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Florence Ashton Marshall

From Wikipedia, the free encyclopedia

Florence Ashton Marshall (Mrs Julian Marshall) née Thomas (30 March 1843 – 5 March 1922) was an English composer, conductor and author.

Life

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She was born on 30 March 1843 in Rome, Italy, the daughter of Vicar Canon Thomas of All Hallows Barking by the Tower.[1] Her sisters were the novelist Bertha Thomas (author of The Violin Player, 1880) and the clarinettist Frances Thomas (after 1843-1925).[2] She studied (from the age of 30) at the Royal Academy of Music with William Sterndale Bennett, John Goss and G.A. Macfarren.[3]

Thomas married the businessman, writer, and music collector Julian Marshall on 7 October 1864 and had three daughters. She contributed to Grove's Dictionary, although to a lesser degree than her husband, and published a set of 70 Solfège exercises in 1885.[4] Her most successful composition, with a libretto by her sister Bertha, was the operetta Prince Sprite for treble voices, written in 1891 while she was Head of Music at Dulwich School and published by Novello.[5][6] She later went on to help found a music school, the Hampstead Conservatoire.

She was elected an associate of the Philharmonic Society and conducted the South Hampstead Orchestra for over 30 years.[7] The orchestra was substantial enough to perform a Brahms symphony under her direction and the Saint-Saëns violin concerto with Mischa Elman as the soloist.[8] She and her husband were founding members of the Musical Association.[9]

Marshall died on 5 March 1922.[10]

Works

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Florence Marshall composed solo songs, part songs, educational pieces, and operettas.[11] Selected works include:

  • Symphony in B minor (Andante performed in 1874)
  • Notturno for Orchestra (1875)
  • Sweet and Low, song (words Tennyson, 1877)
  • The Masked Shepherd, operetta (libretto Edwin Simpson-Baikie, 1879)
    • 'Behold the sun in gold descending' (partsong from The Masked Shepherd)
  • Piano Trio (1879)
  • Ask Me No More, song (words Tennyson, 1880)
  • Rest hath come, partsong (words Leyland Leigh, 1884)
  • To sea! the calm is o’er, partsong (words T.L Beddoes, 1884)
  • Choral Dances, stage work (1897)
  • Prince Sprite, fairy operetta (libretto Bertha Thomas, 1897)
  • Hohenlinden, choral (1892)
  • Nocturne for clarinet and orchestra

Under the name Mrs Julian Marshall she published a biography of Handel in Hueffer's Great Musicians series in 1883, and Life and Letters of Mary Wollstonecraft Shelley in 1889.[12]

References

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  1. ^ Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers. W. W. Norton & Company. ISBN 9780393034875. Retrieved 7 January 2011.
  2. ^ Shannon Draucker (2024). Sounding Bodies: Acoustical Science and Musical Erotics in Victorian Literature. State University of New York Press. ISBN 978-1-4384-9839-3 – via www.google.co.uk.
  3. ^ Nigel Burton (2001). "Marshall, Florence Ashton". Grove Music Online. doi:10.1093/gmo/9781561592630.article.2020251.
  4. ^ "F A Marshall, Solfeggi". Novello Music Primers. 1885 – via imslp.org.
  5. ^ "Novello's Original Octavo Editions, catalogue" (PDF) – via imslp.org.
  6. ^ Prince Sprite. A Fairy Operetta by Florence A. Marshall -review in The Musical Times, Vol. 32, No. 578, April 1891, p. 234
  7. ^ Houghton, Walter Edwards; Slingerland, Jean Harris (1989). The Wellesley index to Victorian periodicals, 1824-1900.
  8. ^ "South Hampstead Orchestra". The Times. 15 June 1899. p. 13.
  9. ^ "Obituary", The Times, p. 14, 7 March 1922
  10. ^ Arthur Searle (2004). "Marshall, Julian". Oxford Dictionary of National Biography. Oxford University Press. doi:10.1093/ref:odnb/34897.
  11. ^ James Duff Brown; Stephen S Stratton (1897). British Musical Biography. p. 272.
  12. ^ "Mrs. Julian Marshall". Online Books Page.
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