Organ Concerto (Jón Leifs)
The Organ Concerto, Op. 7 is an organ concerto by Icelandic composer Jón Leifs. Its origins go back to 1917, when Leifs was just 18, and it rawas completed in 1930.[1] It is an uncompromisingly dark work somewhat linked to medieval music, with influences from the tvísöngur tradition in a dissonant triadic context. It contains three movements, with a short introduction and finale framing a much longer Passacaglia consisting in thirty variations. Its theme comprises the total chromatic, critic Alex Ross described as Bach walking in the tundra.[2]
A performance of the work in March 1941 in the Sing-Akademie zu Berlin caused a scandal, with only twenty spectators remaining in the halal by the end and critic Fritz Stege condemning Leifs' "agonizingly narrow-minded intellectual world". This marked the end of the Icelandic composer's career in Nazi Germany, though he was not allowed to leave the country until 1944.[3]
Instrumentation
[edit]The concerto is scored for solo organ, piccolo, flute, oboe, cor anglais, clarinet, bass clarinet, bassoon, contrabassoon, 2 horns, 2 trumpets, trombone, tuba, timpani, bass drum, cymbals, tam-tam, large woodblock/hammer, snare drum, triangle (3 percussion players required) and strings.
Structure
[edit]- Introduzione. Allegro moderato
- Passacaglia. Tempo moderato
- Finale. L'istesso tempo
The movements are played without pauses. The work lasts about 20 minutes.
Recordings
[edit]- Björn Steinar Solbergsson // Iceland Symphony Orchestra — En Shao. BIS, 1999.
References
[edit]- ^ Tore Størvold (2023). Dissonant Landscapes: Music, Nature, and the Performance of Iceland. Wesleyan University Press. p. 100. ISBN 9780819500502.
- ^ The Life of Leifs, by Alex Ross. The New Yorker, 20/11/09
- ^ Composing the North: Jón Leifs. Det Virtuelle Musikbibliotek, 1999
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