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The Woman's Angle

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The Woman's Angle
Directed byLeslie Arliss
Written byLeslie Arliss
Mabbie Pool
Frederick Gotfurt
Based onThree Cups of Coffee by Ruth Feiner
Produced byWalter C. Mycroft
StarringEdward Underdown
Cathy O'Donnell
Lois Maxwell
Claude Farell
CinematographyErwin Hillier
Edited byE.B. Jarvis
Music byRobert Gill (musical score)
Louis Levy (musical director)
Production
company
Distributed byAssociated British-Pathé
Release date
  • February 1952 (1952-02) (U.K.)
Running time
86 minutes
CountryUnited Kingdom
LanguageEnglish
Box office£91,096 (UK)[1]

The Woman's Angle is 1952 British drama film directed by Leslie Arliss and starring Edward Underdown, Cathy O'Donnell and Lois Maxwell.[2] It was written by Arliss, Mabbie Pool and Frederick Gotfurt based on the 1940 novel Three Cups of Coffee by Ruth Feiner.[3]

Plot

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The film is the story of three love affairs of a man who belongs to celebrated family of musicians, culminating in divorce and his final discovery of happiness.

Cast

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Production

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Arliss had been a fan of the novel since he read it in 1944.[4] Peter Reynods was under contract to Associated British at the time.[5]

Critical reception

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The Monthly Film Bulletin wrote: "As the title suggests, this is no more than the filming of a woman's magazine story, and has the traditional air of unreality. The ingredients – eccentric genius, misunderstandings, music, and a variety of settings – are put together without inspiration."[6]

Kine Weekly wrote: "The picture, which pivots on the divorce court and is unfolded in flashback, is at times apt to take itself a little too seriously, but it nevertheless contains many touching and amusing moments, lightly spiced with sex. Edward Underdown is not too happily cast as the susceptible Robert, but Lois Maxwell, Claude Farell and Cathy O'Donnel have very definite personalities and register in contrast as Enid, Delsya and Nina respectively. Pleasing musical accompaniment, which includes an original concerto, completes the engaging oracle."[7]

Picturegoer wrote: "Hardly an edifying story, it's true, but the witty sophistication and gaiety with which it is decked out make it an amusing piece with occasional moments of enchantment. Leslie Arliss' direction, helped by some brittle dialogue, slithers skilfully over some very thin ice."[8]

In British Sound Films: The Studio Years 1928–1959 David Quinlan rated the film as "mediocre", writing: "Arliss still making films to a Gainsborough formula that no longer works; novelettish stuff."[9]

In The New York Times, Bosley Crowther thought the film "a grim little sample of bad writing, bad acting and bad directing all around."[10]

References

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  1. ^ Vincent Porter, 'The Robert Clark Account', Historical Journal of Film, Radio and Television, Vol 20 No 4, 2000 p 498
  2. ^ "The Woman's Angle". British Film Institute Collections Search. Retrieved 27 December 2023.
  3. ^ Goble, Alan (1 January 1999). The Complete Index to Literary Sources in Film. Walter de Gruyter. ISBN 9783110951943 – via Google Books.
  4. ^ "He waited 7 years to do film". The Mail (Adelaide). Vol. 41, no. 2, 064. South Australia. 22 December 1951. p. 7 (SUNDAY MAGAZINE). Retrieved 26 October 2017 – via National Library of Australia.
  5. ^ Vagg, Stephen (11 November 2024). "Peter Reynolds: Forgotten Cad". Filmink. Retrieved 11 November 2024.
  6. ^ "The Woman's Angle". The Monthly Film Bulletin. 19 (216): 82. 1 January 1952 – via ProQuest.
  7. ^ "The Woman's Angle". Kine Weekly. 422 (2340): 22. 1 May 1952. ProQuest 2732582483.
  8. ^ "The Woman's Angle". Picturegoer. 23: 16. 3 June 1952. ProQuest 1771213222.
  9. ^ Quinlan, David (1984). British Sound Films: The Studio Years 1928–1959. London: B.T. Batsford Ltd. p. 401. ISBN 0-7134-1874-5.
  10. ^ "Movie Reviews". The New York Times. 28 February 2020.
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