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Draft:Salima Rivera

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  • Comment: One of the sources is a 404, another makes no mention of the subject, and does not support the statement that she was active in the organisation.
    External links should also be removed or converted to inline citations where appropriate. Greenman (talk) 09:12, 30 July 2025 (UTC)


Salima Rivera (1946–2004) was a Puerto Rican poet, visual artist, and community activist based in Chicago. She was involved in literary and cultural organizing throughout the 1970s and 1980s and is known for her bilingual poetry that engaged with themes such as identity, feminism, displacement, and life in urban Latinx communities.

Early life and education

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Salima Rivera was born in 1946 in Isabela, Puerto Rico. Her family moved to the mainland United States shortly after, living in Utah before settling in Chicago. She attended Crane Technical and Richards Vocational High Schools and briefly enrolled at Columbia College. Rivera began writing poetry as a teenager, drawing from her bilingual upbringing and exposure to different working-class neighborhoods in the city. She was mostly self-taught as a writer and visual artist and considered poetry a tool for expressing resistance, memory, and cultural pride.[1]

Career

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Rivera’s poems and visual works were published in journals like Revista Chicano-Riqueña, Third Woman, and ECOS: A Latino Journal of People’s Culture & Literature. She was part of Los Otros, a poetry collective formed in response to displacement and underrepresentation of Latinx artists after the Division Street riots of 1966. She was also active in Casa Aztlán, a community cultural center in the Pilsen neighborhood[2] , and Mujeres Latinas en Acción, a feminist Latina service and advocacy organization.

Rivera participated in the first Festival de Mujeres in 1979 and worked closely with Movimiento Artístico Chicano (MARCH), an artist-activist coalition based in Chicago. On top of all this, she worked for the City of Chicago’s Department of Cultural Affairs, where she founded and served as lead organizer of *¡Viva Chicago!*, a Latin music and culture festival that continues to this day.[3]

Themes and style

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Rivera’s poetry was deeply informed by her own life experiences as a Puerto Rican woman navigating race, gender, and culture in an urban setting. Her writing addressed themes of gentrification, machismo, and the erasure of Latinx voices. One of her most notable works, the poem "Pilsen," critiques the impact of urban renewal on Latinx neighborhoods and captures the emotional weight of cultural loss.[4] Her poetry often blended the personal and political, and she used vivid imagery, code-switching, and humor to convey her points. She focused heavily on collective memory and cultural preservation, often writing about places, people, and struggles she had first-hand experience with—like community organizing, Puerto Rican identity, and displacement in Chicago’s neighborhoods.

Later recognition

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Rivera died in 2004 from ovarian cancer. A posthumous collection of her poetry, titled It’s Not About Dreams, was published in 2014 by Erato/Poetry Foundation. In 2018, she was inducted into the Chicago Literary Hall of Fame. Her portrait appears on the Pierce Street Legends mural in West Humboldt Park, a public art project honoring Puerto Rican figures who contributed significantly to Chicago’s culture and history.

In March 2024, the Poetry Foundation published a dedicated folio featuring Rivera’s work and reflections by contemporary writers on her legacy.[5]

Selected works

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  • It’s Not About Dreams. Erato/Poetry Foundation, 2014.
  • Salima Rivera Folio. Poetry Magazine, March 2024. Poetry Foundation.

References

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  1. ^ "Salima Rivera". Poetry Foundation.
  2. ^ "Casa Aztlán". Clio. Retrieved 2025-07-23.
  3. ^ "Salima Rivera". Chicago Literary Hall of Fame.
  4. ^ Burgos-Muñiz, Francisco (2023). "The Uses of Absence: Salima Rivera's Pilsen and the Poetics of Latinx Erasure". Soapbox: A Journal of Cultural Analysis. 2 (2): 105–134.
  5. ^ Poetry Foundation. "Salima Rivera Folio". Poetry Foundation.
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