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Cedric Ian Turner

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Cedric Ian Turner
Cedric Ian Turner (1948)
Born22 February 1922
Kew, Victoria, Australia
Died11 September 1983
NationalityAustralian
Other namesC. Ian Turner
EducationUniversity of Melbourne
OccupationArchitect
PracticeC. Ian Turner & Associates

Cedric Ian Turner (22 February 1922 – 11 September 1983) was an Australian architect and jazz enthusiast.

Life and career

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Born 22 February 1922 in Kew, Victoria, Cedric Ian Turner graduated Melbourne Grammar School and began a Bachelor in Architecture in 1939. Before completing his studies, he enlisted in the Australian Army in 1941, but was discharged after five months due to health problems.[1]

He worked as a draftsman for Sydney R. Bell & Associates until 1945 when he joined Yuncken, Freeman Brothers, Griffiths & Simpson.[1] Due to leaving his studies incomplete when he joined the Army, Turner wasn't able to register as an architect until April 1946 after completing additional studies in his spare time.[2] He later established his own practice C. Ian Turner & Associates in Melbourne, with work including a mix of small-scale residential projects and larger-scale industrial, commercial and civic projects.[2] His residential work was known for considering the occupants views in the home design.[3][4] C. Ian Turner & Associates were the architects behind a redevelopment of The Capitol Theatre in Melbourne, which begun in 1965, and included the creation of the Capitol Arcade.[5]

Turner continued his practice until the late 1970s, after which he became an associate to town planner Kenneth Bethell. He continued this work until his death in 1983.[1]

Jazz

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Outside of architecture, Turner was known for his interest in jazz within Australia.[6]

After serving in the war, Turner recorded several jazz sessions with Ade Monsbourgh and intended to release them under a new record label called Jelly Roll. But by 1946, he abandoned these plans because he was too busy with his architecture career.[7] Some of the acetates were given to Bill Miller and released on his Ampersand label,[8] and a full album of the Jelly Roll sessions was later released by the Australian Jazz Museum.[9]

Turner took over as editor of Jazz Notes, an Australian journal focus on jazz music originally founded in 1941.[10] He remained editor between January 1945 and June 1946, and was succeeded by John W. Rippin.[1] It was in an issue of the journal that he proposed holding a jazz convention in Melbourne over Christmas 1946, which resulated in the first Australian Jazz Convention.[11] The idea had previously been proposed to Turner by Ade Monsbourgh during the war.[12] During the 1949 Convention, Turner acted acted as MC.[13]

References

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  1. ^ a b c d Simpson-Bull, Ken (Feb 2020). "C. Ian Turner and the Jelly Roll Label" (PDF). AJazz (85): 6.
  2. ^ a b "C Ian TURNER". www.builtheritage.com.au. Retrieved 2025-05-24.
  3. ^ Perrott, Harry (1955-02-14). "View is important". Argus. Retrieved 2025-05-24.
  4. ^ Perrott, Harry (1956-12-07). "Home on stilts makes most of hill site". Argus. Retrieved 2025-05-24.
  5. ^ "Capitol Theatre Re-opening Late This Year". The Age. 3 Feb 1965. p. 5.
  6. ^ Haesler, Bill. "The Backroom Boys". Trove. Archived from the original on 2017-07-15. Retrieved 2025-05-24.
  7. ^ Miller, William H. (May 2011). "Letters to the Editor". VJazz (50): 2.
  8. ^ Kennedy, John (July 2001). "MORE ON THE C. IAN TURNER COLLECTION". VJazz (12): 1.
  9. ^ Australian Jazz Museum (2003), The Jelly Roll Label Sessions 1943 - 1945, Australian Jazz Museum, Compact Disc
  10. ^ Blackstone, Orin (1949). The Jazzfinder '49. The Archive of Contemporary Music. New Orleans, LA. : O. Blackstone.
  11. ^ Wilson, John Steuart (1966). Jazz : the transition years, 1940-1960. Internet Archive. New York : Appleton-Century-Crofts. pp. 135–136.
  12. ^ Rinaldo, Talia (2015-12-22). "Australian Jazz Convention". Forte Magazine. Retrieved 2025-05-24.
  13. ^ Currie, Gordon (31 Dec 1949). "Rubbing shoulders with giants of jazz". The Argus. p. 6.
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