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Draft:The Floral Art of Japan

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The Floral Art of Japan is an English-language book on Japanese flower arrangement (ikebana), authored by British architect Josiah Conder and first published in 1891 in Tokyo.[1] It is considered one of the earliest comprehensive introductions of ikebana to Western readers.

Background

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Josiah Conder was a British architect active in Japan during the Meiji period, best known for designing the Rokumeikan and for his role in educating Japanese architects. While in Japan, Conder developed a deep interest in Japanese aesthetics and traditional arts. The Floral Art of Japan was written to introduce the history, philosophy, and visual style of ikebana to a Western audience.

Content

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The book is organized into chapters covering:

The religious and historical background of flower arrangement

The seasonal selection of flowers and symbolic meaning

The spatial placement of flower arrangements in Japanese interiors

Specific ceremonial and seasonal styles, including those for New Year, weddings, moon-viewing, and poetry gatherings

Illustrations include detailed etchings copied from Edo-period ikebana manuals. Many of the diagrams feature the Enshū school of ikebana, which Conder notes was especially refined and popular at the time.

Reception

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The book was reviewed positively in the English-language newspaper The Japan Weekly Mail and other periodicals such as The Academy and The Studio. Conder himself contributed an article titled "Japanese Flower Arrangement" to The Studio (October 1897), further elaborating on ikebana and the ideas behind his book.

In 1901, The Gardeners’ Chronicle cited The Floral Art of Japan in a discussion of Japanese botany, referencing its descriptions of peony culture. The book has since been regarded as a foundational Western text on Japanese floral art.

Later Editions

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A Japanese translation titled 美しい日本のいけばな (Beautiful Ikebana of Japan) was published in 1999 by Kodansha International, translated by Kyoko Kudo. It includes the original illustrations and annotations.

Legacy

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The Floral Art of Japan remains a valuable document in the history of cultural exchange and the early introduction of Japanese aesthetics to Western audiences. Copies are held in libraries such as the British Museum and the Isabella Stewart Gardner Museum.

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[Internet Archive full-text scan if available]

[WorldCat entry]

See Also

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Ikebana

Josiah Conder (architect)

Japanese aesthetics

Japonisme

References

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  1. ^ Conder, Josiah. The Floral Art of Japan. Tokyo: Kelly and Walsh, 1899. Internet Archive (full text)