Hong Kyung-pyo
Hong Kyung-pyo | |
---|---|
홍경표 | |
Born | August 11, 1962 |
Other names | Alex Hong |
Occupation | Cinematographer |
Years active | 1999–present |
Korean name | |
Hangul | 홍경표 |
Revised Romanization | Hong Gyeong-pyo |
McCune–Reischauer | Hong Kyŏngp'yo |
Hong Kyung-pyo (Korean: 홍경표, born August 11, 1962) is a South Korean cinematographer.[1] Hong is from Waegwan, Gyeongbuk.[2] He has worked with several acclaimed film directors, including Bong Joon-ho, Lee Chang-dong, Kang Je-gyu, Kim Ji-woon, Na Hong-jin, Lee Sang-il, and Hirokazu Kore-eda.[3][4]
Zack Sharf praised him as one of 30 cinematographers to watch, praising his "dynamic camerawork".[5] The director he has done the most work with, Bong Joon-ho, stated that any future Korean films he opted to do would use Hong as his cinematographer.[4]
Hong employs a Director of Photography (DP) system where the cinematographer has comprehensive control over both filming and lighting. Consequently, initial training prioritizes understanding the collaborative workflow and communication across departments (lighting, grip, etc.) over purely technical skills. Specifically, excluding the B camera unit, Hong Kyung-pyo's team typically comprises: a 4-person shooting team (with roles for exposure/focus, equipment management, film handling, and general assistance), a 5-person lighting team, and a 5-person grip team.[2]
Filmography
[edit]Year | Film | Director | Notes | Ref. |
---|---|---|---|---|
1999 | Fly Low | Kim Si-eon | Debut | [6] |
Phantom: The Submarine | Min Byung-chun | [7] | ||
2000 | The Foul King | Kim Ji-woon | ||
Il Mare | Lee Hyun-seung | |||
Asako in Ruby Shoes | E J-yong | |||
2001 | Guns & Talks | Jang Jin | ||
2002 | Champion | Kwak Kyung-taek | ||
2004 | Taegukgi: The Brotherhood of War | Kang Je-gyu | ||
2005 | Typhoon | Kwak Kyung-taek | ||
2007 | M | Lee Myung-se | ||
2008 | Eye for an Eye | Kwak Kyung-taek | ||
2009 | Mother | Bong Joon-ho | [4] | |
Actresses | E J-yong | |||
2010 | Haunters | Kim Min-seok | ||
2011 | Always | Song Il-gon | ||
2013 | Boomerang Family | Song Hae-sung | ||
Snowpiercer | Bong Joon-ho | [4] | ||
2014 | Sea Fog | Shim Sung-bo | ||
2016 | The Wailing | Na Hong-jin | [5] | |
2018 | Burning | Lee Chang-dong | [5] | |
2019 | Parasite | Bong Joon-ho | [4] | |
2020 | Deliver Us From Evil | Hong Won-Chan | [4] | |
2022 | Wandering | Lee Sang-il | Japanese film | [8] |
Broker | Hirokazu Kore-eda | [9] | ||
2023 | Project Silence | Kim Tae-gon | ||
2024 | Harbin | Woo Min-ho | ||
TBA | Hope | Na Hong-jin | [10] | |
The Valley | Bong Joon-ho | [11] |
Accolades
[edit]Awards and nominations
[edit]Award ceremony | Year | Category | Nominee | Result | Ref. |
---|---|---|---|---|---|
Asian Film Awards | 2019 | Best Cinematography | Burning | Nominated | |
2025 | Harbin | Won | [12] | ||
Asia-Pacific Film Festival | 2013 | Best Cinematography | Snowpiercer | Nominated | [13] |
Austin Film Critics Association | 2019 | Best Cinematography | Burning | Nominated | |
2020 | Best Cinematography | Parasite | Nominated | [14] | |
Baeksang Arts Awards | 2019 | Technical Award | Burning | Nominated | |
Won | |||||
2021 | Best Technical award | Deliver Us From Evil | Nominated | ||
2020 | Technical Award | Parasite | Nominated | [16] | |
2025 | Grand Prize – Film | Harbin | Won | [19] | |
Best Technical Achievement | Harbin | Nominated | |||
Blue Dragon Film Awards | 2004 | Best Cinematography | Taegukgi: The Brotherhood of War | Won | |
2013 | Snowpiercer | Nominated | [20] | ||
Sea Fog | Nominated | [21] | |||
2016 | The Wailing | Nominated | |||
2019 | Best Cinematography and Lighting | Parasite[a] | Nominated | [22] | |
2021 | Deliver Us From Evil | Won | [24][25] | ||
Buil Film Awards | 2009 | Best Cinematography | Mother | Won | |
Sea Fog | Won | ||||
2016 | The Wailing | Nominated | |||
2018 | Burning | Nominated | [26] [27] | ||
2019 | Parasite | Won | [28] | ||
2020 | Snowpiercer | Won | |||
Busan Film Critics Awards | 2008 | Technical Award | M | Won | |
2009 | Best Cinematography | Mother | Won | ||
2018 | Technical Award | Burning | Won | [31] | |
Chunsa Film Art Awards | 2000 | Best New Cinematographer Award | Il Mare | Nominated | |
2015 | Technical Award | Seafog | Nominated | [32] | |
2019 | Burning | Nominated | [33] [34] | ||
2021 | Snowpiercer | Nominated | [35] | ||
Chicago Film Critics Association Awards | 2019 | Best Cinematography | Parasite | Nominated | [36] |
Dallas–Fort Worth Film Critics Association Awards | 2019 | Best Cinematography | Parasite | Runner-up | [38] |
Golden Cinematography Award | 2009 | Best Cinematography — Silver Award | Mother | Won | |
2021 | Best Cinematography — Gold Award | Parasite | Won | ||
Grand Bell Awards | 2004 | Best Cinematography | Taegukgi: The Brotherhood of War | Won | |
2013 | Snowpiercer | Nominated | |||
Sea Fog | Nominated | ||||
2016 | The Wailing | Won | |||
2018 | Burning | Nominated | [39] [40] | ||
2020 | Parasite | Nominated | [41] | ||
Houston Film Critics Society Awards | 2020 | Best Cinematography | Parasite | Nominated | [43] |
International Cinephile Society | 2019 | Best Cinematography | Burning | Nominated | [45] [46] |
Korean Association of Film Critics Awards | 2004 | Best Cinematography | Taegukgi: The Brotherhood of War | Won | |
2007 | M | Won | |||
2018 | Burning | Won | [47] | ||
2019 | Parasite | Won | [48] | ||
3rd Korea Film Award | 2004 | Best Cinematography | Taegukgi: The Brotherhood of War | Won | |
1st Korean Film Producers Association Awards | 2014 | Best Cinematography | Sea Fog | Won | |
2016 | The Wailing | Won | |||
Manaki Brothers Film Festival | 2018 | Golden Camera 300 | Burning | Won | [50] |
Seattle Film Critics Society Awards | 2019 | Best Cinematography | Parasite | Nominated | [51] |
Sitges Film Festival | 2016 | Best Cinematography | The Wailing | Won |
Listicles
[edit]Publisher | Year | Listicle | Placement | Ref. |
---|---|---|---|---|
Cine 21 | 1999 | Cinematographer of the Year Phantom: The Submarine | 1st | [7] |
2018 | Cinematographer of the Year Burning | 1st | [52] | |
2019 | Cinematographer of the Year Parasite | 1st | [53] | |
IndieWire Critics Poll | 2019 | Best Cinematography (Parasite) | 5th Place | [54] |
Notes
[edit]- ^ Nomination was shared with Kim Chang-ho (lighting)
References
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