Paul Grimstad

Paul Grimstad is an American composer, writer, actor and academic known for his work in film scoring, avant-pop music and cultural commentary. He has contributed music to several independent films, published essays in prominent venues, and teaches in the Humanities Program at Yale University.
Early life and education
[edit]Grimstad earned his undergraduate degree from the University of Wisconsin-Madison.[1] He later earned a Ph.D at New York University, where he began developing his interdisciplinary interests in literature, music, and philosophy.
Academic career
[edit]Grimstad joined the faculty at Yale University in 2007, initially in the Department of English, and later moved to the Humanities Program.[1] In 2013 he published the book Experience and Experimental Writing with Oxford University Press. He currently serves as the Director of Undergraduate Studies for the Humanities major. In 2014, he received the Sarai Ribicoff ’79 Award for Teaching Excellence.[2] He has also taught at Columbia University and New York University.
Music and film composition
[edit]Grimstad is noted for his film scores, which blend analog synthesizers, ambient textures, fusing avant-pop and classical influences. He composed the original scores for several independent films, including:
- Frownland (2007)
- Heaven Knows What (2014)
- Jobe’z World (2018)
- Thirst Street (2017)[3]
- The Sweet East (2023)[4]
For Thirst Street, Grimstad composed a synth-heavy score inspired by Gabriel Yared, and contributed an original song performed in the film by actress Lindsay Burdge.[5]
The Sweet East's opening credits sequence features actress Talia Ryder singing Grimstad's original song "Evening Mirror," composed specifically for the film.[6]
Outside of film, Grimstad has composed and produced over 500 original songs in the avant-pop genre. His solo album Mysteroid was created over 10 months using sample-based drum programming, analog summing, and experimental compositional techniques.[7]
Acting career
[edit]In addition to composing the film's score, Grimstad played a supporting role in Ronald Bronstein’s 2007 independent film Frownland. The film, a dark and unsettling portrait of social alienation, gained a cult following and was later added to the Criterion Collection.[8] Grimstad's dual contributions to the film—as both composer and actor—underscore his multifaceted engagement with experimental cinema.
Writing and cultural criticism
[edit]Grimstad is also a literary and cultural critic whose essays have appeared in numerous prominent publications. His work covers topics such as jazz, contemporary music, literary aesthetics, and audiobook culture. Select contributions include:
- "Jazz Is Freedom" — The Baffler (2022)[9]
- "Leave Alexa Alone" — The Paris Review (2016)[10]
- "Confessions of an Audiobook Addict" — The New Yorker[11]
- "On Frank Zappa", "On Tom Verlaine", "On Robert Ashley" — n+1[12][13][14]
Style and influence
[edit]Grimstad’s artistic output reflects a fusion of avant-garde music, 19th-century literature, analytic philosophy and analog production methods. His scores and compositions are often described as psychedelic, layered, playful and conceptually rigorous.[15]
Podcasts
[edit]Grimstad has appeared on various podcasts discussing music and cultural theory, including:
References
[edit]- ^ a b "Paul Grimstad – Humanities Faculty Profile". Humanities Program, Yale University. Retrieved 20 June 2025.
- ^ "Teaching Awards". Yale College. Retrieved 20 June 2025.
- ^ Zacharek, Stephanie (August 11, 2017). "'Thirst Street' Is a Wild, Dreamy Ride". Time. Retrieved 20 June 2025.
- ^ "Paul Grimstad | Composer, Music Department, Actor". IMDb. Retrieved 2025-06-20.
- ^ "Paul Grimstad on Thirst Street". HeadStuff. Retrieved 20 June 2025.
- ^ "Fluxblog » Blog Archive » A Cat That Lost Its Black". Retrieved 2025-06-20.
- ^ "A Cat That Lost Its Black". Fluxblog. Retrieved 20 June 2025.
- ^ "Frownland". The Criterion Collection. Retrieved 20 June 2025.
- ^ "Jazz Is Freedom". The Baffler. Retrieved 20 June 2025.
- ^ "Leave Alexa Alone". The Paris Review. Retrieved 20 June 2025.
- ^ "Confessions of an Audiobook Addict". The New Yorker. Retrieved 20 June 2025.
- ^ a b "On Frank Zappa". n+1. Retrieved 20 June 2025.
- ^ "On Tom Verlaine". n+1. Retrieved 20 June 2025.
- ^ "On Robert Ashley". n+1. 2014-04-10. Retrieved 2025-06-20.
- ^ "19th-Century Poetry, the Stooges, and Psychedelic Intensity: Composer Paul Grimstad Talks with Nathan Silver". Filmmaker Magazine. Retrieved 20 June 2025.
- ^ "33. Stalking the Dread Moray Eel (ft. Paul Grimstad)". Apple Podcasts (Podcast). Retrieved 20 June 2025.