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"The Spectre of Comparison" – Artists as emblematic of Filipino nationalist author José Rizal's "devil of comparisons", as the protagonist of his Noli Me Tángere returned to Manila and compared the capital against European cities. Curated by the director of the Manila Museum of Contemporary Art and Design.[18]
"Little Review" – a photography series on the history of a children's publication by Polish newspaper Nasz Przeglad, and a film that interviews young women at Polish sociotherapy centers[19]
"Appearances" – The project won the highest score in the Culture Ministry's two-round selection process. The artist had previously appeared in the 1960 and 2013 biennales in group exhibitions. The curator works at the country's National Museum of Contemporary Art (MNAC).[20]
The curator is associated with the Russian government. The exhibition was originally the latter three, but Bruskin was added to show the breadth of Russia's contemporary arts. Bruskin, an older artist, makes prints that show how his faith conflicts with his country's politics. Pirogova uses movement and motion, and the Recycle Group explores societal excess and the materials that will remain when the world ends.[21]
"Women of Venice" – On the legacy and universe of Alberto Giacometti. In his life, Giacometti declined to show in the Swiss pavilion designed by his brother, but eventually showed his "Women of Venice" at the French pavilion in 1956. Organized by Swiss Arts Council Pro Helvetia.[26][27]