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The Literature Portal

Introduction

The Library of the Palais Bourbon in Paris

Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role.

Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction genres, such as biography, diaries, memoirs, letters, and essays. Within this broader definition, literature includes non-fictional books, articles, or other written information on a particular subject. (Full article...)

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The following are images from various literature-related articles on Wikipedia.

Selected work

Featured articles are displayed here, which represent some of the best content on English Wikipedia.
Margaret Atwood in 2006
The Penelopiad is a novella by Margaret Atwood. It was published in 2005 as part of the first set of books in the Canongate Myth Series where contemporary authors rewrite ancient myths. In The Penelopiad, Penelope reminisces on the events during the Odyssey, life in Hades, Odysseus, Helen, and her relationships with her parents. A chorus of the twelve maids, whom Odysseus believed were disloyal and whom Telemachus hanged, interrupt Penelope's narrative to express their view on events. The maids' interludes use a new genre each time, including a jump-rope rhyme, a lament, an idyll, a ballad, a lecture, a court trial and several types of songs.

The novella's central themes include the effects of story-telling perspectives, double standards between the sexes and the classes, and the fairness of justice. Atwood had previously used characters and storylines from Greek mythology in fiction such as her novel The Robber Bride, short story The Elysium Lifestyle Mansions and poems "Circe: Mud Poems" and "Helen of Troy Does Counter Dancing" but used Robert Graves' The Greek Myths and E. V. Rieu and D. C. H. Rieu's version of the Odyssey to prepare for this novella.

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  • Image 1 Andrade in 1928 Mário Raul de Morais Andrade (Portuguese pronunciation: [ˈmaɾiu ʁaˈu dʒi moˈɾajs ɐ̃ˈdɾadʒi]; October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil. Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)

    Andrade in 1928

    Mário Raul de Morais Andrade (Portuguese pronunciation: [ˈmaɾiu ʁaˈu dʒi moˈɾajs ɐ̃ˈdɾadʒi]; October 9, 1893 – February 25, 1945) was a Brazilian poet, novelist, musicologist, art historian and critic, and photographer. He wrote one of the first and most influential collections of modern Brazilian poetry, Paulicéia Desvairada (Hallucinated City), published in 1922. He has had considerable influence on modern Brazilian literature, and as a scholar and essayist—he was a pioneer of the field of ethnomusicology—his influence has reached far beyond Brazil.

    Andrade was a central figure in the avant-garde movement of São Paulo for twenty years. Trained as a musician and best known as a poet and novelist, Andrade was personally involved in virtually every discipline that was connected with São Paulo modernism. His photography and essays on a wide variety of subjects, from history to literature and music, were widely published. He was the driving force behind the Modern Art Week, the 1922 event that reshaped both literature and the visual arts in Brazil, and a member of the avant-garde "Group of Five". The ideas behind the Week were further explored in the preface to his poetry collection Pauliceia Desvairada, and in the poems themselves. (Full article...)
  • Image 2 Amir Hamzah, c. 1928–1937 Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave. Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)

    Amir Hamzah, c. 1928–1937

    Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (Pemuda Sosialis Indonesia), and buried in a mass grave.

    Amir began writing poetry while still a teenager: though his works are undated, the earliest are thought to have been written when he first travelled to Java. Drawing influences from his own Malay culture and Islam, as well as from Christianity and Eastern literature, Amir wrote 50 poems, 18 pieces of lyrical prose, and numerous other works, including several translations. In 1932 he co-founded the literary magazine Poedjangga Baroe. After his return to Sumatra, he stopped writing. Most of his poems were published in two collections, Nyanyi Sunyi (1937) and Buah Rindu (1941), first in Poedjangga Baroe then as stand-alone books. (Full article...)
  • Image 3 Barney in 1898, photograph by Alice Hughes Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism. Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)

    Barney in 1898, photograph by Alice Hughes

    Natalie Clifford Barney (October 31, 1876 – February 2, 1972) was an American writer who hosted a literary salon at her home in Paris that brought together French and international writers. She influenced other authors through her salon and also with her poetry, plays, and epigrams, often thematically tied to her lesbianism and feminism.

    Barney was born into a wealthy family. She was partly educated in France, and expressed a desire from a young age to live openly as a lesbian. She moved to France with her first romantic partner, Eva Palmer. Inspired by the work of Sappho, Barney began publishing love poems to women under her own name as early as 1900. Writing in both French and English, she supported feminism and pacifism. She opposed monogamy and had many overlapping long and short-term relationships, including on-and-off romances with poet Renée Vivien and courtesan Liane de Pougy and longer relationships with writer Élisabeth de Gramont and painter Romaine Brooks. (Full article...)
  • Image 4 Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence. Although Dickinson was a prolific writer, her only publications during her lifetime were one letter and 10 of her nearly 1,800 poems. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)

    Daguerreotype taken at Mount Holyoke, December 1846 or early 1847; the only authenticated portrait of Dickinson after early childhood

    Emily Elizabeth Dickinson (December 10, 1830 – May 15, 1886) was an American poet. Little-known during her life, she has since been regarded as one of the most important figures in American poetry. Dickinson was born in Amherst, Massachusetts, into a prominent family with strong ties to its community. After studying at the Amherst Academy for seven years in her youth, she briefly attended the Mount Holyoke Female Seminary before returning to her family's home in Amherst. Evidence suggests that Dickinson lived much of her life in isolation. Considered an eccentric by locals, she developed a penchant for white clothing and was known for her reluctance to greet guests or, later in life, even to leave her bedroom. Dickinson never married, and most of her friendships were based entirely upon correspondence.

    Although Dickinson was a prolific writer, her only publications during her lifetime were one letter and 10 of her nearly 1,800 poems. The poems published then were usually edited significantly to fit conventional poetic rules. Her poems were unique for her era; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality (two recurring topics in letters to her friends), aesthetics, society, nature, and spirituality. (Full article...)
  • Image 5 17th-century depiction of Murasaki by Tosa Mitsuoki Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
    Japanese woman in multi-layered clothing writing at a desk
    17th-century depiction of Murasaki by Tosa Mitsuoki

    Murasaki Shikibu (紫式部, 'Lady Murasaki'; c. 973 – c. 1014 or 1025) was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She was best known as the author of The Tale of Genji, widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been Fujiwara no Kaoruko (藤原香子), who was mentioned in a 1007 court diary as an imperial lady-in-waiting.

    Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to-late twenties and gave birth to a daughter, Daini no Sanmi. Her husband died after two years of marriage. It is uncertain when she began to write The Tale of Genji, but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-waiting to Empress Shōshi at the Imperial court by Fujiwara no Michinaga, probably because of her reputation as a writer. She continued to write during her service, adding scenes from court life to her work. After five or six years, she left court and retired with Shōshi to the Lake Biwa region. Scholars differ on the year of her death; although most agree on 1014, others have suggested she was alive in 1025. (Full article...)
  • Image 6 Revised daguerreotype taken in 1842 Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus. Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)

    Revised daguerreotype taken in 1842

    Honoré de Balzac (/ˈbælzæk/ BAL-zak, more commonly US: /ˈbɔːl-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus.

    Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, and Henry James, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all." (Full article...)
  • Image 7 Wollstonecraft c. 1797 Mary Wollstonecraft (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; 27 April 1759 – 10 September 1797) was an English writer and philosopher best known for her advocacy of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional (at the time) personal relationships, received more attention than her writing. Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences. During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appeared to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)

    Wollstonecraft c. 1797

    Mary Wollstonecraft (UK: /ˈwʊlstənkrɑːft/ WUUL-stən-krahft, US: /-kræft/ -⁠kraft; 27 April 1759 – 10 September 1797) was an English writer and philosopher best known for her advocacy of women's rights. Until the late 20th century, Wollstonecraft's life, which encompassed several unconventional (at the time) personal relationships, received more attention than her writing. Wollstonecraft is regarded as one of the founding feminist philosophers, and feminists often cite both her life and her works as important influences.

    During her brief career she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book. Wollstonecraft is best known for A Vindication of the Rights of Woman (1792), in which she argues that women are not naturally inferior to men but appeared to be only because they lack education. She suggests that both men and women should be treated as rational beings and imagines a social order founded on reason. (Full article...)
  • Image 8 Robert Marshall (January 2, 1901 – November 11, 1939) was an American forester, writer and wilderness activist who is best remembered as the person who spearheaded the 1935 founding of the Wilderness Society in the United States. Marshall developed a love for the outdoors as a young child. He was an avid hiker and climber who visited the Adirondack Mountains frequently during his youth, ultimately becoming one of the first Adirondack Forty-Sixers. He also traveled to the Brooks Range of the far northern Alaskan wilderness. He wrote numerous articles and books about his travels, including the bestselling 1933 book Arctic Village. A scientist with a PhD in plant physiology, Marshall became independently wealthy after the death of his father in 1929. He had started his outdoor career in 1925 as forester with the U.S. Forest Service. He used his financial independence for expeditions to Alaska and other wilderness areas. Later he held two significant public appointed posts: chief of forestry in the Bureau of Indian Affairs, from 1933 to 1937, and head of recreation management in the Forest Service, from 1937 to 1939, both during the administration of President Franklin D. Roosevelt. During this period, he directed the promulgation of regulations to preserve large areas of roadless land that were under federal management. Many years after his death, some of those areas were permanently protected from development, exploitation, and mechanization with the passage of the Wilderness Act of 1964. (Full article...)

    Robert Marshall (January 2, 1901 – November 11, 1939) was an American forester, writer and wilderness activist who is best remembered as the person who spearheaded the 1935 founding of the Wilderness Society in the United States. Marshall developed a love for the outdoors as a young child. He was an avid hiker and climber who visited the Adirondack Mountains frequently during his youth, ultimately becoming one of the first Adirondack Forty-Sixers. He also traveled to the Brooks Range of the far northern Alaskan wilderness. He wrote numerous articles and books about his travels, including the bestselling 1933 book Arctic Village.

    A scientist with a PhD in plant physiology, Marshall became independently wealthy after the death of his father in 1929. He had started his outdoor career in 1925 as forester with the U.S. Forest Service. He used his financial independence for expeditions to Alaska and other wilderness areas. Later he held two significant public appointed posts: chief of forestry in the Bureau of Indian Affairs, from 1933 to 1937, and head of recreation management in the Forest Service, from 1937 to 1939, both during the administration of President Franklin D. Roosevelt. During this period, he directed the promulgation of regulations to preserve large areas of roadless land that were under federal management. Many years after his death, some of those areas were permanently protected from development, exploitation, and mechanization with the passage of the Wilderness Act of 1964. (Full article...)
  • Image 9 Cabinet card of W. S. Gilbert in about 1880 by Elliott & Fry Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond. Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers. (Full article...)
    Gilbert posing, looking toward the camera
    Cabinet card of W. S. Gilbert in about 1880 by Elliott & Fry



    Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.

    Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious. After brief careers as a government clerk and a lawyer, Gilbert began to focus, in the 1860s, on writing light verse, including his Bab Ballads, short stories, theatre reviews and illustrations, often for Fun magazine. He also began to write burlesques and his first comic plays, developing a unique absurdist, inverted style that would later be known as his "topsy-turvy" style. He also developed a realistic method of stage direction and a reputation as a strict theatre director. In the 1870s, Gilbert wrote 40 plays and libretti, including his German Reed Entertainments, several blank-verse "fairy comedies", some serious plays, and his first five collaborations with Sullivan: Thespis, Trial by Jury, The Sorcerer, H.M.S. Pinafore and The Pirates of Penzance. In the 1880s, Gilbert focused on the Savoy operas, including Patience, Iolanthe, The Mikado, The Yeomen of the Guard and The Gondoliers. (Full article...)
  • Image 10 Photo by Tee Corinne, 1983 Ann Weldy (born September 15, 1932), better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote five lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships. Her books shaped lesbian identity for lesbians and heterosexuals alike, but Bannon was mostly unaware of their impact. She stopped writing in 1962. Later, she earned a doctorate in linguistics and became an academic. She endured a difficult marriage for 27 years and, as she separated from her husband in the 1980s, her books were republished; she was stunned to learn of their influence on society. They were released again between 2001 and 2003 and were adapted as an award-winning Off-Broadway production. They are taught in women's and LGBT studies courses, and Bannon has received numerous awards for pioneering lesbian and gay literature. She has been described as "the premier fictional representation of US lesbian life in the fifties and sixties", and it has been said that her books "rest on the bookshelf of nearly every even faintly literate Lesbian". (Full article...)

    Photo by Tee Corinne, 1983

    Ann Weldy (born September 15, 1932), better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote five lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships.

    Her books shaped lesbian identity for lesbians and heterosexuals alike, but Bannon was mostly unaware of their impact. She stopped writing in 1962. Later, she earned a doctorate in linguistics and became an academic. She endured a difficult marriage for 27 years and, as she separated from her husband in the 1980s, her books were republished; she was stunned to learn of their influence on society. They were released again between 2001 and 2003 and were adapted as an award-winning Off-Broadway production. They are taught in women's and LGBT studies courses, and Bannon has received numerous awards for pioneering lesbian and gay literature. She has been described as "the premier fictional representation of US lesbian life in the fifties and sixties", and it has been said that her books "rest on the bookshelf of nearly every even faintly literate Lesbian". (Full article...)
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Genres: Alternate history · Children's literature · Crime · Fantasy · Horror · Mythology · Romance · Science fiction
Authors: Honoré de Balzac · Roald Dahl · William Shakespeare
Series: Artemis Fowl · Chronicles of Narnia · Discworld · Harry Potter · His Dark Materials · Hitchhiker's Guide to the Galaxy · Inheritance Cycle · James Bond · King Arthur · Middle-earth · Percy Jackson · Redwall · A Series of Unfortunate Events · Shannara · Sherlock Holmes · A Song of Ice and Fire · Star Wars · Sword of Truth · Twilight · Warriors · Water Margin · Wizard of Oz
Regions: Australian literature · Indian literature · Persian literature

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