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Madiha Sikander

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Madiha Sikander (1987—) is a Pakistani visual artist and writer interested in contemporary miniature painting, altering the medium's history through her use of realism.[1]

Early life and education

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Sikander's family immigrated from Bihar, India to Bangladesh in reaction to the social and political upheaval following Indian independence.[2] They then relocated to Pakistan following the 1971 war.[3] The artist was born in Hyderabad, Pakistan in 1987.[2] Coming from a family of doctors and surgeons, Sikander's pursuit of the arts came as a surprise.[3] She attended the National College of Arts in Lahore where she specialized in Mughal miniature painting.[4][3] Sikander graduated in 2009 with distinction for her thesis project titled, "Anonymous."[1] The artist continued on to receive her M.F.A. from the University of British Columbia, where she focused her thesis on her family history of displacement.[3]

Artistic Practice

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The artist takes interest in building layers that transcend time, while also relating to personal, social, and political realities and illusions.[2] Sikander utilizes found objects and materials within her practice, drawing from ephemera, photographs, and trinkets from flea markets.[5] She often uses pre-owned books as a foundation for her work, adding painting, doodles, text, and images to the pages.[6] Sikander often pairs the old and new, adding her own touch to historical practices like the 16th century Iranian technique of Siyah Qalam (Black Pen) or taking inspiration from family photographs of the pre-partition days. In doing so, the artist evokes the idea of a romantic past that lingers in memory.[7]

Recently, Sikander's work has taken the form of a beaded curtain made of monofilaments and cloves that emit scent before the viewer enters the space of installation in her work titled Majmuā.[8]

Exhibition History

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Workshops and Residencies

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In 2012, Sikander was part of the 11th Wasanii International Artist’s Workshop at Kuona Trust, Kenya and Regional Workshop, Theertha.[26]

She was later awarded UNESCO Aschberg Bursary for Emerging Artists in 2014, through which she pursued a residency at the Bundanon Trust in Illaroo, NSW, Australia.[4] During the residency, Sikander worker on a series titled Pockets Full of Poses, an exploration of the history of post-colonial Pakistani society and its Western, Indian, and Islamic/Arabic influences. The project also explores children as social agents through photographic installation.[5]

Select Publications

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References

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  1. ^ a b c d e f Blueprint.12. "Madiha Sikander". blueprint12.com. Retrieved 2025-04-24.{{cite web}}: CS1 maint: numeric names: authors list (link)
  2. ^ a b c "Madiha Sikandar". taseer-art-gallery. Retrieved 2025-04-24.
  3. ^ a b c d Daniel, Smriti (2012-02-28). "Madiha Sikandar: A Miniature Painter in Pakistan". Smriti Daniel. Retrieved 2025-04-24.
  4. ^ a b "Madiha Sikander - Kunstinstituut Melly". www.kunstinstituutmelly.nl. Retrieved 2025-04-24.
  5. ^ a b "Madiha Sikander". Bundanon. Retrieved 2025-04-24.
  6. ^ Illankoon, Duvindi. "Art! In all shapes and sizes". Sunday Times. Sri Lanka.
  7. ^ Ahmed, Noor. "Pop art: Questions of perception". Dawn. Karachi, Pakistan.
  8. ^ a b "Pickup Notes: Liz Johnson Artur, Madiha Sikander, and Zara Julius - Exhibitions - Kunstinstituut Melly". www.kunstinstituutmelly.nl. Retrieved 2025-04-24.
  9. ^ Archive, Asia Art. "Two Is a Company". aaa.org.hk. Retrieved 2025-04-24.
  10. ^ ""Soul of Pakistan" – Contemporary Art Exhibition at ARTrium, Mica Building - Singapore Pakistani Association". Retrieved 2025-04-24.
  11. ^ Archive, Asia Art. "Icon: Rani". aaa.org.hk. Retrieved 2025-04-24.
  12. ^ "Colombo Biennale set to take city by storm". Sunday Times. January 29, 2012. p. 5.
  13. ^ ArtFacts. "The Mughal of Modern Times / Der Mogul der Neuzeit | Exhibition". ArtFacts. Retrieved 2025-04-24.
  14. ^ "Shows". taseer-art-gallery. Retrieved 2025-04-24.
  15. ^ Jillani, Hifza (September 28, 2013) [September 28, 2013]. "Recreating Karachi: Artist encloses miniatures of city's surmounting monuments into snow globes". Express Tribune.
  16. ^ Ahmed, Noor (2015-04-19). "Pop art: Questions of perception". DAWN.COM. Retrieved 2025-04-24.
  17. ^ India Art Fair Catalogue (PDF). New Delhi, India. 2016. p. 154.{{cite book}}: CS1 maint: location missing publisher (link)
  18. ^ India Art Fair Catalogue (PDF). New Delhi, India. 2017. p. 150.{{cite book}}: CS1 maint: location missing publisher (link)
  19. ^ Blueprint.12 (2019). "India Art Fair, 2019: Identity—Lost or Found". Blueprint.12.{{cite web}}: CS1 maint: numeric names: authors list (link)
  20. ^ "Exhibitions - Details - Saffronart :: Madiha Sikander : Inconvenient Truth II". www.saffronart.com. Retrieved 2025-04-24.
  21. ^ "Tracing Erasure". Department of Art History, Visual Art & Theory. Retrieved 2025-04-24.
  22. ^ "Postscript: UBC Master of Fine Arts Graduate Exhibition 2018". Morris and Helen Belkin Art Gallery. Retrieved 2025-04-24.
  23. ^ "Out of Your Shadow". Gallery Espace. 2021-02-08. Retrieved 2025-04-24.
  24. ^ "Something More Than Nothing : The Reach". Retrieved 2025-04-24.
  25. ^ ArtFacts. "The Unknown Guest | Exhibition". ArtFacts. Retrieved 2025-04-24.
  26. ^ "In Conversation – Bergen Ateliergruppe". Retrieved 2025-04-24.