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Elizabeth Morley

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Elizabeth Morley
NationalityEnglish
OccupationSilversmith
Years active1794–1807
Known forGeorgian silverware
Notable workTea caddy spoon (1797), toddy ladle (1802)
SpouseThomas Morley
AwardsWorks held by Victoria & Albert Museum, National Museum of Women in the Arts, Sterling and Francine Clark Art Institute

Elizabeth Morley was an English silversmith.

Morley was married to the plateworker Thomas Morley, going into the silver business at his death. During her career she was described variously as a smallworker, cutler, toy dealer, goldsmith, and silversmith. She first registered a mark on 8 August 1794; further marks followed on 19 July 1796 and 1 October 1800. Furthermore she registered a Sun Insurance Policy on 15 April 1797, with another on 15 April 1807. Her address in London was given as 7 Westmoreland buildings, Aldersgate Street.[4]

The Victoria and Albert Museum owns a variety of pieces by Morley, including a collection of bottle tickets of various sorts.[5] Three pieces are in the collection of the National Museum of Women in the Arts; a George III tea caddy spoon of 1797, another of 1798, and a George III toddy ladle of 1802.[4] Several pieces are owned by the Sterling and Francine Clark Art Institute as well.[6]

References

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  1. ^ Glanville, Philippa; Goldsborough, Jennifer Faulds (1990). Women Silversmiths, 1685–1845: Works from the Collection of the National Museum of Women in the Arts. Washington, DC: Thames and Hudson. ISBN 978-0-500-23578-2.
  2. ^ Wees, Beth Carver (1997). English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute. Hudson Hills. p. 490–. ISBN 978-1-55595-117-7.
  3. ^ "Search the Collection". Victoria and Albert Museum. Retrieved 4 July 2025.
  4. ^ a b Philippa Glanville; Jennifer Faulds Goldsborough; National Museum of Women in the Arts (U.S.) (1990). Women Silversmiths, 1685–1845: Works from the Collection of the National Museum of Women in the Arts. Thames and Hudson. ISBN 978-0-500-23578-2.
  5. ^ "Search | V&A Explore the Collections".
  6. ^ Sterling and Francine Clark Art Institute; Beth Carver Wees (1997). English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute. Hudson Hills. pp. 490–. ISBN 978-1-55595-117-7.