After Bach II
After Bach II | ||||
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Recording by | ||||
Released | May 10, 2024 | |||
Recorded | April 18–20, 2017, June 21, 2023 | |||
Studio | Mechanics Hall (Worcester, Massachusetts) | |||
Label | Nonesuch | |||
Brad Mehldau chronology | ||||
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After Bach II is a solo album by pianist Brad Mehldau. It consists of five compositions from Johann Sebastian Bach's Well-Tempered Clavier and his Partita for keyboard No. 4, interspersed with pieces by Mehldau. The performances were recorded in 2017 and 2023 and released by Nonesuch Records in 2024.
Background
[edit]This album is a follow-up to Mehldau's After Bach, which was released in 2018.[1][2]
Music and recording
[edit]The album was recorded on April 18–20, 2017, and June 21, 2023, at Mechanics Hall, Worcester, Massachusetts.[3] The Bach material includes four preludes and a fugue from Well-Tempered Clavier and the Allemande movement of the Partita for keyboard No. 4.[3] The other pieces are by Mehldau, including his variations on the theme of Bach's Goldberg Variations.[3] The origin of these variations was an invitation for Mehldau to play at the Verbier Festival; he did not want to play one of Bach's originals in a program performed by classical pianists, so instead improvised a variation.[4] Two of Mehldau's variations on the album are in 5
8 time and one is in 7
4.[5]
Release and reception
[edit]Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
DownBeat | ![]() ![]() ![]() ![]() ![]() |
After Bach II was released by Nonesuch Records on May 10, 2024.[3] The AllMusic reviewer mentioned the variations on the Goldberg Variations as a highlight, writing: "these are unlike anything done elsewhere, and they provide new avenues that one hopes Mehldau will explore in further releases".[1] The DownBeat reviewer wrote: "The precise and intricate hallmarks of Baroque-era melody and harmony writing bond the two composers and give After Bach II its technical untiy. [...] The album stimulates, challenges and provides fastidious guidance all at once."[6]
Track listing
[edit]All compositions by Brad Mehldau except where noted.
- "Prelude to Prelude" – 1:22
- "Prelude No. 9 in E Major from The Well-Tempered Clavier, Book I, BWV 854" (Johann Sebastian Bach) – 1:48
- "Prelude No. 6 in D Minor from The Well-Tempered Clavier Book I, BWV 851" (Bach) – 1:18
- "After Bach: Toccata" – 14:42
- "Partita for Keyboard No. 4 in D Major, BWV 828: II. Allemande" (Bach) – 8:11
- "After Bach: Cavatina" – 5:16
- "Prelude No. 20 in A Minor from The Well-Tempered Clavier Book I, BWV 865" (Bach) – 1:07
- "Between Bach" – 6:05
- "Fugue No. 20 in A Minor from The Well-Tempered Clavier Book I, BWV 865 (Bach) – 3:55
- "Intermezzo" – 1:26
- "Variations on Bach's Goldberg Theme: Aria-like" – 3:39
- "Variations on Bach's Goldberg Theme: Variation I, Minor 5/8 a" – 2:12
- "Variations on Bach's Goldberg Theme: Variation II, Minor 5/8 b" – 1:10
- "Variations on Bach's Goldberg Theme: Variation III, Major 7/4" – 2:31
- "Variations on Bach's Goldberg Theme: Variation IV, Breakbeat" – 1:40
- "Variations on Bach's Goldberg Theme: Variation V, Jazz" – 2:03
- "Variations on Bach's Goldberg Theme: Variation VI, Finale" – 1:40
- "Prelude No. 7 in E-Flat Major from The Well-Tempered Clavier Book I, BWV 852" (Bach) – 3:59
- "Postlude" – 2:16
Source:[3]
Personnel
[edit]- Brad Mehldau – piano
References
[edit]- ^ a b c Manheim, James. "Brad Mehldau – After Bach II". AllMusic. Retrieved April 27, 2025.
- ^ Collette, Doug (May 8, 2024). "Brad Mehldau Dives Deep with Intricate Two Nonesuch Releases 'After Bach II' & 'Après Fauré' (Album Reviews)". Glide Magazine. Retrieved April 27, 2025.
- ^ a b c d e "After Bach II by Brad Mehldau". nonesuch.com. Retrieved April 27, 2025.
- ^ "After Bach II". bradmehldau.com. Retrieved April 27, 2025.
- ^ Wine, Steven (May 6, 2024). "Music Review: Brad Mehldau Connects Bach, Fauré to Jazz on Albums, 'After Bach II' and 'Après Fauré'". Associated Press. Retrieved April 27, 2025.
- ^ a b Grunenberg, Kira (July 2024). "Brad Mehldau: After Bach II". DownBeat. Vol. 91, no. 7. p. 53.