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Comic Book Whore
Studio album by
Jane Jensen
ReleasedOctober 1, 1996
Recorded1994–1996
Studio
  • Canal Street (New York City)
  • Harold Dessan (New York City)
  • Unique Recording (New York City)
Genre
Length48:16
Label
ProducerCraig Kafton
Jane Jensen chronology
Comic Book Whore
(1996) 		Burner
(2000)
Singles from Comic Book Whore
  1. "More Than I Can"
    Released: January 17, 1997
  2. "Luv Song"
    Released: June 20, 1997

Comic Book Whore is the debut solo album by the American musician Jane Jensen. It was released on October 1, 1996, through Flip Records, and re-released through Interscope Records in 1997. Jensen wrote and recorded the album with producer Craig Kafton at Canal Street, Harold Dessan and Unique Recording Studios in New York City. Intended by Jensen as a departure from the melancholic, mythology-based works of her previous band Oxygiene 23, Comic Book Whore is an alternative rock and industrial music album featuring electronic instrumentation and vocals and direct, conversational lyrics based on her past experiences.

Comic Book Whore was supported by the singles "More Than I Can" and "Luv Song", with the former garnering airplay on college and alternative radio stations. Supported by a live band, Jensen toured the United States and Australia to promote the album in 1996 and 1997. Music critics praised the album's songwriting and Jensen's persona whilst criticizing its lack of lyrical depth and lackluster material of its second half.

Background and recording

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Following the disbandment of her previous band Oxygeine 23, Jane Jensen relocated from Chicago to New York City around 1994.[1] Equipped with an 12-string acoustic guitar[1] and a Roland R-8 drum machine, Jensen began recording demos with a four-track recorder[2] and played regular shows at a club called The Red Room.[1] Six months later,[1] she met producer Craig Kafton and began recording material at his loft recording studio,[3] Canal Street.[2] Later on, Kafton asked Jensen to sing over a track he was working on, which became the first song written for Comic Book Whore, "More Than I Can".[2] Jensen credited the song with "open[ing] the floodgate for [the] album to pour out".[2]

Recording sessions for Comic Book Whore were held at Canal Street, Harold Dessan and Unique Recording Studios in New York City.[4] Jensen and Kafton wrote and recorded material simultaneously;[2] the process surrounding writing was largely collaborative,[5] though differing in approach between songs.[1] Both members would come up with structures and parts separately before attempting to mix them, or they would add to parts the other had written.[1][5] Jensen performed guitar[5] and would sketch out a draft of a song—adding drum machines and occasionally samples in the process—on her computer before going to the studio.[6] Kafton also played guitars and also handled percussion, sampling, and programming,[7] the latter two which he worked on using a Compaq computer.[8]

Whilst working on an album by The Hotheads, Kafton played "More Than I Can" for the band's label, Flip Records, who subsequently signed Jensen.[1] Half of Comic Book Whore was written prior to Jensen's signing with Flip, with rest being written thereafter; she and Kafton selected the best of their material for its tracklisting.[1] "Luv Song" was recorded right as the album was being mixed by Jim Janik at Unique Recording Studios, in order to fill up the remaining length of its two-inch recording tape;[2] it was written and recorded in two or three hours.[3] Kafton created a simple bass and drum loop to run till the end of the tape which Jensen sang and played guitar over; parts of her vocal takes were cut and spliced together by Kafton to make the final song.[2]

Composition

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Comic Book Whore has been described as alternative rock[9] and industrial music.[6][7] According to Tech-head Polonski of SLUG, its music combines a "lo-fi bedroom recording feel" with a computerized dance sound.[10] The album's songs feature distorted guitars,[11] drum machines,[11][12] rhythmtic synthesizers[13] and big beat loops.[14] Jensen's vocals are often multitracked[15] or electronically processed.[16] Mark Jenkins of The Washington Post described its attitude as "tough-talking but playful" and highlighted its "slumber-party vibe".[15] Suzan Colon of Spin likened Jensen to a "high school cheerleader gone industrial" with her "occasional lapses into pop cuteness" and "malevolent-little-girl-lost singing style".[11] Jensen aimed to depart from the melancholic, mythology-based works of Oxygiene 23 in favor of a groove and humor-based approach,[11] and said that, besides the vocals, they were meant to stylistically stand out from one another and have no connecting elements or themes.[1] Jensen's lyrics were intended to be more direct and realistic than Oxygiene 23's,[3][5] and deal with her past experiences,[2] relationships and the way people affected her.[3] The lyrics were intended to come across like a conversation.[3][6] In an interview with Scene Entertainment Weekly, Jensen cited the authors Kathy Acker and William S. Burroughs as influences on the lyrics with the stream of consciousness qualities of both of their works and the former's use of textual interlopation: "it's kinda of the equivalent of sampling in music. My inspiration comes from any strange turn the day may take."[5]

The opening track of Comic Book Whore, "More Than I Can", blends heavy electrobeats and guitars[15] and sees Jensen "[fend] off an obsessive lover", according to Chuck Campbell of the Knoxville News Sentinel.[16] "Luv Song" humorously describes Jensen's ideal boyfriend;[15][16] her vocals alternate between chattering, laughter,[15] and howling.[11][17] "King" is an energetic track[17] featuring pop-inflected and electronically altered vocals. Michael C. Mahan of Industrialnation described the song as recalling early punk rock and new wave music.[9] Karey Ridge Baich of Scene Entertainment Weekly highlighted its themes of "love and sex and loathing" as driven by its "paradoxical chorus".[18] "Cowboy" features similar lyrical themes to "Luv Song"[16] and choral, multitracked vocals.[15] "Highway 90" sees Jensen sing stream of consciousness lyrics detailing a drive between Chicago and Indiana[1] over a rolling bassline and distorted guitars, driven led by a pyschedelic lead riff.[9] Andy Langer of The Austin Chronicle called the song a "self-deprecating tour-de-force".[13] Jensen said it was her favorite from Comic Book Whore, feeling it best captured the conversational mood she attempted to potray with her lyrics across the album.[6] Roger Catlin of the Hartford Courant likened Jensen's "high and single-minded" vocals on "Clumsy" to Throwing Muses singer Kristin Hersh.[14] "Superstar" contains a folk rock guitar intro,[10] whilst album closer "Be Just Sound" features "phantasmal harmonies" that Campbell likened to Siouxsie and the Banshees.[16]

Release and promotion

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Comic Book Whore was released through Flip Records on October 1, 1996.[19] Interscope Records took the album from Flip a month prior to its release,[20] and re-released it in 1997.[21] The label promoted it through retail and print advertisements, particularly in the Southwestern United States.[20] On January 17, 1997, "More Than I Can" was serviced to radio stations as the lead single from Comic Book Whore;[22] "Luv Song" was released as its second single on June 20, 1997.[23] The album, and particularly "More Than I Can", garnered airplay on college and alternative radio stations.[7]

To promote the album, Jensen toured with a live band, featuring Kafton on bass, former Siouxsie and the Bansees member John Valentine Carruthers on guitar, and Duard Kleyn on drums.[1][5] After opening for the Butthole Surfers in October 1996, Jensen embarked on a headlining tour of the Northeastern United States.[19] In early 1997, she toured as a supporting act for Better Than Ezra, played various radio shows, and performed at the South by Southwest (SXSW) festival.[20] Following another headlining United States tour,[24] Jensen toured Australia in July 1997.[3] She also performed shows with L7, Green Day, Gravity Kills, and Porno for Pyros in support of the album.[7]

Critical reception

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Professional ratings
Review scores
SourceRating
AllMusic[17]
The Austin Chronicle[13]
Christgau's Consumer Guide(3-star Honorable Mention)(3-star Honorable Mention)(3-star Honorable Mention)[25]
Knoxville News-Sentinel[16]
St. Petersburg TimesB[26]

Mahan of Industrialnation praised Comic Book Whore for presenting a heavy modern rock sound with "well done" instrumentation and "unpretentious" vocals.[9] Samantha Spinrad of the St. Petersburg Times called the album an "impresive debut", highlighting Jensen's "charm and intelligence" and stating it would appeal to fans of riot grrrl, techno and indie rock.[26] Baich of Scene Entertainment Weekly viewed Jensen's lyrics as the album's driving force after its vocals, and believed those who did not understand her "wandering wit" were "devoid [...] of insight".[18] Richard Harrington of The Washington Post highlighted its "supple-yet-catchy sound"[27] whilst Robert Christgau gave the album a three-star "honorable mention", indicating "an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure"; he said Jensen was similar to Courtney Love and Alanis Morrisette in terms of "noise and normality" albeit "sexier" and highlighted the tracks "Luv Song" and "Highway 90".[25]

Tom Demalon of AllMusic highlighted Comic Book Whore's "melodic and insistent" songwriting and widespread hooks but felt Jensen's lyrics lacked depth.[17] Jenkins, also of The Washington Post, likewise said that despite Jensen's "striking" vocals, "what she has to say usually isn't".[15] Andy Langer of The Austin Chronicle considered Comic Book Whore to be a "truly clever debut" and called "More Than I Can" and "Luv Song" an "unlikely set of anthems". He criticized the album's dull, "semi-avant-garde closing section", but said Jensen's "confident quirk is just seductive enough to make you forget".[13] Campbell of the Knoxville News Sentinel felt that Jensen was lost "cartoonish" streams of consciousness towards the end of Comic Book Whore but "fights her way back into the spotlight through sheer determination"; he ultimately believed that, with enough attention, the "eccentric" and "funny" album could garner a cult following.[16] Chuck Eddy, writing in LA Weekly, criticized most of the album as "sappy singer-songwriting done as amorphous studio-metal mouthwash" and felt it would have worked better as an extended play (EP) containing its first five or six songs; he compared the rest of its material unfavorably with Björk.[12]

Track listing

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All tracks are written by Jane Jensen and Craig Kafton.

No.TitleLength
1."More Than I Can"4:00
2."Luv Song"4:13
3."King"3:52
4."Cowboy"3:59
5."Highway 90"4:49
6."Listen"4:04
7."Blank Sugar"5:05
8."Dream Ridiculous Implausable"4:47
9."Clumsy"3:20
10."Superstar"5:17
11."Be Just Sound"4:50
Total length:48:16

Personnel

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Adapted from liner notes.[4]

References

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  1. ^ a b c d e f g h i j k Gourley, Bob (1996). "Jane Jensen interviewed about "Comic Book Whore"". Chaos Control Digizine. Archived from the original on February 12, 1998. Retrieved May 19, 2025.
  2. ^ a b c d e f g h Yücel, Ilker (October 28, 2022). "InterView: Jane Jensen – A Lot of Ideas, a Little Headphone Bleed". ReGen Magazine. Archived from the original on December 1, 2022. Retrieved May 19, 2025.
  3. ^ a b c d e f Kallio, Laura H. (September 1, 1997). "Jane Jensen – Comic Book Whore – Interview". Lollipop Magazine. Archived from the original on December 4, 2024. Retrieved May 19, 2025.
  4. ^ a b Jane Jensen (1996). Comic Book Whore (booklet). Flip/Interscope Records. INTD-90112.
  5. ^ a b c d e f Batten, Steve (December 5, 1996). "See Jane Run: Inside Jane Jensen's Cosmic Pop". Scene Entertainment Weekly. Vol. 27, no. 49. Cleveland. p. 24. JSTOR community.32630666.
  6. ^ a b c d e Harris, Cerentha (July 18, 1997). "Whore Tense". The Sydney Morning Herald. p. 3. ProQuest 363389723.
  7. ^ a b c d Simpson, Paul (n.d.). "Jane Jensen Songs, Albums, Reviews, Bio & More". AllMusic. Archived from the original on May 21, 2025. Retrieved May 19, 2025.
  8. ^ Lambert, Jane (September 21, 2022). "Video Voyager: Jane Jensen's "Changeling"". Modern Mystery. Retrieved May 19, 2025.
  9. ^ a b c d Mahan, Michael C. (Summer 1997). "Sonic Reviews". Industrialnation. No. 15. p. 66. ISSN 1062-449X – via Internet Archive.
  10. ^ a b Polonski, Tech-head (March 1997). "CD Reviews" (PDF). SLUG. No. 99. p. 30. OCLC 48819125. Archived (PDF) from the original on May 21, 2025. Retrieved May 19, 2025.
  11. ^ a b c d e Colon, Suzan (June 1997). "Teeny Stomper". Spin. Vol. 13, no. 3. p. 36. ISSN 0886-3032.
  12. ^ a b Eddy, Chuck (December 26, 1997). "Poppin' Fresh". LA Weekly. p. 36. ISSN 0192-1940 – via newspapers.com.
  13. ^ a b c d Langer, Andy (March 14, 1997). "Record Reviews". The Austin Chronicle. Archived from the original on September 8, 2014. Retrieved May 19, 2025.
  14. ^ a b Catlin, Roger (April 17, 1997). "Comic Book Whore - Jane Jensen Gore's Lyrics Shine For Depeche Mode; Lacey Mines the Past". Hartford Courant (Calendar). p. 5. ProQuest 255847733.
  15. ^ a b c d e f g Jenkins, Mark (June 8, 1997). "Songwriters with Attitude: Hippie Meets Hip-Hop". The Washington Post. ISSN 0190-8286. Archived from the original on May 21, 2025. Retrieved May 19, 2025.
  16. ^ a b c d e f g Campbell, Chuck (March 7, 1997). "Live has common 'Secret' to share". Knoxville News-Sentinel. p. T10. ProQuest 393428693.
  17. ^ a b c d Demalon, Tom (n.d.). "Jane Jensen: Comic Book Whore". AllMusic. Archived from the original on July 6, 2022. Retrieved July 6, 2022.
  18. ^ a b Baich, Karey Ridge (March 6, 1997). "Playback". Scene Entertainment Weekly. Vol. 28, no. 10. Cleveland. p. 25. JSTOR community.32630663.
  19. ^ a b Reece, Doug (October 19, 1996). "Popular Uprisings: Roadwork". Billboard. Vol. 108, no. 42. p. 24. ISSN 0006-2510.
  20. ^ a b c Wonsiewicz, Steve (March 7, 1997). "Jensen No Plain Jane" (PDF). R&R. No. 1187. p. 38. ISSN 0277-4860 – via worldradiohistory.com.
  21. ^ "Hip-hop hardens the hardcore of Limp Bizkit". Iowa State Daily. July 22, 1997. Retrieved May 19, 2025.
  22. ^ "Going for Airplay" (PDF). Billboard Rock Airplay Monitor. Vol. 4, no. 3. January 17, 1997. p. 1 – via worldradiohistory.com.
  23. ^ "Going for Airplay" (PDF). Billboard Rock Airplay Monitor. Vol. 4, no. 25. June 20, 1997. p. 1. Archived (PDF) from the original on May 19, 2024 – via worldradiohistory.com.
  24. ^ "Route Book" (PDF). Pollstar. May 26, 1997. p. 31. ISSN 1067-6945 – via worldradiohistory.com.
  25. ^ a b Christgau, Robert (2000). "Jane Jensen: Comic Book Whore". Christgau's Consumer Guide: Albums of the '90s. New York: St. Martin's Griffin. p. 150. ISBN 0-312-24560-2 – via Internet Archive.
  26. ^ a b Spinrad, Samantha (March 21, 1997). "Audio Files: Rock". St. Petersburg Times (Weekend). p. W18 – via newspapers.com.
  27. ^ Harrington, Richard (December 27, 1996). "Best of '96: Music". The Washington Post. p. N7. ISSN 0190-8286. Archived from the original on May 19, 2025. Retrieved May 19, 2025.

Further reading

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