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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. The concept of martial arts was originally associated with East Asian tradition, but subsequently the term has been applied to practices that originated outside that region. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE. A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
    A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE.


    A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

    The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
  • Image 2 Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left). A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application, and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
    Japanese swords. Two tachi with full mountings (middle and bottom right), a sword with a Shirasaya-style tsuka (top right), a wakizashi (top left), and various tsuba (bottom left).


    A Japanese sword (Japanese: 日本刀, Hepburn: nihontō) is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application, and method of manufacture. Some of the more commonly known types of Japanese swords are the uchigatana, tachi, ōdachi, wakizashi, and tantō. (Full article...)
  • Image 3 a silver stater of Aspendos, Pamphilia (c.380-325 BC) Greek wrestling (Ancient Greek: πάλη, romanized: pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match. One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)

    a silver stater of Aspendos, Pamphilia (c.380-325 BC)

    Greek wrestling (Ancient Greek: πάλη, romanized: pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match.

    One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)
  • Image 4 Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817. A ninja (忍 (にん)者 (じゃ); English: /ˈnɪn.dʒə/, Japanese: [ɲiꜜɲ.dʑa]), shinobi no mono (忍 (しの)びの者 (もの); Japanese: [ɕi.no.bʲi no mo.noꜜ]) or shinobi (忍 (しの)び; Japanese: [ɕi.no.bʲi]) was a spy and infiltrator in pre-modern Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding. Antecedents may have existed as early as the 12th century. There is little evidence that they were assassins. In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676). (Full article...)
    Drawing of the archetypical ninja from a series of sketches by Hokusai. Woodblock print on paper. Vol. six, 1817.


    A ninja (忍 (にん)者 (じゃ); English: /ˈnɪn.dʒə/, Japanese: [ɲiꜜɲ.dʑa]), shinobi no mono (忍 (しの)びの者 (もの); Japanese: [ɕi.no.bʲi no mo.noꜜ]) or shinobi (忍 (しの)び; Japanese: [ɕi.no.bʲi]) was a spy and infiltrator in pre-modern Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding. Antecedents may have existed as early as the 12th century. There is little evidence that they were assassins.

    In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the Tokugawa shogunate in the 17th century, the ninja faded into obscurity. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676). (Full article...)
  • Image 5 Luta Livre (Portuguese: [ˈlutɐ ˈlivɾi], lit. freestyle fighting or wrestling), known in Brazil as Luta Livre Brasileira (lit. Brazilian freestyle fighting) or Luta Livre Submission, and also Brazilian Submission Wrestling, is a Brazilian martial arts and combat sport created by Euclydes Hatem in Rio de Janeiro. Primarily a mixture of catch wrestling and kosen judo, there is also ground striking with the hands, feet, knees and elbows. Notable practitioners include Marco Ruas, Ebenezer Fontes Braga, Johil de Oliveira, Alexandre Franca Nogueira, Renato Sobral, Gesias Cavalcante, Pedro Rizzo, Darren Till and José Aldo. There are two styles: esportiva ("sporting") and combate ("ground strikes"); both styles are no-gi. In esportiva competitions, grappling techniques are the only techniques allowed to subdue the opponent. Another style developed later is called "Luta Livre Vale Tudo", which is similar to the modern MMA style which allows both standing and ground strikes and submissions. Consequently, it is important to calmly strategize and execute moves with the aim to force the opponent to submit via armlock, leglock, choke or necklock, or to win by points (i.e. takedowns, domination position). Punches, kicks and other "hard" techniques are not allowed as this is considered more a sport than actual combat. Combate, on the other hand, includes striking techniques on the ground; palm strikes and kicks are allowed, but the ground fight and submissions are still the largest elements. This is also the form used in MMA-style fights. (Full article...)

    Luta Livre (Portuguese: [ˈlutɐ ˈlivɾi], lit. freestyle fighting or wrestling), known in Brazil as Luta Livre Brasileira (lit. Brazilian freestyle fighting) or Luta Livre Submission, and also Brazilian Submission Wrestling, is a Brazilian martial arts and combat sport created by Euclydes Hatem in Rio de Janeiro. Primarily a mixture of catch wrestling and kosen judo, there is also ground striking with the hands, feet, knees and elbows. Notable practitioners include Marco Ruas, Ebenezer Fontes Braga, Johil de Oliveira, Alexandre Franca Nogueira, Renato Sobral, Gesias Cavalcante, Pedro Rizzo, Darren Till and José Aldo.

    There are two styles: esportiva ("sporting") and combate ("ground strikes"); both styles are no-gi. In esportiva competitions, grappling techniques are the only techniques allowed to subdue the opponent. Another style developed later is called "Luta Livre Vale Tudo", which is similar to the modern MMA style which allows both standing and ground strikes and submissions. Consequently, it is important to calmly strategize and execute moves with the aim to force the opponent to submit via armlock, leglock, choke or necklock, or to win by points (i.e. takedowns, domination position). Punches, kicks and other "hard" techniques are not allowed as this is considered more a sport than actual combat. Combate, on the other hand, includes striking techniques on the ground; palm strikes and kicks are allowed, but the ground fight and submissions are still the largest elements. This is also the form used in MMA-style fights. (Full article...)
  • Image 6 Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀) Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts. The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
    Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀)


    Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts.

    The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
  • Image 7 Family crest of the Takeda clan. Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)

    Family crest of the Takeda clan.
    Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)
  • Image 8 Vale Tudo or vale-tudo (Portuguese pronunciation: [ˈvali ˈtudu]; English: Everything Goes/Everything Allowed), also known as No Holds Barred (NHB) in the United States, is an unarmed, full-contact combat sport with relatively few rules. It became popular in Brazil during the 20th century and would eventually evolve into modern mixed martial arts (MMA). For years, "Vale Tudo" was used as a synonym for MMA in Brazil, but the term fell into disuse due to the emergence of stricter rules and the influence of the media to have a more "civilized" name. It is now used to refer to an early, more rules-free stage of the modern sport. Vale Tudo initially started as an informal ruleset for fighters from different martial arts to fight each other. The Gracie family was known to organize their famous "Gracie Challenge", where they would fight other martial artists in Vale Tudo bouts to prove the efficiency and superiority of their own Gracie Jiu-Jitsu. Many fighters eventually started to train specifically for Vale Tudo events, mixing striking and grappling, eventually advertising "Vale Tudo" as its own standalone style. For example, Marco Ruas referred to his hybrid style of Luta Livre and Muay Thai striking simply as "Vale Tudo". (Full article...)
    Vale Tudo or vale-tudo (Portuguese pronunciation: [ˈvali ˈtudu]; English: Everything Goes/Everything Allowed), also known as No Holds Barred (NHB) in the United States, is an unarmed, full-contact combat sport with relatively few rules. It became popular in Brazil during the 20th century and would eventually evolve into modern mixed martial arts (MMA). For years, "Vale Tudo" was used as a synonym for MMA in Brazil, but the term fell into disuse due to the emergence of stricter rules and the influence of the media to have a more "civilized" name. It is now used to refer to an early, more rules-free stage of the modern sport.

    Vale Tudo initially started as an informal ruleset for fighters from different martial arts to fight each other. The Gracie family was known to organize their famous "Gracie Challenge", where they would fight other martial artists in Vale Tudo bouts to prove the efficiency and superiority of their own Gracie Jiu-Jitsu. Many fighters eventually started to train specifically for Vale Tudo events, mixing striking and grappling, eventually advertising "Vale Tudo" as its own standalone style. For example, Marco Ruas referred to his hybrid style of Luta Livre and Muay Thai striking simply as "Vale Tudo". (Full article...)
  • Image 9 A taekwondo match at the 2020 Summer Olympics Taekwondo (/ˌtaɪkwɒnˈdoʊ, ˌtaɪˈkwɒndoʊ, ˌtɛkwənˈdoʊ/; Korean: 태권도; [t̪ʰɛ.k͈wʌ̹n.d̪o] ⓘ) is a Korean martial art and combat sport involving primarily kicking techniques and punching. "Taekwondo" can be translated as tae ("strike with foot"), kwon ("strike with hand"), and do ("the art or way"). In addition to its five tenets of courtesy, integrity, perseverance, self-control and indomitable spirit, the sport requires three physical skills: poomsae (품새, Form), kyorugi (겨루기, Sparring) and gyeokpa (격파, Breaking Technique). Poomsae are patterns that demonstrate a range of kicking, punching and blocking techniques, kyorugi involves the kind of sparring seen in the Olympics, and gyeokpa is the art of breaking wooden boards. Taekwondo also sometimes involves the use of weapons such as swords and nunchucks (nunchaku). Taekwondo practitioners wear a uniform known as a dobok. (Full article...)

    A taekwondo match at the 2020 Summer Olympics

    Taekwondo (/ˌtaɪkwɒnˈdoʊ, ˌtaɪˈkwɒndoʊ, ˌtɛkwənˈdoʊ/; Korean: 태권도; [t̪ʰɛ.k͈wʌ̹n.d̪o] ⓘ) is a Korean martial art and combat sport involving primarily kicking techniques and punching. "Taekwondo" can be translated as tae ("strike with foot"), kwon ("strike with hand"), and do ("the art or way"). In addition to its five tenets of courtesy, integrity, perseverance, self-control and indomitable spirit, the sport requires three physical skills: poomsae (품새, Form), kyorugi (겨루기, Sparring) and gyeokpa (격파, Breaking Technique).

    Poomsae are patterns that demonstrate a range of kicking, punching and blocking techniques, kyorugi involves the kind of sparring seen in the Olympics, and gyeokpa is the art of breaking wooden boards. Taekwondo also sometimes involves the use of weapons such as swords and nunchucks (nunchaku). Taekwondo practitioners wear a uniform known as a dobok. (Full article...)
  • Image 10 A sumo match (tori-kumi) between yokozuna Asashōryū (left) and komusubi Kotoshōgiku in January 2008 Sumo (Japanese: 相撲, Hepburn: sumō; Japanese pronunciation: [ˈsɯmoː], lit. 'striking one another') is a form of competitive full-contact wrestling where a rikishi (wrestler) attempts to force his opponent out of a circular ring (dohyō) or into touching the ground with any body part other than the soles of his feet (usually by throwing, shoving or pushing him down). Sumo originated in Japan, the only country where it is practised professionally and where it is considered the national sport. It is considered a gendai budō, which refers to modern Japanese martial arts, but the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from Shinto. (Full article...)

    A sumo match (tori-kumi) between yokozuna Asashōryū (left) and komusubi Kotoshōgiku in January 2008
    Sumo (Japanese: 相撲, Hepburn: sumō; Japanese pronunciation: [ˈsɯmoː], lit. 'striking one another') is a form of competitive full-contact wrestling where a rikishi (wrestler) attempts to force his opponent out of a circular ring (dohyō) or into touching the ground with any body part other than the soles of his feet (usually by throwing, shoving or pushing him down).

    Sumo originated in Japan, the only country where it is practised professionally and where it is considered the national sport. It is considered a gendai budō, which refers to modern Japanese martial arts, but the sport has a history spanning many centuries. Many ancient traditions have been preserved in sumo, and even today the sport includes many ritual elements, such as the use of salt purification, from Shinto. (Full article...)
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Selected biography

Maeda circa 1910
Mitsuyo Maeda (前田 光世, Maeda Mitsuyo; November 18, 1878  – November 28, 1941) naturalized as Otávio Maeda (Portuguese pronunciation: [oˈtavju maˈedɐ]), was a Japanese-born judōka, catch wrestler, and prizefighter in no holds barred competitions. He was known as Count Combat or Conde Koma in Spanish and Portuguese, a nickname he picked up in Spain in 1908. Along with Antônio Soshihiro Satake, he pioneered judo in Brazil, the United Kingdom, and other countries.

Maeda was fundamental to the development of Brazilian jiu-jitsu, including through his teaching of Carlos Gracie and others of the Gracie family. He was also a promoter of Japanese emigration to Brazil. His accomplishments led to him being called the "toughest man who ever lived" and being referred to as the father of Brazilian Jiu-jitsu. (Full article...)


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Selected entertainment

UFC 148: Silva vs. Sonnen II was a mixed martial arts event held by the Ultimate Fighting Championship on July 7, 2012, at the MGM Grand Garden Arena in Las Vegas, Nevada. It was the seventeenth UFC event of the year. The card consisted of eleven bouts, with six televised live on pay-per-view, four preliminary bouts on FX, and one on Facebook.

The card's main event featured UFC Middleweight Champion Anderson Silva defending his title against Chael Sonnen in a highly anticipated bout. The contest was heavily promoted, featuring the International Fight Week, as well as the preview show UFC Primetime. Tito Ortiz was inducted into the UFC Hall of Fame during the UFC Fan Expo in conjunction with the event, and fought fellow former UFC Light Heavyweight Champion Forrest Griffin in the co-main event of the evening.


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Sports portals

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Selected image


France's Erwann Le Péchoux (L) competes against Gerek Meinhardt of the United States (R) in the pools stage of the 2014 Master de Fleuret Melun Val de Seine.
France's Erwann Le Péchoux (L) competes against Gerek Meinhardt of the United States (R) in the pools stage of the 2014 Master de Fleuret Melun Val de Seine.
Credit: Marie-Lan Nguyen

A foil is one of the three weapons used in the sport of fencing. It is a flexible sword of total length 110 cm (43 in) or under, rectangular in cross section, weighing under 500 g (18 oz), with a blunt tip. As with the épée, points are only scored by making contact with the tip. The foil is the most commonly used weapon in fencing. (Full article...)


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Don't get set into one form, adapt it and build your own, and let it grow, be like water. Empty your mind, be formless, shapeless — like water. Now you put water in a cup, it becomes the cup; You put water into a bottle it becomes the bottle; You put it in a teapot it becomes the teapot. Now water can flow or it can crash. Be water, my friend.


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