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Paolo Morigia

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Reverend
Paolo Morigia
Fede Galizia, Portrait of Paolo Morigia, oil on canvas, 88 x 79 cm, Pinacoteca Ambrosiana, Milan, 1596
Born(1525-01-01)January 1, 1525
Died1604(1604-00-00) (aged 79)
Resting placeConvent of San Girolamo, Milan
NationalityItalian
Occupations
Titleprior
Parent(s)Damiano Morigia and Angela Morigia (née Migliavacca)
Academic work
DisciplineHistory
Sub-disciplineHistory of Milan, Church history

Paolo Morigia (1 January 1525 – 1604) was an Italian scholar and a Jesuate. His prolific writings focus on the history of his native city on the one hand, and of the Catholic Church, its saints and its religious practices on the other.

Biography

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Paolo Morigia was born in Milan in 1525 to a wealthy and noble family.[1] At the age of seventeen he entered the order of the Jesuati, founded by Giovanni Colombini of Siena in 1360.

A prolific author, he is best remembered for his works on the history of Milan. A meticulous historian, Morigia "diligently searched through public and private archives for 'contracts, privileges, epitaphs, and other authentic [i.e., nonnarrative] writings,' from which he quoted abundantly. And he read carefully through all of the ancient and modern historians who had ever said anything about Milan."[2]

Morigia wrote also a popular devotional work called the Giardino spirituale which included prayers, daily meditations, preparations for confession and communion, and a discourse on dying well.

He died in Milan in 1604 and was buried in the church of the convent of San Girolamo, belonging to the order.[3]

Morigia was on friendly terms with several important personalities of his time, including Gabriele Paleotti, Giulio Sfondrati and Charles Borromeo.[3] He was one of Fede Galizia's earliest patrons, and in his La Nobiltà di Milano (The Nobility of Milan), a collection of short biographies of Milanese writers and artists published in 1595, he wrote that she showed signs of "becoming a truly noble painter."[4] Galizia also made a portrait of Morigia.[5]

Works

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  • Istoria et Origine della famosa Fontana della Madonna di Caravaggio. Milan: presso il Colonna. 1545.
  • Istoria dell'Origine di tutte le Religioni. Venice: appresso Pietro da Fino. 1569.
  • Paradiso de' Gesuati, nel quale si racconta l'origine dell'ordine de' Gesuati di S. Girolamo e le vite del B. Giovanni Colombini, fondatore di esso ordine, e d'alcuni de' suoi discepoli. Venice: presso Domenico e Giovanni Battista Guerra. 1582.
  • Istoria dell'Antichità di Milano. Venice: appresso i Guerra. 1592.
  • Historia brieue dell'augustissima casa d'Austria. Bergamo: per Comin Ventura. 1593.
  • Historia de' personaggi illustri religiosi, divisa in cinque libri. Bergamo: per Comin Ventura. 1594.
  • Della nobiltà de i Signori XL del consiglio di Milano, libri VI. Milan: per Francesco Paganello. 1595. Chapters XVI to XIX, are an important source for the history of Late Renaissance art.[6]
  • Il Duomo di Milano descritto. Milan: per Francesco Paganello. 1597.
  • Tesoro precioso de' milanesi, nel quale si raccontano tutte le opere di carita christiana che si fanno in Milano, ospedali, case pie, scuole, letture, etc. Milan: per Gratiadio Ferioli. 1599.
  • Istoria della nobiltà del Lago Maggiore, nella quale si descrive il fiume Ticino, con la descrizione di tutte le terre e borghi che giacciono nelle sue riviere, con gli uomini degni di lode che sono usciti da quei luoghi. Milan: per Hieronimo Bordone, & Pietro Martire Locarni compagni. 1603.

Notes

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  1. ^ Morigia, Paolo (1619) [1604]. La nobiltà di Milano. Milan: Gio. Battista Bidelli. pp. 291–295.
  2. ^ Cochrane, Eric (2019). Historians and Historiography in the Italian Renaissance. Chicago: University of Chicago Press. p. 224. ISBN 978-0226111544.
  3. ^ a b Gagliardi 2012.
  4. ^ La nobiltà di Milano, diuisa in sei libri. Milan: Pacifico Pontio. 1595. p. 282.
  5. ^ Bottari, Stefano, ed. (1965). Fede Galizia pittrice: 1578-1630 (in Italian). Trento: CAT. p. 12.
  6. ^ Schlosser, Julius von (1984). La littérature artistique: manuel des sources de l'histoire de l'art moderne. Paris: Flammarion. p. 383.

Bibliography

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