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Portal:Children's literature

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The Children's Literature Portal


Children's literature or juvenile literature includes stories, books, magazines, and poems that are created for children. In addition to conventional literary genres, modern children's literature is classified by the intended age of the reader, ranging from picture books for the very young to young adult fiction for those nearing maturity.

Children's literature can be traced to traditional stories like fairy tales, which have only been identified as children's literature since the eighteenth century, and songs, part of a wider oral tradition, which adults shared with children before publishing existed. The development of early children's literature, before printing was invented, is difficult to trace. Even after printing became widespread, many classic "children's" tales were originally created for adults and later adapted for a younger audience. Since the fifteenth century much literature has been aimed specifically at children, often with a moral or religious message. Children's literature has been shaped by religious sources, like Puritan traditions, or by more philosophical and scientific standpoints with the influences of Charles Darwin and John Locke. The late nineteenth and early twentieth centuries are known as the "Golden Age of Children's Literature" because many classic children's books were published then. (Full article...)


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Title page, illustrated 1893 edition of The Coral Island
The Coral Island: A Tale of the Pacific Ocean (1858) is a novel written by Scottish author R. M. Ballantyne. One of the first works of juvenile fiction to feature exclusively juvenile heroes, the story relates the adventures of three boys marooned on a South Pacific island, the only survivors of a shipwreck. A typical Robinsonade – a genre of fiction inspired by Daniel Defoe's Robinson Crusoe – and one of the most popular of its type, the book first went on sale in late 1857 and has never been out of print. Among the novel's major themes are the civilising effect of Christianity, 19th-century British imperialism in the South Pacific, and the importance of hierarchy and leadership. It was the inspiration for William Golding's dystopian novel Lord of the Flies (1954), which inverted the morality of The Coral Island; in Ballantyne's story the children encounter evil, but in Lord of the Flies evil is within them. The novel was considered a classic for primary school children of the early 20th century in Britain, and in the United States it was a staple of suggested reading lists for high-school students. Modern critics consider The Coral Island to feature a dated imperialist view of the world, but although it is less popular today than it once was, it was adapted into a four-part children's television drama broadcast by ITV in 2000.

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A Little Pretty Pocket-Book

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"If you please, I should like to have the flower-pot; that is, if you won't think me very silly, mamma."
"Why, as to that, I can't promise you, Rosamond; but when you have to judge for yourself you should choose what would make you happy, and then it would not signify who thought you silly."

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Edmund Evans illustration from "The complete collection of pictures & songs"
Edmund Evans (1826–1905) was a prominent English wood engraver and colour printer during the Victorian era. Evans specialized in full-colour printing, which became popular in the mid-19th century. He employed and collaborated with illustrators such as Walter Crane, Randolph Caldecott, Kate Greenaway, and Richard Doyle to produce what are now considered to be classic children's books. Although little is known about his life, he wrote a short autobiography before his death in 1905 in which he described his life as a printer in Victorian London. After finishing an apprenticeship, Evans went into business for himself. By the early 1850s, he had made a reputation as a printer of covers for cheap novels known as yellow-backs. In the early 1860s, Evans began to print children's toy books and picture books in association with the printing house Routledge and Warne. His intention was to produce books for children that were beautiful and inexpensive. For three decades he produced multiple volumes each year, first illustrated by Crane, and later by Caldecott and Greenaway.

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