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Hymns from the Rig Veda

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Hymns from the Rig Veda
Choral work
by Gustav Holst
Gustav Holst, c. 1901, in his mid-twenties.
Opus24 (nine hymns) & 26 (14 hymns)
Composed1907–1909
DedicationVarious
Movements23

Hymns from the Rig Veda, Op. 24 and Op. 26, is a collection of vedic hymns by the English composer Gustav Holst, completed in the period from 1907 to 1909. There are 23 published hymns, based on texts which Holst translated himself from Sanskrit literature.[1]

The first series, Op. 24, comprises three sets of three hymns, while the second series, Op. 26, comprises four groups of hymns in sets of varying sizes.[1]

Opus 24

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Nine hymns for solo voice and piano[2]

1. Ushas (Goddess of Dawn) 2. Varuna I (Sky) 3. Maruts (Stormclouds)
4. Indra (God of Storm and Battle) 5. Varuna II (The Waters) 6. Song of the Frogs
7. Vāc (Goddess of Divine Speech) 8. Creation 9. Faith

A tenth hymn in this group, Ratri (Goddess of the Night) had been written but not published when Richard Capell reviewed the Hymns from the Rig Veda in 1927.[1]

Opus 26

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Group 1[3]

Three hymns for chorus and orchestra

1. Battle Hymn 2. To the Unknown God 3. Funeral Hymn

Group 2

Three hymns for female voices and orchestra (also arranged for piano with optional violins)

4. To Varuna 5. To Agni 6. Funeral Chant

Group 3

Four hymns for female voices and harp (piano)

7. Hymn to the Dawn 8. Hymn to the Waters 9. Hymn to Vena 10.Hymn to the Travellers

Group 4

Four hymns for male voices and piano (also arranged for strings with optional brass)

11. Hymn to Agni 12. Hymn to Soma 13. Hymn to Manas 14. Hymn to Indra

Source material

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The Devi sūkta highlights the goddess tradition of Hinduism. It is cited in Devi Mahatmya and recited every year during the Durga Puja festival.

The Rig Veda or Rigveda (from ऋच्, "praise"[4] and वेद, "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (sūktas), and the oldest known Vedic Sanskrit text.[5] Its early layers are among the oldest extant texts in any Indo-European language.[6] It is one of the four sacred canonical Hindu texts (śruti) known as the Vedas.[7]

Holst had previously been inspired by the story about the god Indra's battle with the dragon Vritra, for his symphonic poem Indra, completed in 1903.[8]

Hindu philosophy

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As a young man, Holst became interested in Hindu philosophy, and in 1899 studied Sanskrit literature at University College in London.[9] Over a period of several years, Holst drew inspiration from the Hindu tradition a number of times, with notable examples being the cantata The Cloud Messenger and the opera Sāvitri.

In December 1919, writing in The Musical Times, Edwin Evans, when reviewing the composer's ongoing development, described this as Holst's 'Sanskrit' period.[10] In the 1980s, in Holst and India: 'Maya' to 'Sita', Raymond Head described it as Holst's 'Indian' period.[8]

According to Imogen Holst, her father began exploring Indian culture and history after reading the book Silent Gods and Sun Steeped Lands by R. W. Frazer.[8]

Recordings

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Op. 24

Performers Year Label
Susan Gritton, soprano; Philip Langridge, tenor; Christopher Maltman, baritone; Louisa Fuller, violin; Stuart Bedford, piano. 1993 Collins Classics
Scott Robert Shaw, Hugo Eedle, Klara Gronet, Conceptus Ensemble, George W. Warren. 2024 Divine Art

Op. 26

Hymn group Performers Year Label
Second London Symphony Chorus; Richard Hickox; London Philharmonic Orchestra; Sir Charles Groves, conductor. 1984 HMV Greensleeve
Third Purcell Singers (soprano and alto); Osian Ellis, harp; English Chamber Orchestra; Imogen Holst, conductor. 1966 Argo
First to fourth (some incomplete) Royal College of Music Chamber Choir; Royal Philharmonic Orchestra; David Willcocks, conductor. 1985 Unicorn-Kanchana

Sources: WorldCat and Apple Classical

References

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  1. ^ a b c Capell, Richard. “Gustav Holst: Notes for a Biography (II).” The Musical Times, vol. 68, no. 1007, 1927, pp. 17–19. JSTOR, https://doi.org/10.2307/913569. Accessed 1 Aug. 2025.
  2. ^ "IMSLP – Hymns from the Rig Veda, Op.24 (Holst, Gustav)". Petrucci Music Library.
  3. ^ "IMSLP – Choral Hymns from the Rig Veda, Op.26 (Holst, Gustav)". Petrucci Music Library.
  4. ^ Derived from the root ṛc "to praise", cf. Dhātupātha 28.19. Monier-Williams translates Rigveda as "a Veda of Praise or Hymn-Veda".
  5. ^ Wheeler, James Talboys (1867). The History of India from the Earliest Ages: The Vedic period and the Mahá Bhárata. N. Trübner.
  6. ^ Bryant, Edwin F. (2015). The Yoga Sutras of Patañjali: A New Edition, Translation, and Commentary. Farrar, Straus and Giroux. pp. 565–566. ISBN 978-1-4299-9598-6. Archived from the original on 7 September 2023. Retrieved 6 October 2019.
  7. ^ Witzel, Michael (2005). "Vedas and Upaniṣads". In Gavin Flood (ed.). The Blackwell companion to Hinduism (1st paperback ed.). Oxford: Blackwell Publishing. pp. 68–71. ISBN 1-4051-3251-5.
  8. ^ a b c Head, Raymond. “Holst and India (I): ‘Maya’ to ‘Sita.’” Tempo, no. 158, 1986, pp. 2–7. JSTOR, http://www.jstor.org/stable/944947. Accessed 21 July 2025.
  9. ^ Huismann, Mary Christison (2011-04-26). Gustav Holst: A Research and Information Guide. Routledge. ISBN 978-1-135-84527-8.
  10. ^ Evans, Edwin. “Modern British Composers. VI.-Gustav Holst (Concluded).” The Musical Times, vol. 60, no. 922, 1919, pp. 657–61. JSTOR, https://doi.org/10.2307/3701919. Accessed 30 June 2025.
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