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Donald Pelmear
Born
Donald Stanley Morrell Pelmear

(1924-07-06)6 July 1924
Middlesbrough, North Yorkshire, England
Died11 January 2025(2025-01-11) (aged 100)
Hampstead, London, England
OccupationActor
Years active1953–2007 • 2016–2018

Donald Pelmear (6 July 1924 – 11 January 2025) was a British actor on stage and screen. Among his notable performances were Sir Thomas More in A Man for All Seasons in 1961, in Farnham, Salisbury and Southport,[1][2] and Malvolio in the 1964 production of Twelfth Night which inaugurated the Nuffield Theatre, Southampton.[3] On screen, he may be best known for portraying Professor Joseph Rubeish in the 1973–74 Doctor Who serial The Time Warrior.

Life and career

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Pelmear began acting in amateur theatre and then, from 1953, acted in repertory theatre. He did not attend drama school, but learned from watching and listening to other actors.[4] He appeared with theatre companies across England, including the Bristol Old Vic Theatre Company,[4][5] the Oxford Playhouse Company,[6][7] and the New Shakespeare Company,[8] and was known for his versatility and flexibility as an actor.[9][4]

Pelmear enjoyed playing comedy,[4] and critics applauded his comic roles in plays such as The White Sheep of the Family,[10] Separate Rooms[11] and Kafka's Dick,[12] musical comedies such as The Fantasticks[13] and Salad Days.[9] He played various roles in pantomimes, including Aladdin in The Adventures of Aladdin and his Wonderful Lamp[14] and Mole in Toad of Toad Hall.[7]

In the West End, Pelmear played Doc in the 1984/85 revival of West Side Story at Her Majesty's Theatre,[15] and Monsieur Damiens in the 1990/91 production of Anouilh's The Rehearsal at the Almeida Theatre and Garrick Theatre.[16][17]

He also played many serious roles, including Aslaksen in Ibsen's An Enemy of the People[6][18] and Lawrence of Arabia in Terence Rattigan's play Ross, a review of which stated "Donald Pelmear is an actor of subtlety and power, who draws a consistent portrait and resists every temptation to overdraw it".[19] His portrayal of Sir Thomas More in A Man for All Seasons was described as "a very sensitive portrayal"[20] and a "warming, human performance of a beautifully realized character",[2] in which "[e]very mood of this great man is faithfully depicted - his gentleness, lowliness, gravity, wit, affability, piety and heroism."[1] Pelmear also appeared in the first play performed at the new Nuffield Theatre, Southampton, playing Malvolio in the Salisbury Arts Theatre Company's production of Twelfth Night; a critic wrote that "Donald Pelmear is an excellent Malvolio who finally leaves his audience torn between pity and aversion."[3]

Pelmear died on 11 January 2025, at the age of 100.[21]

Selected stage performances

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Year Title Author Theatre Role Notes
1953 Will Any Gentleman? Vernon Sylvaine Assembly Hall Theatre, Tunbridge Wells Dr. Smith Loraine Theatre Company[22]
1953 Relative Values Noël Coward Assembly Hall Theatre, Tunbridge Wells Loraine Theatre Company[23]
1953 The White Sheep of the Family Lawrence du Garde Peach and Ian Hay Assembly Hall Theatre, Tunbridge Wells Vicar Loraine Theatre Company[10]
1953 The Deep Blue Sea Terence Rattigan New Pavilion, Redcar Mr. Miller, ex-doctor North Riding Theatre Company[24]
1956 The Duke in Darkness Patrick Hamilton Southport The Duke of Latteraine Southport Repertory Company[25][26]
1956 We at the Crossroads Keith Winter Southport Author Southport Repertory Company[27]
1957 Burdalane Winifred Bannister Scala, Southport Hew Kennedy Southport Repertory Company[28][29]
1957 Separate Tables Terence Rattigan Scala, Southport Major Pollock Southport Repertory Company[30]
1957 My Three Angels Bella and Samuel Spewack Scala, Southport Southport Repertory Company[30]
1958 The Adventures of Aladdin and his Wonderful Lamp Donald Bodley Scala, Southport Aladdin Southport Repertory Company[14]
1958 Family on Trial John Wiles Scala, Southport Schoolmaster Southport Repertory Company[31]
1958 Ring for Catty Patrick Cargill and Jack Beale Scala, Southport Len White Southport Repertory Company[32]
1958 Cuckoo in Clover Kate Lindsay Scala, Southport Richard Cavendish Southport Repertory Company[33]
1960 The Father August Strindberg Castle Theatre, Farnham Dr. Ostermark Castle Theatre Repertory Company[34]
1961 The Birthday Party Harold Pinter Castle Theatre, Farnham McCann Castle Theatre Repertory Company[35]
1961 A Man for All Seasons Robert Bolt Castle Theatre, Farnham Sir Thomas More Castle Theatre Repertory Company[1][20]
1961 A Man for All Seasons Robert Bolt Kings Theatre, Southsea Sir Thomas More Salisbury Arts Theatre[2][36]
1962 Salad Days Julian Slade, Dorothy Reynolds Marlowe Theatre, Canterbury Ambrose and Police Inspector Marlowe Theatre Company[9]
1962 The Unexpected Guest Agatha Christie Marlowe Theatre, Canterbury Michael Starkwedder Marlowe Theatre Company[37]
1962 Separate Rooms Alan Dinehart and Joseph Carole Marlowe Theatre, Canterbury Jim Stackhouse Marlowe Theatre Company[11]
1963 Ross Terence Rattigan Guildford Theatre, Guildford Lawrence of Arabia Guildford Theatre Company[19]
1964 Twelfth Night Shakespeare Nuffield Theatre, Southampton Malvolio Salisbury Arts Theatre Company[3]
1965 You Never Can Tell George Bernard Shaw Phoenix Theatre, Leicester Walter, the waiter Phoenix Theatre Company[38][39]
1965 See How They Run (play) Philip King Phoenix Theatre, Leicester Vicar, Rev. Lionel Toop Phoenix Theatre Company[40]
1965 The Fantasticks Harvey Schmidt, Tom Jones Phoenix Theatre, Leicester Father Phoenix Theatre Company[13]
1967 Next Time I'll Sing To You James Saunders Swan Theatre, Worcester The Hermit Worcester Repertory Company[41]
1968 Juno and the Paycock Seán O'Casey Little Theatre, Bristol Joxer Daly Bristol Old Vic Theatre Company[4]
1968 Loot Joe Orton Little Theatre, Bristol Inspector Truscott Bristol Old Vic Theatre Company[5][4]
1968 A Day in the Death of Joe Egg Peter Nichols Little Theatre, Bristol Freddie Bristol Old Vic Theatre Company[42]
1969 An Enemy of the People Henrik Ibsen Yvonne Arnaud Theatre, Guildford Aslaksen Oxford Playhouse Company[6][18]
1970 Toad of Toad Hall A. A. Milne, Kenneth Grahame Oxford Playhouse Mole Oxford Playhouse Company[7]
1970 Cat on a Hot Tin Roof Tennessee Williams Phoenix Theatre, Leicester Doctor Baugh Phoenix Theatre Company[43]
1970 In Celebration David Storey Phoenix Theatre, Leicester Mr Shaw Phoenix Theatre Company[44][39]
1970 Narrow Road to the Deep North Edward Bond York Theatre Royal Basho York Theatre Royal Company[45]
1972 The Tempest Shakespeare Hull New Theatre New Shakespeare Company[8]
1972 Twelfth Night Shakespeare York Theatre Royal New Shakespeare Company[46]
1980 The Caretaker Harold Pinter The Capitol Theatre, Horsham Davies the tramp New Shakespeare Company[47]
1981 Much Ado About Nothing Shakespeare Theatre Royal, Lincoln Leonato, governor of Messina New Shakespeare Company[48]
1984-1985 West Side Story Leonard Bernstein, Stephen Sondheim Her Majesty's Theatre, London Doc [15]
1986 Tristram Shandy Laurence Sterne, adapted by Peter Buckman Oxford Playhouse Uncle Toby Oxford Playhouse Company[49]
1989 Habeas Corpus Alan Bennett Thorndike Theatre, Leatherhead Dr Arthur Wicksteed [50]
1990 Pack of Lies Hugh Whitemore Belgrade Theatre, Coventry MI5 Officer [51][52]
1990 - 1991 The Rehearsal Jean Anouilh Almeida Theatre, London, then Garrick Theatre, London Monsieur Damiens Theatre Division[16][17]
1998 Kafka's Dick Alan Bennett Nottingham Playhouse Father [12]

Partial filmography

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Film

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Year Title Role Notes
1987 Little Dorit Mr. Clive
1998 Elizabeth Third bishop
2017 Edie George [53]
2018 The Curse of Shalott Malcolm Short film

Television

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Year Title Role Notes
1959 ITV Play of the Week Mr. Green Episode: "A Man Involved"
1960 BBC Sunday-Night Play Unknown
The World of Tim Frazer Projectionist 1 episode
1961 Gamble for a Throne Richard Whiteacre Miniseries - 5 of 6 episodes[54]
1966 Ransom for a Pretty Girl Willis Miniseries - 3 of 6 episodes[55]
1967 Coronation Street Mr. Fitch Episode: "Episode: #1.684"
1969 Special Branch William Arthur Cowley Season 1, Episodes 1 + 2[39]
1970 UFO Estate agent Episode: "The Square Triangle"
1973–74 Doctor Who Professor Joseph Rubeish Serial: The Time Warrior[56][57]
1976 The Duchess of Duke Street Major Gutch Episode: "Plain Sailing"
1981 The Day of the Triffids University Gateman Episode: "Part Three"
1982 Yes Minister Permanent Secretary, DHSS Episode: "Equal Opportunities"
1983 The Citadel Dr. Thoroughgood Episode: "Part 10"
1990 Agatha Christie's Poirot Judge Episode: "The Mysterious Affair at Styles"
1991 Paul Merton: The Series Judge Episode: "Episode #1.2"
1992 London's Burning Curator 1 episode
1993 In Suspicious Circumstances Henry Dobson Episodes: "Shadow of Doubt" and "The Death of Lucy Kyte"
1998 McCallum Mr. Weston Episode: "City of the Dead"
2000 The 10th Kingdom Court clerk Miniseries
Lock, Stock... Captain Episode: "...And Two Sips"
2001 The Way We Live Now Doctor Miniseries
2003 Strange Mr. Parrish Episode: "Asmoth"
My Hero Patient Episode: "The Mayor of Northolt"
2004 Little Britain Waiter Episode: "Episode #2.1"
2006 Hotel Babylon Mr. Farrah 1 episode

See also

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References

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  1. ^ a b c "These People are Real". The Stage. 1 June 1961. p. 16. Retrieved 13 April 2025. The role of Thomas More is a gift to any actor and Donald Pelmear revels in it. Every mood of this great man is faithfully depicted - his gentleness, lowliness, gravity, wit, affability, piety and heroism.
  2. ^ a b c Green, Charles (24 November 1961). "A Man for All Seasons a great play". Hampshire Telegraph. p. 2. Retrieved 14 April 2025. Donald Pelmear plays Sir Thomas More, gentle, witty, kindly, a lover of good wine, a good husband and tender father to his beloved daughter, a man of the law and of God, a faithful son of the old Church, a layman of deeper piety than the worldly clerics. Mr. Pelmear's performance is most moving. We first see him in his family circle, wise, often smiling and jesting, indulgently admiring the dresses of his wife and daughter. We see him confronting Wolsey, polite, urbane, but never shedding his principles, we see him as a loyal subject of his King, knowing how to flatter gently, but still unyielding where principle is concerned. He will not accept divorce, and that is it. Most moving of all, we see him in jail, physically broken and prematurely aged, but still spiritually integrated, taking leave of his loved ones, pathetically praising bis wife's custard that she has brought him, in the midst of heartbreak. We see him confronting his accusers, unruffled mostly, though human enough to have the sudden outburst, and holding fast to his deep religious convictions. A warming, human performance of a beautifully realized character.
  3. ^ a b c "The First Production". The Stage. 5 March 1964. p. 17. Retrieved 15 April 2025. Donald Pelmear is an excellent Malvolio who finally leaves his audience torn between pity and aversion,
  4. ^ a b c d e f Coe, John (2 March 1968). "LISTEN - if you want to want to enjoy this lesson in language". Evening Post. Bristol, Avon, England. p. 7. Retrieved 13 April 2025.
  5. ^ a b Eyres, Christine (6 March 1968). "Fun - but don't take offence". Evening Post. Bristol, Avon, England. p. 27. Retrieved 13 April 2025.
  6. ^ a b c J.W.P. (14 February 1969). "Timeless Ibsen". Surrey Advertiser. p. 6. Retrieved 16 April 2025. There is excellent work too, by Leonard Sachs as the mayor, by Tony Anholt ... as the editor, by Donald Pelmear, as the personification of all ratepayers, and by Georgine Anderson and Celia Bannerman as the wife and daughter. It is an outstanding production of a play all too rarely staged.
  7. ^ a b c "'Toad of Toad Hall'". The Stage. 8 January 1970. p. 26. Retrieved 16 April 2025. As Toad, Bill Wallis is in effectively rumbustious form ... The Badger of David Nettheim is ... a brilliant comic characterization. Donald Pelmear's Mole, kindly, ultra-sensitive and infinitely likeable ... [is] also very well-drawn and never merely clowned.
  8. ^ a b P.C. (9 May 1972). "Re-creating the magic of the Bard's last play". Hull Daily Mail. Hull, Humberside, England. p. 8. Retrieved 16 April 2025.
  9. ^ a b c "Marlowe Players Should Pull in Public". The Stage. 26 April 1962. p. 16. Retrieved 15 April 2025. Donald Pelmear likewise demonstrated his versatility, his greatest success being as Ambrose, the frustrated dress-designer. As the Poiice Inspector, he was associated with Peter Street (P.C. Boot) in the hilarious dance scene.
  10. ^ a b "Crime's such fun in this comedy". Kent & Sussex Courier. 28 August 1953. p. 5. Retrieved 12 April 2025. But probably the hit of the show is Donald Pelmear as a dithering vicar. If police college superintendents object to comic coppers, this is the kind of stage parson that would make a Bishop squirm. It made Tuesday's full house rock with laughter.
  11. ^ a b "The Marlowe - "Crisp and Nutty" Comedy". Whitstable Times and Herne Bay Herald. 2 June 1962. p. 19. Retrieved 15 April 2025. Donald Pelmear was irrepressible as ever in his lively performance as Jim Stackhouse, the columnist with the quick comebacks.
  12. ^ a b Robinson, Denis (27 February 1998). "REViEW 'Kafka's Dick,' Nottingham Playhouse". Hucknall Dispatch. p. 21. Retrieved 15 April 2025. Geriatric dad (Donald Pelmear) [ ] is given the play's funniest one-liners.
  13. ^ a b D.D. (23 June 1965). "The show with everything ... yet leaves a void". Leicester Daily Mercury. p. 20. Retrieved 16 April 2025. Most Rewarding. The two fathers, in the light clown category, were a joy to see. Richard Curnock and Donald Pelmear make their wall seem a really bright idea, and don't lose the humour when the idea goes sour.
  14. ^ a b "Southport. 'Aladdin'". The Stage. 2 January 1958. p. 27. Retrieved 12 April 2025. In pantomime, we like a hero who is strong, handsome and endearing. and Donald Pelmear is all these things and more, as Aladdin.
  15. ^ a b "West Side Story - 1984 London Revival". The Stephen Sondheim Reference Guide. Retrieved 21 April 2025.
  16. ^ a b Loriggio, Pauline (29 November 1990). "Play Reviews: The Garrick. The Rehearsal". The Stage. p. 18. Retrieved 15 April 2025.
  17. ^ a b "Production News". The Stage. 2 May 1991. p. 11. Retrieved 15 April 2025.
  18. ^ a b B.J.D. (14 February 1969). "Ibsen Years Ahead of his Time". West Sussex County Times. p. 6. Retrieved 16 April 2025. It is the lesser roles of this virile production which make this Guildford presentation a theatrical event, particularly those of ... Donald Pelmear as the local printer and leader of the residents' association, who is humble and asks for restraint in all things.
  19. ^ a b Plain, Penny (30 January 1963). "Entertainment Review". Surrey Advertiser. p. 3. Retrieved 15 April 2025. The burden of the play rests on the central character. Donald Pelmear is an actor of subtlety and power, who draws a consistent portrait and resists every temptation to overdraw it. Perhaps he might on Monday have stressed a little more, in fact, the contrast between the self-confldent conqueror of Akaba and the wrecked personality at Jerusalem. To have robbed the character of basic sincerity - to have suggested that he was revelling in self-humiliation - would, however, have been fatal, and Mr Pelmear's restraint was highly effective.
  20. ^ a b "Castle Players accepted challenge and won". The Aldershot News. 2 June 1961. p. 10. Retrieved 14 April 2025. Donald Pelmear, as More, rises to great heights with a very sensitive portrayal. He grasps the essential qualities of the character right from the first, is word perfect, and builds up an authentic picture, which in the end makes a great impact when More, now a tortured soul, faces his accusers for the last time.
  21. ^ Times, The (23 January 2025). "Births, marriages and deaths: January 23, 2025". www.thetimes.com. Retrieved 24 January 2025.
  22. ^ "Assembly Hall Rollicking Farce - 'Will any gentleman?'". Kent & Sussex Courier. 7 August 1953. p. 5. Retrieved 12 April 2025.
  23. ^ "Life in Kent - Coward style". Kent & Sussex Courier. 14 August 1953. p. 5. Retrieved 12 April 2025.
  24. ^ "Repertory. Redcar". The Stage. 22 October 1953. p. 12. Retrieved 12 April 2025. An excellent characterisation of Dr. Miller was given by Donald Pelmear
  25. ^ "Hamilton play at Southport". The Stage. 2 August 1956. p. 11. Retrieved 12 April 2025.
  26. ^ "Southport Success in 'Heavy Drama'". The Stage. 19 July 1956. p. 11. Retrieved 12 April 2025. The performances of Donald Bodley and Donald Pelmear were a triumph. ... Mr. Pelmear never fails to give his best, and his restrained, dignified Duke was no exception. He is an actor with a future.
  27. ^ "Maelstrom of Emotions". The Stage. 7 June 1956. p. 11. Retrieved 12 April 2025. Donald Pelmear and Stanley Lloyd had complete control of their scenes and gave memorable performances that showed considerable depth of feeling, as the idealistic, self-pitying author and the confused husband, respectively.
  28. ^ "Pathos of an Old Scots Spinster". The Stage. 9 May 1957. p. 10. Retrieved 12 April 2025. An actor of unquestionable talent, Donald Pelmear, gives a sensitive portrayal as Hew Kennedy, the poacher.
  29. ^ R.L.W. (7 May 1957). "Melodrama spiced with Farce. Premiere of "Burdalane"". The Guardian. p. 5. Retrieved 12 April 2025.
  30. ^ a b "Southport Far Ahead of Average', Says 'Burdalane' Author". The Stage. 16 May 1957. p. 7. Retrieved 12 April 2025. Donald Pelmear [was] impressive in Separate Tables," ... for his complete interpretation of the questionable Major Pollock. In "My Three Angels" Stanley Lloyd, Peter Schofield and Donald Pelmear were artful, appealing, attentive and altogether lovable.
  31. ^ "Southport's Mayor Sees Outstanding Production". The Stage. 8 May 1958. p. 7. Retrieved 12 April 2025. Once again Donald Pelmear lived up to his reputation for acting that is nothing less than real, as the schoolmaster who has to face the suspicions of parents and children alike.
  32. ^ "Southport Breaks Away from Lancashire Comedy". The Stage. 17 July 1958. p. 14. Retrieved 12 April 2025. [This] was one of the company's best productions. ... another performance of deep sincerity came from Donald Pelmear, as Len White.
  33. ^ "Comedy with an Irish flavour". The Stage. 9 October 1958. p. 14. Retrieved 12 April 2025. The plot concerns an appealing young wife ... of a golf-crazy sportsman ... Donald Pelmear brings out plenty of comedy with his semi-dry approach to the part of the husband.
  34. ^ "'The Father' at Farnham". The Stage. 3 March 1960. p. 20. Retrieved 12 April 2025. Immediately the curtain rose it had the audience within its grip and held it until the last word was spoken. ... Every artist fitted the character like the proverbial glove. ... The Dr. Ostermark of Donald Pelmear was realistic.
  35. ^ S.N. (19 May 1961). "Altogether too much ketchup". Aldershot News. Aldershot, Hampshire. p. 11. Retrieved 13 April 2025.
  36. ^ "This Play Deserves Much Better Support". Portsmouth Evening News. 21 November 1961. p. 11. Retrieved 15 April 2025. Donald Pelmear gives a masterly performance as Sir Thomas More, emphasizing his great capacity for tolerance, and his deep personal conviction which lasts from the days before he was made Lord Chancellor, until his execution.
  37. ^ "Is the "Personal Touch" Filling the Marlowe?". Whitstable Times and Herne Bay Herald. 12 May 1962. p. 15. Retrieved 15 April 2025. Donald Pelmear had one of the meatier parts in the important role of Starkwedder, the "unexpected guest." and he exploited it to the full. Much of the humour in the play was in his lines and he didn't miss a trick.
  38. ^ "One of the Best from the Phoenix". Leicester Daily Mercury. 3 March 1965. p. 14. Retrieved 15 April 2025. Timing Vital. Mr Pelmear's elderly waiter was the most difficult of all. It is he who carries the message "You Never Can Tell." He serves at table, is friendly and tactful, without being familiar, and is only outraged when there is an attempt to remove him from his menial station
  39. ^ a b c "Donald Pelmear". Leicester Daily Mercury. 24 February 1970. p. 12. Retrieved 16 April 2025.
  40. ^ D.D. (14 April 1965). "Holiday Fare At Phoenix". Leicester Daily Mercury. p. 11. Retrieved 15 April 2025. The vicar whose identity becomes confused in the course of the play was played with well-studied patience and dignity by Donald Pelmear who went to pieces admirably as things got on the move
  41. ^ V.M.H. (2 August 1967). "'Next Time I'll Sing to You' ... at the Swan Theatre, Worcester". Birmingham Daily Post. p. 14. Retrieved 15 April 2025. Donald Pelmear is a wonderfully misunderstood and frustrated "actor hermit".
  42. ^ Coe, John (27 April 1968). "Your chance to question local dramatist". Bristol Evening Post. p. 7. Retrieved 16 April 2025.
  43. ^ "'Cat on a Hot Tin Roof'". Leicester Chronicle. 13 February 1970. p. 23. Retrieved 16 April 2025.
  44. ^ "T' Phoenix muckies its feathers with a fine result". Leicester Chronicle. 6 March 1970. p. 22. Retrieved 16 April 2025.
  45. ^ "On this week at ... York". The Stage. 18 June 1970. p. 16. Retrieved 16 April 2025.
  46. ^ Kluz, Andy (4 October 1972). "Let's have more". The Northern Echo. Darlington, Durham, England. p. 9. Retrieved 16 April 2025.
  47. ^ Day, Christine (10 October 1980). "Deeply Disturbing Play". West Sussex County Times. p. 5. Retrieved 16 April 2025.
  48. ^ "Living Shakespeare". Lincolnshire Echo. Lincoln, Lincolnshire, England. 31 March 1981. p. 7. Retrieved 16 April 2025.
  49. ^ PT (7 November 1986). "A far from bitter Shandy". The Independent. London, England. Retrieved 16 April 2025.
  50. ^ RTE (24 May 1989). "Lie back and think of Alan Bennett". Esher News and Mail. Esher, Surrey, England. p. 5. Retrieved 13 April 2025.
  51. ^ "Spy drama actor is told to mind his language. Expert help for star to play". Coventry Evening Telegraph. Coventry, West Midlands, England. 16 February 1990. p. 23. Retrieved 13 April 2025.
  52. ^ FitzGerald, Ann (29 March 1990). "Regional Reviews. Coventry: Pack of Lies". The Stage. p. 16. Retrieved 15 April 2025. Donald Pelmear as Mr Stewart has the patrician style of the Whitehall mandarin. He is overwhelming in this small, tidy home, and diminishes the Jackson's [sic] by his confident presence, making an unspoken point about the English class system.
  53. ^ Robey, Tim (24 May 2018). "Edie review: late-life drama loses Sheila Hancock in the hills". The Telegraph. Retrieved 21 April 2025.
  54. ^ "Gamble for a Throne". BBC Programme Index. Retrieved 21 April 2025.
  55. ^ "Ransom for a Pretty Girl". BBC Programme Index. Retrieved 21 April 2025.
  56. ^ Muir, John Kenneth (2015). A Critical History of Doctor Who on Television. McFarland. p. 214. ISBN 9781476604541. Retrieved 21 April 2025.
  57. ^ Mulkern, Patrick (20 February 2010). "The Time Warrior". Radio Times. Retrieved 21 April 2025.
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