|
Basmah Felemban
|
80
|
2
|
Start
|
Low
|
704
|
Bitmap textures
|
79
|
2
|
Stub
|
Low
|
705
|
Louis Silverstein
|
78
|
2
|
Stub
|
Low
|
706
|
Thomas Letts
|
77
|
2
|
Start
|
Low
|
707
|
Burkey Belser
|
76
|
2
|
Start
|
Low
|
708
|
Romana Javitz
|
76
|
2
|
C
|
Low
|
709
|
Do Good Design
|
75
|
2
|
Stub
|
Low
|
710
|
Walter Herdeg
|
75
|
2
|
B
|
Mid
|
711
|
O'Plérou
|
75
|
2
|
Stub
|
Low
|
712
|
Rick Griffith
|
75
|
2
|
Unknown
|
Unknown
|
713
|
Roy Kuhlman
|
74
|
2
|
Start
|
Low
|
714
|
Janet Froelich
|
73
|
2
|
Start
|
Low
|
715
|
Burt Goldblatt
|
73
|
2
|
Start
|
Low
|
716
|
Stefanie Posavec
|
73
|
2
|
Start
|
Unknown
|
717
|
Jarlath Hayes
|
73
|
2
|
Start
|
Low
|
718
|
The History of Graphic Design
|
73
|
2
|
Start
|
Low
|
719
|
Nico de Haas
|
72
|
2
|
Stub
|
Unknown
|
720
|
Base Design
|
72
|
2
|
Stub
|
Unknown
|
721
|
Gene Federico
|
72
|
2
|
Start
|
Low
|
722
|
Carl Fischer (photographer)
|
72
|
2
|
C
|
Low
|
723
|
Bob Salpeter
|
71
|
2
|
Start
|
Low
|
724
|
Raymond Ameijide
|
69
|
2
|
Stub
|
Low
|
725
|
Jauhien Kulik
|
69
|
2
|
Start
|
Low
|
726
|
Italo Lupi
|
69
|
2
|
Start
|
Low
|
727
|
Bayer Cross Leverkusen
|
68
|
2
|
Redirect
|
Low
|
728
|
Peter Seitz
|
68
|
2
|
Start
|
Low
|
729
|
Signal (typeface)
|
68
|
2
|
Start
|
Low
|
730
|
Robert L. Leslie
|
68
|
2
|
Start
|
Low
|
731
|
Assil Diab
|
68
|
2
|
Start
|
Low
|
732
|
Michael Manwaring
|
68
|
2
|
Start
|
Low
|
733
|
Foka Wolf
|
68
|
2
|
B
|
Low
|
734
|
Meredith Davis
|
67
|
2
|
Start
|
Low
|
735
|
Dafi Kühne
|
67
|
2
|
C
|
Low
|
736
|
Dorothy E. Hayes
|
67
|
2
|
C
|
Mid
|
737
|
Ougrapo
|
66
|
2
|
Stub
|
Unknown
|
738
|
Association of Professional Design Firms
|
66
|
2
|
Stub
|
Low
|
739
|
Catherine Zask
|
66
|
2
|
C
|
Low
|
740
|
Mag+
|
65
|
2
|
C
|
Low
|
741
|
WireframeSketcher
|
65
|
2
|
Start
|
Low
|
742
|
100 Beste Plakate
|
65
|
2
|
Start
|
Low
|
743
|
Yang Sung-chun
|
65
|
2
|
Start
|
Low
|
744
|
Alan Peckolick
|
64
|
2
|
Start
|
Unknown
|
745
|
Trickett & Webb
|
64
|
2
|
Unknown
|
Unknown
|
746
|
A Smile in the Mind
|
64
|
2
|
Start
|
Unknown
|
747
|
Gene Greif
|
64
|
2
|
Stub
|
Low
|
748
|
Michael Mabry
|
64
|
2
|
Stub
|
Unknown
|
749
|
Ismar David
|
64
|
2
|
Stub
|
Low
|
750
|
Fons Hickmann
|
63
|
2
|
Start
|
Low
|
751
|
Urso Chappell
|
63
|
2
|
Stub
|
Low
|
752
|
Tony DiSpigna
|
63
|
2
|
Start
|
Low
|
753
|
Makoto Saitō (designer)
|
62
|
2
|
Stub
|
Low
|
754
|
Malcolm Grear
|
62
|
2
|
Start
|
Low
|
755
|
Faride Mereb
|
62
|
2
|
Start
|
Unknown
|
756
|
Hans Neuburg
|
62
|
2
|
Stub
|
Unknown
|
757
|
Adobe Photoshop CS5 Macintosh
|
61
|
2
|
Redirect
|
NA
|
758
|
Willy de Majo
|
61
|
2
|
C
|
Unknown
|
759
|
Jo Mazelis
|
60
|
2
|
C
|
Mid
|
760
|
Tod Lippy
|
60
|
2
|
C
|
Low
|
761
|
Leon Friend
|
60
|
2
|
Start
|
Low
|
762
|
Gertrude Huston
|
60
|
2
|
C
|
Low
|
763
|
Henry Watson Kent
|
59
|
1
|
C
|
Low
|
764
|
Institute of Designers in Ireland
|
59
|
1
|
Start
|
Low
|
765
|
Ben Blank
|
58
|
1
|
Start
|
Low
|
766
|
List of trademarks featuring Native Americans
|
58
|
1
|
List
|
Low
|
767
|
Evert Bloemsma
|
58
|
1
|
Start
|
Unknown
|
768
|
Rick Valicenti
|
58
|
1
|
C
|
High
|
769
|
Marthe Rajchman
|
58
|
1
|
B
|
Unknown
|
770
|
Paul Clark (designer)
|
57
|
1
|
C
|
Unknown
|
771
|
Joel Robinson (graphic designer)
|
57
|
1
|
Start
|
Low
|
772
|
Noel Martin
|
56
|
1
|
Start
|
Low
|
773
|
Trevor Johnson (designer)
|
56
|
1
|
Stub
|
Unknown
|
774
|
Louise Sandhaus
|
56
|
1
|
Start
|
Mid
|
775
|
Lou Nolan (artist)
|
56
|
1
|
Start
|
Unknown
|
776
|
Agrafka Creative Workshop
|
56
|
1
|
Start
|
Low
|
777
|
Gideon Amichay
|
55
|
1
|
Start
|
Low
|
778
|
Carl Max Schultheiss
|
55
|
1
|
Start
|
Low
|
779
|
Söre Popitz
|
55
|
1
|
Start
|
Low
|
780
|
Sue Crolick
|
55
|
1
|
B
|
Low
|
781
|
The Poster
|
54
|
1
|
Stub
|
Low
|
782
|
Maggie Baylis
|
54
|
1
|
Start
|
Unknown
|
783
|
WRDSMTH
|
54
|
1
|
Start
|
Unknown
|
784
|
Stratford Press (Cincinnati)
|
54
|
1
|
C
|
Low
|
785
|
Vicente Rojo Almazán
|
54
|
1
|
Stub
|
Unknown
|
786
|
Number Seventeen (design)
|
53
|
1
|
Stub
|
Unknown
|
787
|
Guo Chunning
|
53
|
1
|
Stub
|
Unknown
|
788
|
Robert Rabinowitz
|
53
|
1
|
Stub
|
Low
|
789
|
Georgianna Stout
|
53
|
1
|
Start
|
Low
|
790
|
Huda Smitshuijzen AbiFarès
|
53
|
1
|
Start
|
Low
|
791
|
Rufus Segar
|
53
|
1
|
Start
|
Low
|
792
|
Pablo Martín (graphic designer)
|
53
|
1
|
Start
|
Unknown
|
793
|
Stephen H. Horgan
|
52
|
1
|
Stub
|
Low
|
794
|
Independent Publishing Resource Center
|
52
|
1
|
Start
|
Low
|
795
|
John Charles Norman
|
52
|
1
|
Stub
|
Low
|
796
|
Alexis Georgacopoulos
|
52
|
1
|
Start
|
Low
|
797
|
Document composition
|
51
|
1
|
Stub
|
Mid
|
798
|
Anne-Birthe Hove
|
51
|
1
|
Stub
|
Low
|
799
|
Emmett McBain
|
51
|
1
|
Start
|
Unknown
|
800
|
Paul Dumas
|
51
|
1
|
Start
|
Low
|
801
|
Noreen Morioka
|
51
|
1
|
Start
|
Unknown
|
802
|
Donald M. Anderson
|
50
|
1
|
Start
|
Low
|
803
|
Paul Bennett (typographer)
|
49
|
1
|
Stub
|
Unknown
|
804
|
Outline of advertising
|
49
|
1
|
List
|
High
|
805
|
75B
|
49
|
1
|
Start
|
Low
|
806
|
Clarence P. Hornung
|
49
|
1
|
Start
|
Low
|
807
|
Advertising Producers Association
|
49
|
1
|
Stub
|
Low
|
808
|
Paul Balin
|
49
|
1
|
Stub
|
Low
|
809
|
Józef Mroszczak
|
48
|
1
|
Start
|
Unknown
|
810
|
ANY (magazine)
|
48
|
1
|
Stub
|
Low
|
811
|
Gail Swanlund
|
48
|
1
|
Start
|
Unknown
|
812
|
Roland Hobart
|
48
|
1
|
C
|
Mid
|
813
|
Leo Obstbaum
|
47
|
1
|
Start
|
Unknown
|
814
|
Burton Emmett
|
47
|
1
|
Start
|
Unknown
|
815
|
Jennifer Kinon
|
47
|
1
|
Stub
|
Unknown
|
816
|
Rob Roy Kelly
|
47
|
1
|
Start
|
Low
|
817
|
Jianping He
|
47
|
1
|
C
|
Unknown
|
818
|
Alison Forbes
|
47
|
1
|
C
|
Low
|
819
|
Robert E. Pearlman
|
47
|
1
|
C
|
Low
|
820
|
Elsa Jernås
|
47
|
1
|
Start
|
Low
|
821
|
Pino Tovaglia
|
46
|
1
|
Start
|
Mid
|
822
|
William A. Kittredge
|
46
|
1
|
Start
|
Low
|
823
|
Henry Lewis Bullen
|
46
|
1
|
Start
|
Low
|
824
|
Ryszard Grzyb
|
46
|
1
|
Stub
|
Low
|
825
|
Edward Epstean
|
46
|
1
|
Start
|
Low
|
826
|
Karen TenEyck
|
45
|
1
|
Start
|
Unknown
|
827
|
Dorothy Shepard
|
45
|
1
|
Start
|
Unknown
|
828
|
Ron Miriello
|
44
|
1
|
C
|
Low
|
829
|
Linked by Air
|
44
|
1
|
C
|
High
|
830
|
Rudi Bass
|
43
|
1
|
Start
|
Unknown
|
831
|
Brett Yasko
|
43
|
1
|
C
|
Low
|
832
|
Norman Wilson (graphic designer)
|
43
|
1
|
Start
|
Unknown
|
833
|
P. J. Conkwright
|
42
|
1
|
Start
|
Low
|
834
|
Glenn Goluska
|
42
|
1
|
Stub
|
Unknown
|
835
|
Pieter Brattinga
|
41
|
1
|
Stub
|
Unknown
|
836
|
Erkki Ruuhinen
|
41
|
1
|
Start
|
Unknown
|
837
|
Tevfik Fikret Uçar
|
41
|
1
|
Start
|
Low
|
838
|
Ian Moo-Young
|
41
|
1
|
Start
|
Low
|
839
|
Michel Wlassikoff
|
40
|
1
|
Stub
|
Low
|
840
|
Kijuro Yahagi
|
40
|
1
|
Start
|
Low
|
841
|
Sony Ziris
|
39
|
1
|
Start
|
Mid
|
842
|
The Electronic Font Foundry
|
39
|
1
|
Stub
|
Low
|
843
|
Société des designers graphiques du Québec
|
39
|
1
|
Start
|
Low
|
844
|
Henrietta Condak
|
39
|
1
|
Start
|
Unknown
|
845
|
Graphical time warping
|
39
|
1
|
C
|
Low
|
846
|
Péter Pócs
|
39
|
1
|
Start
|
Low
|
847
|
Jakup Ferri (artist)
|
39
|
1
|
Stub
|
Low
|
848
|
Lita Talarico
|
38
|
1
|
Start
|
Low
|
849
|
Harmen Liemburg
|
38
|
1
|
Start
|
Unknown
|
850
|
Krome photos
|
38
|
1
|
Stub
|
Low
|
851
|
Frank Rocholl
|
37
|
1
|
C
|
Low
|
852
|
Tinc (retail)
|
37
|
1
|
Stub
|
Low
|
853
|
Moses Bahelfer
|
37
|
1
|
Start
|
Unknown
|
854
|
Carl Purington Rollins
|
37
|
1
|
Start
|
Low
|
855
|
Hiwa Pashaei
|
37
|
1
|
C
|
Low
|
856
|
Gene Mackles
|
37
|
1
|
Unknown
|
Unknown
|
857
|
Strategy visualization
|
36
|
1
|
Stub
|
Low
|
858
|
Roger Ferriter
|
36
|
1
|
Start
|
Low
|
859
|
Calori & Vanden-Eynden
|
36
|
1
|
Start
|
Low
|
860
|
Ivo Puhonny
|
36
|
1
|
Start
|
Low
|
861
|
Lorraine Louie
|
35
|
1
|
Stub
|
Low
|
862
|
Sally Carns
|
34
|
1
|
Stub
|
Low
|
863
|
Helene Nonné-Schmidt
|
34
|
1
|
Start
|
Low
|
864
|
Hugo Puttaert
|
33
|
1
|
Start
|
Low
|
865
|
GumCo
|
33
|
1
|
Stub
|
Low
|
866
|
Abel Mignon
|
33
|
1
|
Start
|
Low
|
867
|
Jason Pickleman
|
33
|
1
|
Start
|
Unknown
|
868
|
Mike Warren (designer)
|
32
|
1
|
C
|
Unknown
|
869
|
Web button
|
31
|
1
|
Redirect
|
Low
|
870
|
Gyorgy Bp. Szabo
|
31
|
1
|
Start
|
Low
|
871
|
Laurie Haycock Makela
|
31
|
1
|
C
|
Low
|
872
|
Communicate: Independent British Graphic Design since the Sixties
|
30
|
1
|
Stub
|
Unknown
|
873
|
Jan V. White
|
30
|
1
|
Start
|
Low
|
874
|
Elmer Adler
|
30
|
1
|
Start
|
Low
|
875
|
Harry Lapow
|
30
|
1
|
C
|
Low
|
876
|
Jacques Koeweiden
|
29
|
0
|
Start
|
Low
|
877
|
Axel Bertram
|
29
|
0
|
C
|
Unknown
|
878
|
Bernie Haynes Robynson
|
29
|
0
|
Start
|
Low
|
879
|
Boudewijn Ietswaart
|
28
|
0
|
C
|
Low
|
880
|
Erik Heyl
|
28
|
0
|
Start
|
Unknown
|
881
|
Marion Sampler
|
28
|
0
|
C
|
Low
|
882
|
Gonzalo Tassier
|
27
|
0
|
Unknown
|
Unknown
|
883
|
Ray Nash
|
27
|
0
|
Start
|
Low
|
884
|
Fabio Mochi
|
27
|
0
|
Start
|
Low
|
885
|
Kim Rees
|
27
|
0
|
Start
|
Unknown
|
886
|
Monica Ulmanu
|
27
|
0
|
Stub
|
Unknown
|
887
|
Robert Ballagh postage stamp designs
|
26
|
0
|
List
|
Low
|
888
|
Stanisław Czerski
|
24
|
0
|
Stub
|
Unknown
|
889
|
Saul Mandel
|
24
|
0
|
Start
|
Low
|
890
|
Pierre Kleykamp
|
24
|
0
|
Start
|
Unknown
|
891
|
Futuracha Pro
|
24
|
0
|
Stub
|
Low
|
892
|
Gerrit Willem Ovink
|
24
|
0
|
Stub
|
Low
|
893
|
Norman T.A. Munder
|
23
|
0
|
C
|
Mid
|
894
|
Warren Group – Studio Deluxe
|
23
|
0
|
Start
|
Low
|
895
|
The Firecracker Press
|
23
|
0
|
Start
|
Low
|
896
|
Standing Committee of Trade Unions in the Graphic Industry
|
23
|
0
|
Stub
|
Low
|
897
|
Ann Willoughby
|
23
|
0
|
C
|
Low
|
898
|
Don Trousdell
|
23
|
0
|
Start
|
Low
|
899
|
Fra Paalman
|
23
|
0
|
C
|
Low
|
900
|
Marie Victor Poterlet
|
22
|
0
|
Start
|
Low
|
901
|
Wiesław Rosocha
|
21
|
0
|
Stub
|
Low
|
902
|
3D Artist
|
21
|
0
|
Redirect
|
Low
|
903
|
Suranga Udari
|
21
|
0
|
Start
|
Low
|
904
|
América Sánchez
|
21
|
0
|
Stub
|
Low
|
905
|
Charles Burki
|
21
|
0
|
Stub
|
Low
|
906
|
Graphic Thought Facility
|
20
|
0
|
Stub
|
Unknown
|
907
|
Anna Sipkema
|
20
|
0
|
C
|
Unknown
|
908
|
Péter Virágvölgyi
|
20
|
0
|
C
|
Low
|
909
|
Andriy Chebykin
|
20
|
0
|
Start
|
Low
|
910
|
Karmele Leizaola
|
19
|
0
|
C
|
Unknown
|
911
|
Arabik Baghdasarian
|
19
|
0
|
Unknown
|
Unknown
|
912
|
Swiss Design Awards
|
19
|
0
|
Start
|
Low
|
913
|
Herbert Temple Jr.
|
18
|
0
|
C
|
Low
|
914
|
Alioum Moussa
|
17
|
0
|
Start
|
Low
|
915
|
Ivan Ivanitsky
|
17
|
0
|
Start
|
Low
|
916
|
Alfred H. Howard
|
15
|
0
|
Stub
|
Unknown
|
917
|
VertigoXmedia
|
13
|
0
|
Stub
|
Low
|
918
|
Jabbar Gasimov
|
13
|
0
|
Start
|
Low
|
919
|
Claude Perchat
|
12
|
0
|
Unknown
|
Unknown
|
920
|
Hans Leistikow (artist)
|
10
|
0
|
Start
|
Low
|
921
|
Spectrum Award for Advertising
|
9
|
0
|
Redirect
|
Low
|
922
|
Adobe Illustrator CS6 (Macintosh)
|
7
|
0
|
Redirect
|
NA
|
923
|
I Heart New York
|
6
|
0
|
Redirect
|
NA
|
924
|
Comparison of user features of chatbots
|
6
|
0
|
Redirect
|
NA
|
925
|
Ari Forman
|
5
|
0
|
Redirect
|
NA
|
926
|
Piet Gerards
|
5
|
0
|
Start
|
Unknown
|
927
|
AIGA, the professional association for design
|
4
|
0
|
Redirect
|
NA
|
928
|
Graphical design
|
1
|
0
|
Redirect
|
NA
|
929
|
Visualizer (advertising)
|
0
|
0
|
Redirect
|
Low
|